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Tascam Stereo Cassette Deck 112mkii Manual

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    							Rugged, Cost-Effective 2-Head
    Transport For Smooth, Faultless
    Tape Handling
    The 112 MKII is equipped with TASCAM’s rugged,
    conventional 2-head design. The reliability of this
    system is well-documented among recording pro-
    fessionals, who vouch for its superior stability and
    reliability.
    Automatic Tape Bias Selection
    For Error-Free, Optimal High
    Frequency Response
    Proper bias type is automatically selected when a
    tape is placed in the deck; you get optimal record-
    ing and playback response with Normal, Metal or
    Cr0
    2 tapes. 
    112 MKII
    STEREO CASSETTE DECK
    page 1 of 3
    Sound Price/Performance
    For Basic Mastering
    TASCAM designed the 112 MKII stereo cassette
    deck to offer musicians and production studios
    alike a cost-effective cassette production/
    mastering deck. The 112 
    MKII is a basic, 2-head
    no-frills  “workhorse” that offers outstanding per-
    formance, stability and reliability for any number
    of basic recording applications; tape mastering,
    dubbing from external decks, and radio program
    archiving. Still, it boasts a robust feature set that
    is geared toward producing high-quality tapes
    with optimal signal levels and high frequency
    detail.
    Front Panel-112 MKII
    13 (330 mm) 1 (20.5 mm)1/4 (5.8 mm)19 (482 mm)
    5 3/16 (132 mm)
    EJECT POWER
    PITCH CONT
    OFF
    ON
    PLAY STOPREPEAT
    LOC 1 LOC 2 RTZMWMO 
    IN
    F FWD REWPAUSERESETRECORD
    DOLBY B-C NR HX PROIIIIIIIII
    PHONES INPUTSLR
    R L
    DOLBY NROFF B CMPX FILTEROFF ONMONITORINPUTAUTO
    109876543210IIIIIIIIIIIIIIIIIIIIIIIIIIIIIII109876543210IIIIIIIIIIIIIIIIIIIIIIIIIIIIIII109876543210IIIIIIIIIIIIIIIIIIIIIIIIIIIIIII
    LRINPUTS OUTPUT
    VUPEAK
    +-2010753
    3 0
    VUPEAK
    +-2010753
    3 0
    +-
    112 MK IIINPUT
    METAL
    CrO2
    NORMAL 
    						
    							These intuitive controls allow editors to select two
    points on any tape for one button forward/reverse to
    wherever the action is. Once the two points are set,
    the REPEAT button allows you to loop between the
    two points with one-touch convenience.
    Additionally, Return-to-Zero (RTZ) quickly spools
    the tape back to 0000 on the 112 
    MKII’s four-digit
    index tape counter. 
    Easy Integration Into Personal,
    Project & Production Studios
    The 112 MKII features rear-mounted RCA input
    and output jacks for easy connection to audiophile-
    quality sources.
    Optional Balanced Connector Kit 
    If your input requirements include balanced or
    unbalanced XLR connectors, the optional LA-112
    connector kit will provide the additional inputs. After
    a simple installation procedure that requires no
    special tools, both balanced and unbalanced line
    inputs and outputs will be available, selectable with
    the flip of a back-panel switch. 
    Parallel Port For External Control
    For hands-off mastering in professional recording
    environments, you’ll find a 25-pin D sub connector
    on the 112 
    MKII back panel.  This link connects the
    tape deck to the optional RC-134 remote control unit
    or for fader start from any mixer that also uses the
    25-pin D sub protocol.
    Stereo VU Meters & Input/Output
    Dials Ensure Optimal Sound Levels
    The input dials on the 112 MKII are gear-interdepen-
    dent, allowing you to dial in stereo VU calibration with
    one dial. Or, for channel-specific calibration, hold one
    dial still while adjusting the other. Either way, you get
    consistent, cleaner, more dynamic mixes. 
    Dolby HX Pro For Highest
    Quality Without Distortion
    For maximum high-range clarity and reproduction
    precision, the 112 
    MKII is equipped with the Dolby HX
    Pro headroom extension system. HX pro is an active
    biasing system that minimizes the effect of high fre-
    quency music signals on the deck’s bias signal,
    achieving up to 6 dB greater headroom at the higher
    music frequencies. What’s more, HX Pro is a record-
    only process, so tapes recorded with HX Pro can be
    played back on any other cassette deck.
    The 112 
    MKII also utilizes your choice of popular
    Dolby B or C noise reduction when recording, to
    further position your tape for best results from other
    playback decks. 
    3-Point Memory Features
    Speed Editing/Review 
    When editing program material or engaging in
    critical listening, the 112 
    MKII offers two Autolocator
    buttons (LOC 1 and LOC 2) and a MEMO IN control.
    112 MKII
    STEREO CASSETTE DECK
    page 2 of 3
    INPUTS OUTPUTS
    REMOTE CONTROL
    L
    RL
    R
    Rear Panel-112 MKII 
    						
    							Power Requirements: 120 V AC, 60 Hz
    (U.S./Canada model)
    230 V AC, 50 Hz (Europe model)
    240 V AC, 50 Hz
    (U.K./Australia model)
    Power consumption: 20W
    Weight: 8.4 kg (18-8/16 lbs)
    TYPICAL PERFORMANCE
    Speed Accuracy:± 1.0%
    Wow and Flutter1): less than 0.04% (WRMS)
    Fast Winding Time: Approximately 70 sec for C-60
    (Frequency Response
    2)
    (Overall, EIAJ,
    without NR): 25 Hz to 19 kHz, ±3 dB (Metal)
    25 Hz to 18 kHz, ±3 dB (Cr02)
    25 Hz to 16 kHz, ±3 dB (Normal)
    Distortion
    2): less than 1.0% at 1 kHz,
    160 nWb/m (Metal)
    Signal-to-Noise Ratio
    (Metal tape): 59 dB (without NR, ref. 3%
    THD level, WTD)
    68 dB (Dolby-B NR, over 5 kHz)
    78 dB (Dolby-C NR In, over 1 kHz)
    Channel Separation
    2): 45 dB or better (1 kHz)
    Erase Ratio2): 65 dB or better (1 kHz)
    In these specifications, 0 dBV is referenced to 1 Volt, and 0
    dBm is referenced to 0.775 Volt. Actual voltage levels are
    shown in parenthesis.
    1) Measurements made with TEAC test tape MTT-111
    2) Measurements made with TEAC blank test tapes MTT-
    5571 (Metal), MTT-5562 (Cr0
    2) and MTT-5512 (Normal).
    Specifications and features subject to change without
    notice or obligation.
    SPECIFICATIONS
    Track System: 4-Track, 2-Channel Stereo
    Head Configuration: 1 Record/ Repro combination
     head (permalloy)/Half Track/
    1 ferrite Erase head
    Tape Type: Compact Cassette tape C-30
    to C-90  (Normal/Cr0
    2/Metal)
    Tape Speed: 4.8 cm/sec (1-7/8 ips)
    Motors: 1 DC servo capstan motor;
    1 DC reel motor; 1 DC
    ancillary motor
    Pitch Control:±12% (approx.)
    Line Input: • Rear RCA jack/front 1/4 jack
       Nominal input level: -10 dBV (0.3 V)
       Minimum input level: -18 dBV (126 mV)
       Input impedance: 20k ohms,  unbalanced
    • XLR-type jack
    (optional; –LA-112 required)
       Nominal input level: +4 dBV (1.23 V)
       Input impedance: 10k ohms, balanced
    Line output: • RCA jack (rear)
       Nominal output level: -10 dBV (0.3 V)
       Maximum output level: -2 dBV (0.8 V)
       Output impedance: 100 ohms
       Load impedance: 25k ohms or more
    • XLR-type jack
    (optional; –LA-112 required)
       Nominal output level: +4 dBV (1.23 V)
       Minimum load
       impedance: 600 ohms
    Headphone Output: 100 mW (8-ohm load)
    Bias/Erase Frequency: 100 kHz
    Equalization: 3180 ms + 70 mS (Cr0
    2/Metal)
    3180 ms + 120 mS (Normal)
    Reference Recording
    Level: 250 nWb/m = 0 VU (315 Hz)
    (EIAJ); With Dolby:
    200 nWb/m = -1 VU
    Remote Connector: 25-pin D-sub
    112 MKII
    STEREO CASSETTE DECK
    page 3 of 3
    ©1997 TEAC America, Inc. All rights reserved. 7733 Telegraph Road, Montebello, CA  90640 (213) 726-0303
    TEAC Canada Ltd ., 5939 Wallace Street, Mississauga, Ontario L4Z 1Z8 Canada (905) 890-8008
    TEAC Mexico, S.A. de C.V., Priva de Colina #18, Colonia del Carmen, Coyoacan, Mexico, D.F. 04100 (525) 658-1943
    FAXBACK Index# 1340 2/97
    For more information about other TASCAM
    FAXBACK literature, call 1-800-827-2268. 
    						
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