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Tascam Digital Mixer TM-D1000 Tutorial Manual

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Page 1

TM-D1000
Digital Mixer Tutorial
January 1999
Section I
Section II
Section III
Section IV
Section V
Section VI
Section VII
Section VIII
Section IX
Section X
Section XI
Section XII
Section XIII
Section XIV
Section XV
Overview of the TM-D1000
Crash Course in Digital Audio
Recording Hook-up Instructions
Navigating the TM-D1000
Buss+Aux=4
Effect Set-ups
Buss Out vs. Direct Out
AES/EBU and SPDIF in/out
Live Sound Applications
Recording Applications
TM-D1000 QuickStart
MIDI Implementation
What the Heck is...

Page 2

EQIn/Out
Freq
Freq
Freq
Gain
Gain
Que
GainLOW-fLOW-GHI-fHI-G81Hz012.3kHz0
PadMID-fMID-GMID-Q0dB1.0k01.71
EQ
Aux 2
Aux 4
Aux 1
Aux 3Pre/Post
Pre/Post
Pre/Post
Pre/Post
AUX
1-2 Pan-Level34CTR000
1-234PostPostPost
2-01Concert HallIn:100Dir: 0Eff:100
TypeRev-THall52ms98P-DlyDiff2.8sEffects/Dynamics
SNAPSHOT*000TM-D1000 Preset
S-001 [Transition Time]4.7s?Snapshot
Recall
On the next page, we have shown the TM-D1000 with a familiar analog mixe\
r layout.  You can refer
to this if you are looking for specific...

Page 3

FreqFreqFreq
FreqFreqFreq
FreqFreqFreq
EQIn/Out
FreqFreqFreq
GainGain
Cue
GainMUTEPanL-R1-23-4Direct
Trim
Pad
Aux 2Aux 4Aux 1Aux 3
Pre/PostPre/PostPre/PostPre/Post
EQIn/Out
FreqFreqFreq
GainGain
Cue
GainMUTEPanL-R1-23-4DirectTrim
Pad
Aux 2Aux 4Aux 1Aux 3
Pre/PostPre/PostPre/PostPre/Post
EQIn/Out
FreqFreqFreq
GainGain
Cue
GainMUTEPanL-R1-23-4DirectTrim
Pad
Aux 2Aux 4Aux 1Aux 3
Pre/PostPre/PostPre/PostPre/Post
EQIn/Out
FreqFreqFreq
GainGain
Cue
GainMUTEPanL-R1-23-4DirectTrim
Pad
Aux 2Aux 4Aux 1Aux 3...

Page 4

Whether your studio is digital or analog, there are a few things you nee\
d to know before really getting
into any recording.  When digital audio devices are linked together, it \
is imperative that the user
understand terms like word clock, sample rate, and bit rate.  So, here’s a crash course in digital audio.
Recovering
Sample Data
0000000000000000
----- OVER -----
1000000000000000...

Page 5

Section III
Recording Hook-up Instructions
Section III, page 1TASCAM TM-D1000 Tutorial1/99
MMC-38
TASCAM DA-38
TASCAM PA-150 DUAL POWER AMPLIFIERTASCAM CDRW-5000
Connecting a TASCAM
DA-38, DA-88, or DA-98
TDIF-1 A
TDIF I/O
AES/EBUINPUTBALANCEDANALOGOUTPUT
EXT INDIGITAL I/OOUTPUT AMIDI INMIDI OUTMONITOR OUTPUT
AMP INPUT
MIDI INMIDI OUT
REMOTEOUT
SYNCIN
1) Connect a TDIF cable
from the TDIF port of the
DTRS Machine (i.e. DA-
38, DA-88, DA-98) to the
TDIF1-A port on the
TM-D1000.  (Part
#CUPW88D/CUPW88DL)...

Page 6

Section III, Continued
Section III, page 2TASCAM TM-D1000 Tutorial1/99
Connecting an ADAT
or other Lightpipe machine
TASCAM PA-150 DUAL POWER AMPLIFIERTASCAM DA-45HR
IF-TADMMC/SYNC
AES/EBUINPUT
BALANCEDANALOGOUTPUT
EXT INTDIF-1 A
TDIF I/OWORD SYNC
WORD SYNC INMONITOR OUTPUTMIDI IN
MIDI OUT
MIDI OUT
MIDI IN
DIGITAL I/OOUTPUT A
OPTICALOUT
OPTICALOUTOPTICAL
IN
OPTICALINSYNC OUT
SYNC INSYNC OUT
SYNC IN
AMP INPUT
1) Connect a TDIF cable
from the TDIF1-A port of
the TM-D1000 to the IF-
TAD.
2) Connect optical...

Page 7

1) Press SHIFT and PARAM SEL simultaneously.
OptionSystem?
2) Rotate the DATA ENTRY dial to SYSTEM.
Press ENTER.
SystemMaster Clock Select?
3) Rotate the DATA ENTRY dial to Master Clock Select.
Press ENTER.
Master Clock SelectTDIF-1 A?
4) Rotate the DATA ENTRY dial to the appropriate source.
Press ENTER.
TASCAMTM-D1000
If you are using a DA-38 or DA-98, your master word clock should be set to TDIF1 A.  This makes your
Multitrack machine the word clock master.  The DA-38 and DA-98 can both \
transmit word...

Page 8

The faders, pan pots, and mute/solo buttons are all dedicated per channe\
l giving you instant access to
all of these parameters on all channels simultaneously.  Bussing, EQ, an\
d Aux are all handled one
channel (or stereo pair) at a time.  In other words, you select which \
channel you want to change and
then start modifying the parameters.
To select a channel, press the
CH SEL button located on the
channel strip.  You can group
channels together by simply
pressing the adjacent CH SEL
buttons at the...

Page 9

Section IV, Continued
Section IV, page 2
The digital pad is in the EQ screen just in case you boost the EQ to the\
point of distorting the channel.  When you boost the gain on the EQ, you\
are actually increasing the volume of the signal.  If the volume is boos\
ted
too much, the channel can overload.  So, we put the digital pad into the\
LOW-fLOW-GHI-fHI-G81Hz012.3kHz0
PadMID-fMID-GMID-Q0dB1.0k01.71
TASCAMTM-D1000
The black faders at thebottom right are yourmaster aux sends.
The EFFECT RETURN andAUX...

Page 10

Section IV, Continued
Section IV, page 3TASCAM TM-D1000 Tutorial1/99
When you are ready to change the configuration of the mixer from the def\
ault settings, it is important to
know that the busses (1-2, 3-4) share the routing with the auxiliaries\
.  So, you can have 4 busses and no
auxiliaries, 2 busses and 2 auxiliaries, or no busses and 4 auxiliaries.\
  For more information on this, read
Section V - Buss+Aux=4.
Note:  The following walk-through assumes you have not changed the mixer\
 from the...
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