Casio At5 User Manual

							Reference
E-149
Be sure to read and observe the following operating 
precautions.
■Location
Avoid the following locations for this product.
 Areas exposed to direct sunlight and high humidity
 Areas subjected to temperature extremes
 Near a radio, TV, video deck, or tuner
The above devices will not cause malfunction of the 
product, but the product can cause interference in the audio 
or video of a nearby device.
■User Maintenance
 Never use benzine, alcohol, thinner, or other chemical 
agents to clean the product.
 To clean the product or its keyboard, wipe with a soft cloth 
moistened in a weak solution of water and a mild neutral 
detergent. Wring all excess moisture from the cloth before 
wiping.
■Included and Optional Accessories
Use only accessories that are specified for use with this 
product. Use of unauthorized accessories creates the risk of 
fire, electric shock, and personal injury.
■AC Adaptor Handling Precautions
 Use a power outlet that is easily accessible so you can 
unplug the AC adaptor when a malfunction occurs or 
whenever else you need to do so.
 The AC adaptor is intended for indoor use only. Do not use 
it where it might be exposed to splashing or moisture. Do 
not place any container, such as a flower vase, that 
contains liquid on the AC adaptor.
 Store the AC adaptor in a dry place.
 Use the AC adaptor in an open, well-ventilated area.
 Never cover the AC adaptor with newspaper, a table cloth, 
a curtain, or any other similar item.
 Unplug the AC adaptor from the power outlet if you do not 
plan to use the product for a long time.
 Never try to repair the AC adaptor or modify it in any way.
 AC adaptor operating environment
Temperature: 0 to 40°C
Humidity: 10% to 90% RH
 Output polarity: &
■Weld Lines
Lines may be visible on the exterior of the product. These are 
“weld lines” that result from the plastic molding process. They 
are not cracks or scratches.
■Musical Instrument Etiquette
Always be aware of others around you whenever using this 
product. Be especially careful when playing late at night to 
keep the volume at levels that do not disturb others. Other 
steps you can take when playing late at night are closing 
windows and using headphones.
Operating Precautions 
						

							Reference
E-150
The table below shows the preset DSPs that can be selected by the procedure under “To use a DSP” (page E-34).
 The “Number” column shows DSP numbers, while the “Screen Name” shows the DSP name that appears on the display.
 The DSPs of this Digital Keyboard consist of the 46 “types” shown in the “DSP Type List” (page E-151). A preset DSP is a 
variation that is derived from one of these 46 types.
DSP Effect List
Preset DSP List
NumberScreen NameType Number
001 Comp 1 02
002Comp 202
003 Enhance1 04
004Enhance204
005 Phaser 1 07
006Phaser 207
007 Phaser 3 07
008Chorus 109
009 Chorus 2 09
010Chorus 309
011 Chorus 4 09
012Chorus 509
013 CmpCho 1 24
014CmpCho 224
015 RefCho 41
016Flanger108
017 Flanger2 08
018Flanger308
019 Flanger4 08
020CmpFln25
021 Delay 1 10
022Delay 210
023 Delay 3 10
024Delay 410
025 Delay 5 10
026Reflect111
027 Reflect2 11
028Reflect311
029 CmpRef 26
030ChoRef 136
031 ChoRef 2 36
032ChoRef 336
033 FlnRef 1 38
034FlnRef 238
035 FlnRef 3 38
036Tremolo6
037 CmpTrm 27
038TrmRef46
039 TrmCho 1 44
040TrmCho 244
041 TrmFln 1 45
042TrmFln 245
043 TrmDst 1 43
044TrmDst 243
045 AutoPan 05
046CmpPan28
047 ChoPan 1 37
048ChoPan 237
049 FlnPan 1 39
050FlnPan 239
051 RefPan 1 42
052RefPan 242
053 Rotary 1 12
054Rotary 212
055 Rotary 3 12
056Rotary 412
057 Rotary 5 12
058Wah 101
059 Wah 2 01
060Wah 301
061 Wah 4 01
062CmpWah22
063 WahCho 1 17
064WahCho 217
065 WahFln 1 18
066WahFln 218
067 WahDst 1 16
068WahDst 216
069 WahTrm 1 20
070WahTrm 220
071 WahPan 1 21
072WahPan 221
073 WahRef 1 19
074WahRef 219
075 WahCmp 1 15
076WahCmp 215
077 Dist 1 03
078Dist 203
079 Dist 3 03
080DstCmp30
081 CmpDst 23
082DstTrm 134
083 DstTrm 2 34
084DstPan 135
085 DstPan 2 35
086DstCho 131
087 DstCho 2 31
088DstFln 132
089 DstFln 2 32
090DstFln 332
091 DstWah 1 29
092DstWah 229
093 DstWah 3 29
094DstWah 429
095 DstRef 33
096RefDst40
097 Lo-Fi 14
098RingMod113
099 RingMod2 13
100RingMod313
NumberScreen NameType Number 
						

							Reference
E-151
All of the Digital Keyboard’s preset DSPs belong to one of the DSP types shown in the table below. When creating a user DSP 
(page E-35) or when using the tone editor (page E-44) to edit the DSP applied to a tone, you need to select one of the DSP types 
in the table.
 Type numbers 01 through 14 are single type DSPs, while numbers 15 through 46 are dual type DSPs. A single type DSP is one 
with a single structure, while a dual type is a combination of two single type DSPs.
 The name of a dual DSP is formed by its two constituent single DSP names, in the order that they are applied. For example, type 
15 named “Wah-Compressor” connects in line to “Wah” and “Compressor”, in that sequence.
 For details about parameters that can be configured with each DSP type, refer to the sections shown in the table below.
DSP Type List
For information about this DSP type:Go here:
Single type (Type numbers 01 through 14)Single Type DSP Parameters (page E-152)
Dual type (Type numbers 15 through 46) Dual Type DSP Parameters (page E-154)
Type NumberDSP Type NameScreen Name
01 Wah Wah
02CompressorComp
03 Distortion Dist
04EnhancerEnhance
05 AutoPan AutoPan
06TremoloTremolo
07 Phaser Phaser
08FlangerFlanger
09 Chorus Chorus
10DelayDelay
11 Reflection Reflect
12RotaryRotary
13 RingModulator RingMod
14Lo-FiLo-Fi
15 Wah-Compressor WahCmp
16Wah-DistortionWahDst
17 Wah-Chorus WahCho
18Wah-FlangerWahFln
19 Wah-Reflection WahRef
20Wah-TremoloWahTrm
21 Wah-AutoPan WahPan
22Compressor-WahCmpWah
23 Compressor-Distortion CmpDst
24Compressor-ChorusCmpCho
25 Compressor-Flanger CmpFln
26Compressor-ReflectionCmpRef
27 Compressor-Tremolo CmpTrm
28Compressor-AutoPanCmpPan
29 Distortion-Wah DstWah
30Distortion-CompressorDstCmp
31 Distortion-Chorus DstCho
32Distortion-FlangerDstFln
33 Distortion-Reflection DstRef
34Distortion-TremoloDstTrm
35 Distortion-AutoPan DstPan
36Chorus-ReflectionChoRef
37 Chorus-AutoPan ChoPan
38Flanger-ReflectionFlnRef
39 Flanger-AutoPan FlnPan
40Reflection-DistortionRefDst
41 Reflection-Chorus RefCho
42Reflection-AutoPanRefPan
43 Tremolo-Distortion TrmDst
44Tremolo-ChorusTrmCho
45 Tremolo-Flanger TrmFln
46Tremolo-ReflectionTrmRef
Type NumberDSP Type NameScreen Name 
						

							Reference
E-152
■Single Type DSP Parameters
01: Wah
This is a “wah” effect that can automatically affect the 
frequency using an LFO.
Parameters and Value Ranges:
1 : Resonance
 (0 to 127)
Adjusts the strength of resonance.
2 : Manual
 (0 to 127)
Adjusts the wah filter reference frequency.
3:LFO Rate
 (0 to 127)
Adjusts the LFO rate.
4 : LFO Depth
 (0 to 127)
Adjusts the LFO depth.
5:LFO Waveform
 (off, sin, tri, random)
Selects the LFO waveform.
02: Compressor
Compresses the input signal, which can have the effect of 
suppressing level variation and make it possible to sustain 
dampened sounds longer.
Parameters and Value Ranges:
1 : Attack
 (0 to 127)
Adjusts the attack amount of the input signal. A smaller 
value causes prompt compressor operation, which 
suppresses the attack of the input signal. A larger values 
delays compressor operation, which causes the attack of 
the input signal to be output as-is.
2 : Release
 (0 to 127)
Adjusts the time from the point the input signal drops 
below a certain level until the compression operation is 
stopped. When an attack feeling is desired (no 
compression at the onset of sound), set this parameter to 
as low a value as possible. To have compression applied 
at all times, set a high value.
3 : Level
 (0 to 127)
Adjusts the output level.
4:Threshold
 (0 to 127)
Adjusts the volume level at which the compression 
operation starts.
03: Distortion
Digital distortion that applies an overtone to the input signal 
and distorts it.
Parameters and Value Ranges:
1:Gain
 (0 to 127)
Adjusts the input signal gain.
2 : Level
 (0 to 127)
Adjusts the output level.
04: Enhancer
Phase shifts low-range sounds and high-range sounds of the 
input signal to enhance the signal’s profile.
Parameters and Value Ranges:
1 : Low Frequency
 (0 to 127)
Adjusts the low range enhancer frequency.
2 : Low Phase
 (0 to 127)
Adjusts the phase shift amount of the low-range enhancer.
3 : High Frequency
 (0 to 127)
Adjusts the high range enhancer frequency.
4 : High Phase
 (0 to 127)
Adjusts the phase shift amount of the high-range 
enhancer.
05: Auto Pan
Performs continual left-right panning of the input signal using 
an LFO.
Parameters and Value Ranges:
1:LFO Rate
 (0 to 127)
Adjusts the panning rate.
2 : LFO Depth
 (0 to 127)
Adjusts the panning depth.
3 : LFO Waveform (sin, tri)
Selects the LFO waveform.
06: Tremolo
Adjusts the volume of the input signal using an LFO.
Parameters and Value Ranges:
1:LFO Rate
 (0 to 127)
Adjusts the tremolo rate.
2 : LFO Depth
 (0 to 127)
Adjusts the tremolo depth.
3 : LFO Waveform (sin, tri)
Selects the LFO waveform.
07: Phaser
Produces a distinctive pulsating, broad sound by using an 
LFO to change the phase of the input signal and then mixes it 
with the original input signal.
Parameters and Value Ranges:
1 : Resonance
 (0 to 127)
Adjusts the strength of the resonance.
2:LFO Rate
 (0 to 127)
Adjusts the LFO rate.
3 : LFO Depth
 (0 to 127)
Adjusts the LFO depth.
4 : LFO Waveform (sin, tri, random)
Selects the LFO waveform.
DSP Parameter List 
						

							Reference
E-153 08: Flanger
Applies wildly pulsating and metallic reverberation to sounds. 
LFO waveform is selectable.
Parameters and Value Ranges:
1:LFO Rate
 (0 to 127)
Adjusts the LFO rate.
2 : LFO Depth
 (0 to 127)
Adjusts the LFO depth.
3 : LFO Waveform (sin, tri, random)
Selects the LFO waveform.
4 : Feedback
 (0 to 127)
Adjusts the strength of feedback.
09: Chorus
Gives sounds depth and breadth. Chorus type is selectable.
Parameters and Value Ranges:
1:LFO Rate
 (0 to 127)
Adjusts the LFO rate.
2 : LFO Depth
 (0 to 127)
Adjusts the LFO depth.
3 : LFO Waveform (sin, tri)
Selects the LFO waveform.
4 : Feedback (0 to 127)
Adjusts the strength of feedback
5 : Type (mono, stereo, tri)
Selects the chorus type.
10: Delay
Delays the input signal and feeds it back to create a repeating 
effect and give sounds more breadth.
Parameters and Value Ranges:
1:Delay Time
 (0 to 127)
Adjusts the delay time.
2 : Feedback
 (0 to 127)
Adjusts the repeat of the delay.
3 : Ratio Lch
 (0 to 127)
Adjusts the delay time of the left channel. This value is a 
ratio of the value specified for Delay Time.
4 : Ratio Rch
 (0 to 127)
Adjusts the delay time of the right channel. This value is a 
ratio of the value specified for Delay Time.
5 : Wet Level (0, 1, 2, 3, 4, 5)
Adjusts the level of the delay sound.
6 : Type (1, 2)
Selects the delay type.
Important!
When adjusting the delay time and type, certain settings can 
result in a switching sound in the delay.
11: Reflection
An effector that extracts early reflections from reverb. Applies 
acoustic presence to sounds.
Parameters and Value Ranges:
1 : Type (1, 2, 3, 4, 5, 6, 7, 8)
Selects from among the eight available reflection patterns.
2 : Feedback
 (0 to 127)
Adjusts the repeat of the reflected sound.
12: Rotary
This is a rotary speaker simulator.
Parameters and Value Ranges:
1 : Overdrive Gain (0, 1, 2, 3)
Adjusts overdrive gain.
2 : Overdrive Level
 (0 to 127)
Adjusts the overdrive output level.
3 : Speed (Slow, Fast)
Switches the speed mode between fast and slow.
4 : Brake (Rotate, Stop)
Stops speaker rotation.
5 : Fall Acceleration
 (0 to 127)
Adjusts acceleration when the speed mode is switched 
from fast to slow.
6 : Rise Acceleration
 (0 to 127)
Adjusts acceleration when the speed mode is switched 
from slow to fast.
7 : Slow Rate
 (0 to 127)
Adjusts the speaker rotation speed in the slow speed 
mode.
8 : Fast Rate
 (0 to 127)
Adjusts the speaker rotation speed in the fast speed 
mode.
13: Ring Modulator
Multiplies the input signal with an internal oscillator signal to 
create a metallic sound.
Parameters and Value Ranges:
1 : OSC Frequency
 (0 to 127)
Sets the reference frequency of the internal oscillator.
2:LFO Rate
 (0 to 127)
Adjusts the LFO rate.
3 : LFO Depth
 (0 to 127)
Adjusts the LFO depth.
4 : Type (1, 2, 3)
1 : Delay repeat determined by Delay Time.
2 : Delay repeat determined by Delay Time and Ratio L/R.1 : Outputs the ring modulated signal only.
2 : Outputs the ring modulated signal and the input signal.
3 : Outputs a signal with a chorus effect applied to 2 (ring 
modulated signal and input signal). 
						

							Reference
E-154
14: Lo-Fi
Applies various types of noise to the input signal to reproduce 
a retro Lo-Fi sound.
Includes wow and flutter for rotational fluctuation like that in 
tapes and records, a Noise 1 generator that generates 
continual FM radio type, and a Noise 2 generator that 
generates record play types scratch noise.
Parameters and Value Ranges:
1 : Wow and Flutter Rate
 (0 to 127)
Adjusts the wow and flutter rate.
2 : Wow and Flutter Depth
 (0 to 127)
Adjusts the wow and flutter depth.
3 : Noise1 Level (0, 1, 2, 3, 4, 5)
Adjusts the level of Noise Generator 1.
4 : Noise2 Level (0, 1, 2, 3, 4, 5)
Adjusts the level of Noise Generator 2.
5 : Noise2 Density (0, 1, 2, 3, 4, 5)
Adjusts the frequency of Noise Generator 2.
6 : Bit (0, 1, 2, 3)
Distorts the sound. A larger number produces greater 
distortion.
Important!
Raising the noise level while a note is not sounding will cause 
noise to sound, even if there is no input signal.
■Dual Type DSP Parameters
Dual type DSPs are configured by combining two different 
single type DSPs. Use the procedure below to determine what 
parameters that can be configured for each dual type DSP, 
and the operation, and setting ranges of dual type DSPs.
Example: Type number 29: Distortion-Wah
1. The DSP type name has two parts: a left side part and a 
right side part.
Distortion-Wah 3 “Distortion” and “Wah”
2. Find out what parameters you can configure by looking up 
the left side part of a dual type DSP in the “Type Name” 
column of the table below.
3. Find the same type names in the table under “Single Type 
DSP Parameters” on pages E-152 through E-154, and note 
the operation and setting ranges of the items that are the 
same as those shown in the “Configurable Parameters” 
column of the above table.
4. Next, repeat steps 2 and 3 above for the right side part of 
the dual type DSP parameter name.
Type NameConfigurable Parameters
Wah LFO Waveform
LFO Rate
LFO Depth
Distortion Gain
Level
Chorus LFO Waveform
LFO Rate
LFO Depth
Flanger LFO Waveform
LFO Rate
LFO Depth
Reflection Feedback
Compressor Threshold
Level
Auto Pan LFO Waveform
LFO Rate
LFO Depth
Tremolo LFO Waveform
LFO Rate
LFO Depth
 In our “Distortion-Wah” example, the left side part of the 
name is “Distortion” so we can see in the above table 
that “Gain” and “Level” parameters can be configured. 
You can find out about the operations and setting ranges 
of “Gain” and “Level” by referring to “03: Distortion” on 
page E-152.
 The parameter numbers that appear on the parameter 
setting screen start from 1, and the number is 
incremented for each successive parameter.
The parameter numbers of our “Distortion-Wah” example 
would be as shown below.
1: Gain
2: Level
3: LFO Waveform
4: LFO Rate
5: LFO Depth 
						

							Reference
E-155
In addition to the chords that can be fingered with Fingered 1 
and Fingered 2, the following chords also are recognized.
 With Fingered 3, the lowest note fingered is interpreted as 
the base note. Inverted forms are not supported.
 With Full Range Chord, when the lowest note fingered is a 
certain distance from the neighboring note, the chord is 
interpreted as a fraction chord.
 Unlike Fingered 1, 2, and 3, Full Range Chord requires 
pressing of at least three keys to form a chord.
Fingering Guide
Fingered 1, Fingered 2 Chords
*1  With Fingered 2, interpreted as Am7.
*2  With Fingered 2, interpreted as Am7b
5.
*3  Inverted form not supported in some cases.
C
Cm
Cdim
Caug 
*3
Csus4 *3
Csus2 *3
C7
Cmadd9
CmM7
Cdim7 
*3
C69 *3
C6 *1 *3
Cm6 *2 *3
Cm7 *3
CM7
Cm7
b5 *3
C7sus4
Cadd9 C7
b5 *3
Fingered 3, Full Range Chords
Supported Input Characters
C#
CD
CE
CF
CG
CAb
CBb
CB
CC#m
CDm
C
Gm
CAm
CBbm
CDdim
CAb7
CF7
CFm7
CGm7
CAbadd9
C
Fm
C     
      
						

							Reference
E-156
Chord Example List
Root
Chord
TypeM
m
dim
aug
sus4
sus2
7
m7
M7
m7b57b5
7sus4
add9
madd9
mM7
dim7
69
6
m6(
A#
)
/Bb
B F#
/(
Gb
)
G(
G#
)
/Ab
A F CC#
/(
Db
)
D(
D#
)
/Eb
E
 Since the chord input range is limited, this model may not support some of the chords shown above. 
						

							Reference
E-157
The following shows the relationship between MIDI IN and MIDI OUT channels and each part.
*The A01 part MIDI OUT channel depends on the keybaord channel setting. For details, see “KeyboardCh  (Keyboard Channel)” 
(page E-128).
 For details about parts, see “How Parts are Organized” (page E-38).
Assigning a MIDI Channel to Each Part
This 
part:MIDI ChannelPart nameINOUT
A01 --  01*Upper1
A02--02Upper2
A03 -- 03 Lower
A04--04Harmonize
A05 -- 05 System Upper1
A06--06System Upper2
A07 -- 07 System Lower
A08----Metronome
A09 -- 09 Percussion
A10--10Drum
A11 -- 11 Bass
A12--12Chord1
A13 -- 13 Chord2
A14--14Chord3
A15 -- 15 Chord4
A16--16Chord5
This 
part:MIDI ChannelPart nameINOUT
B01 01 01
SEQUENCER TRACK/MIDI 01
B020202SEQUENCER TRACK/MIDI 02
B03 03 03SEQUENCER TRACK/MIDI 03
B040404SEQUENCER TRACK/MIDI 04
B05 05 05SEQUENCER TRACK/MIDI 05
B060606SEQUENCER TRACK/MIDI 06
B07 07 07SEQUENCER TRACK/MIDI 07
B080808SEQUENCER TRACK/MIDI 08
B09 09 09SEQUENCER TRACK/MIDI 09
B101010SEQUENCER TRACK/MIDI 10
B11 11 11SEQUENCER TRACK/MIDI 11
B121212SEQUENCER TRACK/MIDI 12
B13 13 13SEQUENCER TRACK/MIDI 13
B141414SEQUENCER TRACK/MIDI 14
B15 15 15SEQUENCER TRACK/MIDI 15
B161616SEQUENCER TRACK/MIDI 16 
						

							Reference
E-158
Parameter List
To check this setting item:Refer to this column in 
the table below:
Setting items that are always saved when power is turned off
1
Setting items stored in registration memory (page E-61)2
When “on” is selected for the “AutoResume  (Auto Resume)” setting (page E-129), setting items 
that are restored to those in effect the last time power was turned off
3
Items that are stored as “Default  (Default Settings)” (page E-129)
Settings items initialized by the “To initialize all mixer parameters” operation (page E-40)
4
Setting items initialized when “Parameter” (parameter settings only) is selected by “Initialize  
(Initialize)” (page E-129)5
Setting Item12345User Memory ItemsUser rhythms, user tones, user DSPs, 
user presetsO
Registration, scale memoryOFunction Menu Item
TuningOO
Touch ResponseOOO
Touch Off VelocityOO O
Pedal AssignOOO
Bend Range*1OOArpeggiator HoldOOO
Arpeggiator SpeedOO O
Arpeggiator PartOOO
Registration Filter 
(Accompaniment/Scale)O
Song Pre-count SoundOO
Song Repeat PlayOO
Auto Accompaniment VolumeO*2OO
Song VolumeOO
Metronome VolumeOOO
Audio VolumeOO
Keyboard ChannelOO
Local ControlO
Accompaniment MIDI OutO
Speaker ON/OFFOO
LCD ContrastOAuto Power OffOOAuto RecoverOOther ItemsTone Number*1OOOO
Rhythm NumberO*2OOMusic Preset NumberO
TransposeOO O
Split On/OffOOO
Split PointOO O
Layer On/OffOOO
Octave Shift*3OO OAccompaniment On/OffO*2OO
Chord Fingering ModeO*2OOAuto Harmonize On/Off/TypeOOO
Metronome BeatOO
Chorus/DSPO
DSP DisableO
Reverb (On, Off, Type)OOO
Chorus TypeOO ODSP TypeOOO
TempoO*2OOSynchro StandbyO*2
Scale Preset NumberOOScale RootOO
Scale Fine TuningO*4OOAccompaniment ScaleO*4OOO
Accompaniment Part On/OffO*2OOMode (Rhythm/Card) Selection StatusOCard Song numberOLeft-hand Part SelectO
Right-hand Part SelectO
Registration Bank NumberOO
Rhythm Category NumberOO
Tone Category NumberOO
Music Preset Category NumberO
Mixer Settings for Part A01 through A04
Part On/Off*1OOOPart Volume*1OOOO
Part Pan*1OOOOPart Coarse Tuning*1OOOO
Part Fine Tuning*1OOOOPart Bend Range*1OOOO
Part DSP Line On/Off*1OOOOPart Reverb Send*1OOOO
Part Chorus Send*1OOOOPart Scale Enable*1OOO
Mixer Settings for Master, DSP and MIC/
INST, and for Parts A05 through A16, and 
Parts B01 through B16O
*1  Configured for each of the following parts: A01 through 
A04 (UPPER 1, UPPER 2, LOWER, Auto Harmonize).
*2  Not recalled when “on” is selected for “RegFltAcmp” (page 
E-127).
*3 Configured for each of the following parts: A01 through 
A03 (UPPER 1, UPPER 2, LOWER).
*4 Not recalled when “on” is selected for “RegFltScal” (page 
E-127).
Setting Item12345