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    							Digital Mixing Console
    to
                                 AUTOMATION MANUAL 
    						
    							 Table of Contents
    2 TASCAM DM-24 Automation
    1 – Introduction
    Using This Manual  ....................................... 3
    Automated Controls  .................................... 4
    A Note on Touch-Sensitive Faders  ......................... 4
    Setup ............................................................ 5
    LTC ...................................................................... 5
    MTC ...................................................................... 5
    2 – Quick Start
    Starting out with the time code  ............................ 6
    Access the automation screens  .............................. 6
    Turn on the automation  ......................................... 6
    Make the initial settings ......................................... 7
    Store the current settings ....................................... 7
    Write some fader moves  ........................................ 7
    Write some mute moves ......................................... 7
    Write some Aux send moves .................................. 8
    Writing POD moves ................................................. 8
    Trimming existing mix moves  ................................ 8
    Finishing up  ............................................................. 8
    3 – Automation Overview
    Modes ........................................................... 9
    Auto ...................................................................... 9
    Write ...................................................................... 9
    Trim .................................................................... 10
    Static .................................................................... 10
    Safe .................................................................... 10
    Off .................................................................... 10
    Rehearse ................................................................ 11
    Displays ....................................................... 11
    AUTO MAIN ............................................................11
    AUTO FILES .............................................................14
    AUTO CONFIG  ........................................................15
    Channel LED Indicators  .............................. 15
    4 – Operation
    Setting Up Your Mix  .................................. 16
    Writing Mix Moves  .................................... 16
    Revert Time  ............................................................16
    Write To End:  .........................................................21
    Writing Switch Events  ............................... 23
    Revert Time  ............................................................23
    CONTROL SENSE TIME OUT & Switch Events  ......23
    Auto Revert Choices:  .............................................24
    Write To End:  .........................................................26
    Trimming Mix Moves  ................................. 27
    Revert Time:  ...........................................................27
    Auto Revert Choices:  .............................................28
    Trim To End  ............................................................30
    Initial Status ................................................ 32
    Editing the Initial Status  .......................................32
    Automating Library Recall  ......................... 34
    Writing Library Recall Events Over Existing 
    Static Control Positions  ......................................34
    Combining Library Recall With Dynamic 
    Mix Moves  ..........................................................34
    Automating Groups  ................................... 35
    Grouping Non-Automated Controls .....................35
    Grouping Automated Controls  .............................35
    Hierarchical Groups  ...............................................35
    Mix File Management  ................................ 36
    The Mix Data ..........................................................36 
    						
    							 TASCAM DM-24 Automation 3
    1 – Introduction
    The DM-24 is capable of writing and reading mix 
    moves as well as editing and refining mix moves dur-
    ing replay, all synchronized to time code. No external 
    computer is necessary, as all control of the automa-
    tion is made from the DM-24ís control surface.
    Automated mixes are stored internally on the DM-24 
    and can be off-loaded via a System Exclusive 
    (SysEx) MIDI dump to anything capable of storing 
    such data, such as a MIDI sequencer or MIDI data 
    filer.
    Here are a few reasons to use mixer automation:
     Tedious moves, (such as mutes), that occur at the 
    same place in the program each time can be written to the automation system for playback. This allows 
    you to focus on the creative aspect of listening and 
    mixing, instead of the mechanical aspect of press-
    ing the mute keys at the right time, every time.
     Mix moves can be refined to your satisfaction then 
    the automation system will read those moves back 
    every time in exactly the same way.
     A mix can be recalled at a later time for further 
    refinement.
    The DM-24’s automation system was designed to be 
    intuitive, using the mixer’s familiar control surface 
    and a minimum number of keystrokes, to stay out of 
    the way of the creative process of mixing.
    Using This Manual
    The following type conventions are used in this man-
    ual:
    BOLD CAPS for physical keys on the mixerís control 
    surface (Automation keys are color coded purple.)
    LIGHT CAPS or Light First Letter Caps for on-screen con-
    trols in the display
    First Letter Caps for names of operational modes and 
    functions 
    						
    							1 – Introduction
    4 TASCAM DM-24 Automation
    Automated Controls
    The following mixer controls of the DM-24 can be 
    automated:
     Fader levels
    Mutes
     Panning (including surround panning)
    
    EQ settings:
     Gain, Frequency, Q, EQ On/Off switching 
     Individual EQ band 
    TYPE switching between 
    High/Low Pass Filter, Peaking & Shelving
     Auxiliary send levels and Pre/Post switching
     Auxiliary master send levels
     Buss master levels
    
    GATE settings:
    
    THRESHold
    • RANGE
    HYSTeresis
    ATTACK
    HOLD
    DECAY
    COMPressor settings:
    
    THRESHold
    RATIO
    ATTACK
     RELEASE
     Library recallThe following mixer controls of the DM-24 cannot 
    be automated:
    
    DIGI-TRIM
     Individual EQ band On/Off switching
     Effect settings
     Buss assignments
    • MIC TRIM
     Control Room monitor switching
     LCD navigation
     Transport control
     Fader layer switching
     Global mixer setup parameters
    Moves for different mixer controls do not have to be 
    automated in the same pass. Just as in multi-track 
    recording, it is possible to concentrate on one spe-
    cific control at a time, building up the automated mix 
    over a number of passes. The DM-24’s automation 
    system allows this to occur by intelligently switching 
    automation modes transparently on a per control 
    basis. 
    This work done by the DM-24 automation system 
    provides a high degree of flexibility while not requir-
    ing constant attention from you. Of course, the 
    DM-24’s automatic mode switching may be over-rid-
    den at any time for “power user” operation.
    The automation is synchronized to external time 
    code. This could be Linear Time Code (LTC or com-
    monly referred to as SMPTE/EBU) or MIDI Time 
    Code (MTC).
    The event resolution for mix moves on the DM-24 is 
    one event per quarter time code frame. At a time 
    code rate of 30 frames per second, non-drop, this 
    equates to about 5 milliseconds per event.
    A Note on Touch-Sensitive Faders
    When using the touch-sensitivity of the faders in 
    automation, you should always use your fingers to 
    touch the faders. If you use a pencil or ruler, etc., or even your fingernails to touch them, the fader will 
    not register as having been touched. 
    						
    							1 – Introduction
     TASCAM DM-24 Automation 5
    Setup
    There are two possible sources of time code to which 
    the DM-24’s automation can lock. Both are equal in 
    functionality and accuracy. Your choice will depend on what you have available in your situation. The 
    choices are:
    LT C
    There is an RCA jack (TIME CODE on the back of 
    the DM-24 which accepts Linear Time Code 
    (SMPTE/EBU). To use LTC with the automation system, go to the 
    SYNC/TC tab in the OPTION display, and then select TC 
    IN
     as shown below:
    Figure 1 – OPTION / SYNC/TC display showing LTC choice
    MTC
    This refers to MIDI Time Code being received at the 
    DM-24’s MIDI Input. The source of MTC could be a 
    Digital Audio Workstation (DAW), hardware 
    recorder that does not support LTC, or any other 
    source of MTC. To use MTC with the automation, go to the SYNC/TC 
    tab in the 
    OPTION display then select MIDI IN MTC as 
    shown below.
    Figure 2 – OPTION / SYNC/TC display showing MTC choice 
    						
    							6 TASCAM DM-24 Automation
    2 – Quick Start
    While the DM-24 automation system is extremely 
    powerful, it is also very easy to use. This Quick Start 
    covers much of what you need to know to run the system. The rest of the manual provides details on 
    the concepts of the system and how to use it to its 
    fullest potential.
    Starting out with the time code
    1Connect a LTC or MTC (time code) source to 
    the Time Code or MIDI input on the rear 
    panel of the DM-24. Choose the appropriate setting in the OPTION – SYNC/TC display. Be 
    sure your recorder is set to output the correct 
    type of time code.
    Access the automation screens
    2Press the AUTO M AT IO N key to access the 
    automation screens on the display. If you do 
    not see the 
    AUTO MAIN display, press the 
    AUTO M AT IO N key repeatedly until you see 
    AUTO MAIN.
    Turn on the automation
    3Move the cursor to the onscreen AUTOMATION 
    ENGINE
     button and press the ENTER key to turn on the automation system:.
    0
    EDIT
    ENTERCLR
    UNDO
    SHIFTMIDI/MC EXT.CTRLAUTOMATION40 30
    -dB 
    						
    							2 – Quick Start
     TASCAM DM-24 Automation 7
    Make the initial settings
    4Operate your recorder and navigate the 
    DM-24 as you normally would during a mix. 
    The DM-24’s automation system stores con-
    trol settings as you change them. NOTE
    You are not writing mix moves yet!
    Store the current settings
    5Store the current mix data using the AUTO 
    FILES
     display.
    Press the 
    AUTO MATI ON key until the AUTO 
    FILES
     screen is shown on the display.
    Press the 
    STORE soft key (the second).
    Use the cursor keys, the data wheel and the 
    ENTER key to name your mix. 
    See the main manual section on libraries for 
    further details of naming and editing library 
    entries.
    See “AUTO FILES” on page 14 of this man-
    ual for further details of this screen.Press the 
    STORE soft key again.
    Write some fader moves
    6Once you have the mix basically set up, write 
    some fader moves:With time code running, press the WRITE 
    key.
    Touch a fader with your finger and move it 
    up or down.
    Release the fader when your mix move is 
    complete. When you release the fader, it 
    automatically returns to its previous setting.
    Rewind the recorder and play the section 
    again. The DM-24 plays back the moves you 
    just wrote.
    You can press the 
    WRITE key, and touch the 
    faders to write new mix moves at will.
    Write some mute moves
    7Now write some Mutes (also called Switch 
    Events):
    With time code running, press the 
    WRITE 
    key.
    Press some 
    MUTE keys to change the mute 
    settings to on or off.Rewind the recorder and play the sections 
    again. The DM-24 will play back the Switch 
    Events you just wrote to the 
    MUTE keys (in 
    other words, the 
    MUTE indicators and status 
    will change in sync with the incoming time 
    code.
    ALL INPUT
    REW F FWD
    STOPPLAYRECORD RHSL IN/OUT CH1-16
    MASTER CH17-32 LAYER STATUS
    CLEAR MACHINE CONTROL
    AUTO PUNCH IN/OUTAUTO MONREPEAT
    REHEARSE WRITE
    TRIM
    REVERTAUTOMATION
    ALL SAFE
    EDITDISCARD
    AUTO FADEINTIAL EDIT 
    						
    							2 – Quick Start
    8 TASCAM DM-24 Automation
    Write some Aux send moves
    8Write Auxiliary Send moves using the 
    touch-sensitive faders:
    To place the Auxiliary Sends 1 & 2 under 
    fader control, press 
    AU X 1 -2 and choose Aux-
    iliary Send 1 by pressing the first soft key 
    under the display.
    With time code running, press the 
    WRITE 
    key.Touch a fader and move it up or down to 
    write a mix move for Auxiliary Send 1 for 
    that channel.
    Release the fader when your mix move is 
    complete. When you release the fader, it 
    automatically returns to its previous setting.
    Writing POD moves
    9Write a POD Control move (EQ or Aux 
    Send):
    With time code running, press the 
    WRITE 
    key.
    Select the appropriate screen on the display, 
    and turn the desired POD control to write 
    the mix move.After the POD movement has stopped for 
    one second, the control will automatically 
    return to its setting before being moved.
    NOTE
    You may want to disable AUTO REVERT or adjust the 
    CONTROL SENSE TIMEOUT using the AUTO MAIN screen, 
    when automating POD controls. See “Auto Revert 
    Choices:” on page 28
    Trimming existing mix moves
    10This allows you to trim an existing mix move 
    (that is, to adjust the overall level of the 
    move). For example, the move you wrote in 
    step #6 is good but the move itself need to be 
    louder.
    With time code running, press the 
    TRIM key.At the desired time, touch the fader to be 
    trimmed with your finger and raise it. You 
    will hear the previous moves with the addi-
    tion of the amount of trim you’re adding.
    Release the fader when you are finished trim-
    ming. The fader returns to reading previous, 
    untrimmed mix moves.
    Finishing up
    11Remember to store your mix (as described in 
    in “AUTO FILES” on page 14 and “Mix File 
    Management” on page 36). Also, remember 
    to store any effect settings that were used in 
    your mix into the libraries.Happy mixing! 
    						
    							 TASCAM DM-24 Automation 9
    3 – Automation Overview
    Modes
    Before going further, a brief description of automa-
    tion modes and functions will be helpful. More 
    detailed explanations of how these modes operate, along with how automatic mode switching is carried 
    out, will be included in the Operations section of this 
    manual. (“Operation” on page 16).
    Auto
    This is the default mode for all controls when the 
    automation system is enabled. The intelligent mode 
    switching that occurs is done within Auto mode.
    When a control is in Auto mode and time code is 
    received, the control enters write ready if the 
    WRITE 
    LED is lit, or trim ready if the TRIM LED is lit. The 
    control reads previous data, if any, until moved, then 
    enters the appropriate state (writing or trimming).
    If neither of these two global LED indicators is lit, 
    the status of the control depends on whether any mix 
    data has been written to it. If mix data already exists, 
    the control enters write rehearsal when time code is 
    received (any movement of the control will be heard 
    but not written). If no mix data exists, it enters static ready (any control movement will update its Static 
    data).
    It is possible for a single control, or group of con-
    trols, to drop into and out of writing or trimming in 
    one pass. It is further possible to switch between 
    Write and Trim modes on the fly; even adjusting the 
    Revert Time during a mix pass will be recognized by 
    the automation system. The only exception is Write 
    to End, which must be completed by stopping the 
    time code.
    NOTE
    Generally, a control that has dynamic mix moves written 
    is said to be in Dynamic mode. A control that has no 
    dynamic mix moves written is said to be in Static mode.
    Write
    Think of this as “record-ready” on a multi-track 
    recorder. When Write is enabled, all controls that are 
    in Auto mode will normally read existing mix moves. As soon as you adjust a control, while Write mode is 
    enabled, that control will begin writing new mix 
    moves, overwriting any pre-existing data. 
    						
    							3 – Automation Overview
    10 TASCAM DM-24 Automation
    Tr i m
    During a mix there may be sections where there are 
    good mix moves on a control but the overall level of 
    that control needs to be raised or lowered while pre-
    serving the existing moves. Trim mode is used to make such relative offsets to 
    existing mix moves for the duration of the Trim oper-
    ation. The diagram below will help you to understand 
    this concept.
    Figure 3 – Illustration of Trim mode behavior.
    In the example shown above, a fader is raised at the 
    “Begin Trim” point and released at the “End Trim” 
    point. The upward movement of the fader would be added to the existing data. When a Trim is per-
    formed, the audio passing through the control 
    includes the Trim move in real time.
    Static
    During the course of an automated mix some con-
    trols will require movement (Dynamic automation), 
    and some controls will stay in one place with their 
    settings stored in the mix file (Static automation). 
    Any control in Static mode will automatically update 
    its setting in the mix file whenever that control is 
    moved. NOTE
    The control’s movement will not be recorded as 
    dynamic automation as long as Write mode is not 
    enabled
    Safe
    Any control in Safe mode will only read existing 
    static or dynamic automation. Moving a control in 
    Safe mode will not write any automation data nor affect the audio passing through that control. It is 
    possible to place all mixer controls in Safe mode by 
    holding the 
    2ND F. key while pressing ALL SAFE.
    Off
    This mode removes a control from the automation 
    system completely. A control that is Off cannot 
    record or playback mix moves. However, moving a control that is Off will affect the audio passing 
    through that control. The setting of a control that is 
    Off will not be stored in the mix file.
    8 sec
    8 sec+12
    +6
    +3
    0
    -3
    -6
    -12
    +12
    +6
    +3
    0
    -3
    -6
    -121 sec
    2 sec 3 sec
    4 sec5 sec
    6 sec7 sec
    1 sec
    2 sec 3 sec
    4 sec5 sec
    6 sec7 sec
    -9
    Before Trim
    After Trim
    Begin Trim End TrimRevert
    Time 
    						
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