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Vidikron Projector Vision Model 70 User Manual

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    							Operation
    Vidikron Vision 70 Series Owner’s Operating Manual 49 
    PREL
    IMINARY
    Color Select: Use the Color Select menu to select the color space that is appropriate for the 
    source signal, to achieve optimal color balance. 
    If you select NTSC, HDTV or PAL, you can make further adjustments to individual color space 
    characteristics in the 
    ICC Adjust sub-menu under the ISF Calibration menu, described later in 
    this section. (The Standard color space is factory-set and not adjustable.) 
    Image OptionInput Select: To select a source signal, highlight Input Select, press ENTER and select Video, 
    S-Video, Component 1, Component 2, RGB-HD or HDMI. Then, press ENTER to confirm.
    Aspect Ratio: To change the aspect ratio (size and shape) of the projected image, select 
    Aspect Ratio from the Main Menu and press ENTER. Select the appropriate aspect ratio for 
    your screen size and the type of program material being viewed; refer to 
    Table 4-1. 
      
    You must enter a passcode in order to enter the Service menu. Note
    Image Option
    Input Select
    Aspect Ratio
    SD Enhance
    Video Filter
    HD/RGB Adjust
    Blue Enable
    Save Settings
    Load Saved Settings
    Aspect Ratio
    Anamorphic (16:9)
    Standard (4:3)
    Letterbox
    IntelliWide
    Cinema
    Cinema Fill
    When you change the aspect ratio, save the change to a preset 
    afterwards. Otherwise, the change will be lost when a different input is 
    selected. (The aspect ratio is saved for each input and resolution 
    separately.) Note 
    						
    							Operation
    50 Vidikron Vision 70 Series Owner’s Operating Manual
    PREL
    IMINARY
    Table 4-1. Aspect Ratio Settings 
    Aspect Ratio
    Remote 
    Control
    Key
    Description
    Anamorphic 
    (16:9)ANASelect Anamorphic to view 
    16:9 DVDs and HDTV 
    programs in their native 
    aspect ratio. 
     
     
     
     
     
    4:3 images are stretched 
    horizontally to fit a 16:9 
    screen. 
    Standard 4:34X3Standard 4:3 scales the input 
    signal to fit in the center of 
    the 16:9 screen. 4:3 is the 
    aspect ratio used by 
    computer monitors, 
    standard television 
    programming and most VHS 
    video cassettes. 
    LetterboxLBOXLetterbox mode scales 
    (zooms in on) a 4:3 image 
    linearly (by the same 
    amount on all sides) to fill a 
    16:9 display. 
    Letterbox is best suited for 
    viewing LaserDisc movies or 
    non-anamorphic DVDs on a 
    16:9 screen.
    IntelliWideI-WIDEIntelliWide scales a 4:3 
    image NON-linearly (more 
    on the sides than in the 
    center) to fit a 16:9 screen. 
     
     
     
     
     
     
     
     
     
    On a 2.35:1 screen, the 
    image is centered between 
    black bars on either side. 
    4:3 Image, stretched to fill
    16:9 Screen (Display)16:9 Image on
    16:9 Screen (Display)
    4:3 Image on
    16:9 Screen (Display)
    4:3 Image on
    16:9 Display
    (Letterbox aspect ratio)
    4:3 Image on
    16:9 Screen (Display)
    4:3 Image on
    2.35:1 Screen
    with IntelliWide
    4:3 Image on
    16:9 Screen
    with IntelliWide 
    						
    							Operation
    Vidikron Vision 70 Series Owner’s Operating Manual 51 
    PREL
    IMINARY
    SD Enhance: The SD Enhance menu gives you options for improving the quality of 
    standard-definition, 480i images. (For 480p and higher-definition images, the controls in this 
    menu are disabled.) Keep in mind that these controls add frequencies that are not present in 
    the original signal, and may make images appear “noisy” if misused. 
    • H Enhance/V Enhance: These controls can improve the apparent horizontal and/or 
    vertical resolution of the image. 
    • Chroma Enhance: This control adds chroma (color information) to the input signal and 
    can make colors appear more vibrant and saturated. 
    • H Threshold/V Threshold/Chroma Threshold: Set these to +11 or higher to activate the 
    enhancement controls described above. Generally, the higher the threshold, the more 
    noticeable the enhancements you make will be. 
    CinemaCINEMA
     
    Select Cinema to view 2.35 
    source material in its native 
    aspect ratio.
    With a 16:9 screen and a 
    non-CineWide projector (no 
    anamorphic lens), the upper 
    and lower portions of the 
    screen are masked, but the 
    geometry of the active 
    image area is unchanged.
    With a 2.35:1 screen and a 
    CineWide-equipped 
    projector, the projector 
    scales the 2.35:1 image so 
    that the active image area 
    fills the 16:9 chip surface, 
    eliminating the black bars. 
    The secondary, anamorphic 
    lens then restores the proper 
    geometry to the 2.35:1 
    image. 
    Cinema FillC-FILLA 16:9 image is scaled 
    NON-linearly (more on the 
    sides than in the center) to 
    fit a 2.35:1 screen. 
     
     
    Cinema Fill is available only 
    on the Vision 70/CineWide 
    and Vision 70/CineWide with 
    AutoScope. 
    Table 4-1. Aspect Ratio Settings (continued)
    Aspect RatioRemote 
    Control
    KeyDescription
    2.35:1 Image on
    16:9 Screen
    (Cinema aspect ratio / no CineWide)
    2.35:1 Image on
    2.35:1 Screen
    (
    Cinema aspect ratio / CineWide)
    16:9 Image on
    2.35:1 Screen with
    Cinema Fill
    16:9 Image on
    2.35:1 Screen16:9 Image on
    2.35:1 Screen 
    						
    							Operation
    52 Vidikron Vision 70 Series Owner’s Operating Manual
    PREL
    IMINARY
    Video Filter: The Video Filter setting controls the behavior of the Sharpness control. The 
    available settings depend on the vertical resolution of the input signal, as follows: 
    With a 480i signal, you can apply the sharpness control to either the input signal (1), the 
    output signal (2), both (3) or neither (0). 
    With a 480p or higher-resolution signal, the sharpness control is applied only to the 
    output signal and only when you set the 
    Video Filter to “on” (1). 
    HD/RGB Adjust: Use the settings in the HD/RGB Adjust menu to fine-tune 480p and 
    higher-resolution signals for optimum picture quality. 
    •Auto: Adjusts the phase, frequency and position automatically.
    •Freq. Adjusts the frequency of the signal.
    •Phase: Adjust the phase if the image (usually from an RGB source) shows shimmer or 
    “noise.” Pixel phase adjusts the phase of the pixel sampling clock relative to the incoming 
    signal. The effect of this control is similar to that of a tracking control on a VCR. 
    For best results, use a good test pattern such as a smooth gray consisting of a clear pattern 
    of black and white pixels, or a similar “half on, half off” graphic image. (You may find that 
    you can stabilize the image at more than one point. Use either setting in this case.) 
    • H. Pos.: Adjusts the horizontal position of the image. 
    •V. Pos.: Adjusts the vertical position of the image. 
    Blue Enable: Press the  or  button to turn the Blue Enable Off or On. This feature 
    removes all red and green color information from the image (simulating a blue filter), and is 
    useful for color-calibrating the projector or other video components. 
    Save Settings: When you have finished making your adjustments, select Save Settings to 
    store the settings for the current input in the “Custom 1” memory location. 
    Load Saved Settings: To recall stored custom image quality settings, select Load Saved 
    Settings and choose “Custom 1,” “ISF Night” or “ISF Day.” 
    Projector StatusTo load default settings, configure the sleep timer or adjust the lamp, select Projector Status 
    from the Main Menu and press ENTER. 
    Default: To restore the default image settings for the current input source ONLY, press the  
    or  button to highlight “Load,” then press ENTER. 
    Sleep Timer: The Sleep Timer automatically puts the projector into standby mode after the 
    amount of time you specify here. (A warning appears on-screen one minute before this is to 
    occur.) 
    Use the  or  button to set the timer for anywhere from 10 to 180 minutes (three hours), in 
    10-minute increments. To disable the Sleep Timer, set it to 0. 
    Lamp Power: Select Lamp Power from the Projector Status Menu to adjust the lamp output 
    level. You can choose to run the lamp as bright as possible (250W; this is the default setting) 
    or you can choose the lower (200W) setting. Generally, lower lamp output can prolong the 
    life of the lamp, but decreases brightness. 
    To adjust the image position with a 480i source, use the Image Shift 
    controls in the Service menu (see page 56). Note
    Projector Status
    DefaultLoad
    Sleep Timer30 Minutes
    Lamp Power200 W
    Lamp Hours+8 Hours
    0 Minutes
    ➤ 
    						
    							Operation
    Vidikron Vision 70 Series Owner’s Operating Manual 53 
    PREL
    IMINARY
    Lamp Hours: Lamp Hours indicates how long the currently-installed lamp has been in 
    service. (This part of the menu is read-only.)
    InstallationTo access the Installation adjustments, press MENU, then press the  or  button to 
    highlight Installation and press ENTER. The Installation sub-menu, shown at left, appears. 
    Press EXIT to return to the previous menu or press MENU to close all menus. 
    Language: Press the  or  button to select from the available languages (English, French, 
    Spanish, German and Italian). 
    Picture Configuration: Press the  or  button to change the orientation of the projected 
    image. The Vision 70 can be installed on a ceiling or in a rear-screen configuration with one 
    or more mirrors. There are four settings: Floor Front, Ceiling Front, Floor Rear and Ceiling 
    Rear. 
    Keystone: To correct distortion resulting from the angle of projection, select Keystone and 
    use the  or  button to make the image rectangular. 
    OSD Position: To adjust the horizontal and vertical position of the OSD, select OSD Position 
    and press ENTER. Then, press the 
     or  button to select Horizontal or Vertical and use the 
     or  button to adjust. 
    OSD Timer: Use the  or  button to set the OSD Timer. This timer controls how long the 
    menus remain on-screen after selecting them. Select from 0 to 60 seconds, in 3-second 
    increments. When you set the 
    OSD Timer to 0, the menus remain on-screen until you hide 
    them by pressing MENU. 
    PIP/PBP Setup: Select PIP/PBP Setup from the Installation menu to change the PIP/PBP 
    settings.
    • PIP/PBP Enable: Press the  or  button to select PIP/PBP Enable, then press ENTER. 
    Press the  or  button to select Off or On, then press ENTER. 
    •PIP Set Up: Press the  or  button to select PIP Set Up, then press ENTER. Press the  
    or  button to select PIP Off, Graphic in Video or Video in Graphic, then press ENTER. 
    •PBP Set Up: Press the  or  button arrows to select PBP Set Up, then press ENTER. 
    Press the  or  button to select PBP Off, Graphic by Video or Video by Graphic, then 
    press ENTER. 
    Background Color: Press the  or  button to select the image Background Color (grey, 
    blue or white). The Background Color appears when no incoming signal is present. 
    Installation
    Language
    Picture Configuration
    Keystone
    OSD Position
    OSD Timer
    PIP/PBP Setup
    Background Color
    When you change a setting in the Installation menu, the change takes 
    effect immediately; you do not need to press ENTER afterwards. (Press 
    EXIT to return to the previous menu or MENU to exit.) 
    Vidikron recommends that the keystone feature not be used unless 
    absolutely necessary, as it may cause artifacts in the image. 
    Note
    Tip 
    						
    							Operation
    54 Vidikron Vision 70 Series Owner’s Operating Manual
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    IMINARY
    ServiceTo access advanced projector settings, use the up- or down-arrow keys to select Service from 
    the Main Menu and press ENTER. Use the number buttons on the remote to enter the Service 
    menu passcode when prompted and press ENTER again. Then, press MENU on the remote 
    control. 
    White Balance: To remove any trace of color from the white areas of the projected image, 
    choose White Balance from the 
    Service menu and press ENTER. 
    •Gamma: “Gamma” is a global setting that determines how gray shades are displayed 
    between minimum input (black) and maximum input (white) for all signals. A good 
    gamma setting helps to optimize blacks and whites while ensuring smooth transitions for 
    the “in-between” values utilized in other grays. Unlike “Brightness” and “Contrast” 
    controls, the overall tone of your images can be lightened or darkened without changing 
    the extremes and all images will be more vibrant while still showing good detail in dark 
    areas. 
    In all but the most unusual situations, the appropriate “Gamma Selection” (see below) will 
    produce accurate colors and a satisfying contrast level. However, it is sometimes 
    necessary to adjust the red, blue and green gamma curves individually. To do this, select 
    Gamma from the White Balance sub-menu and use the left- and right-arrow buttons to 
    manipulate the on-screen slidebars. 
    •Gain: Use the Gain controls to correct color imbalances in the bright areas of the image. A 
    good way to do this is to use a test pattern consisting mostly of solid white areas, such as 
    an 80 IRE “window” pattern. If the white areas contain traces of red, green or blue, 
    decrease the Gain for that color.
    • Offset: Use the Offset controls in the White Balance sub-menu to correct color imbalances 
    in the dark areas of the image. A good way to do this is to use a test pattern consisting 
    mostly of dark gray areas, such as a 30 IRE “window” pattern. If the gray areas contain 
    traces of red, green or blue, decrease the Offset for that color.
    • Store Color Temp.4/Store Color Temp.5: When you are finished adjusting the Gamma, 
    Gain and Offset, select Store Color Temp.4 or Store Color Temp.5 to store your settings. To 
    recall them, set the Color Temperature to +4 or +5 in the Image Adjustment menu (refer 
    to 
    Picture Adjust on page 44). 
    Gamma Selection: The normal gamma setting of 2.2 is correct for almost all signals and 
    conditions. If excess ambient light washes out the image and it becomes difficult or 
    impossible to see details in dark areas, lower the gamma setting to compensate. This will 
    improve contrast while maintaining good details for blacks. Conversely, if the image is 
    washed out and unnatural, with excessive detail in black areas, increase the setting. Again, 
    good gamma improves contrast while maintaining good details for blacks and whites. 
    Service
    White Balance
    Gamma Selection
    ICC Adjust
    Image Over Scan
    Video Black Level
    Aperture Control
    Image Shift
    Amplitude
    Horizontal Masking
    Fan Control
    Lamp Reset Timer
    RS-232 Baud Rate
    Remote Control
    Screen Trigger Mode
    Return to User OSD
    ➤
    You only need to enter the Service menu passcode the first time you select 
    that menu after turning on the projector. Note 
    						
    							Operation
    Vidikron Vision 70 Series Owner’s Operating Manual 55 
    PREL
    IMINARY
    ICC Adjust: Use the ICC Adjust controls to customize the stored NTSC, HDTV and/or PAL 
    color space characteristics. To do this, select the color space to modify. Then, select a 
    component color (Red, Green, Blue, Yellow, Cyan or Magenta). 
    For each component color, you can adjust the following: 
    •Intensity: This slidebar adjusts the intensity – also known as luminance – of a given color. 
    •Sat. This slidebar adjusts the color saturation level – the amount of that color in a video 
    image. Lower settings produce less saturated colors; a setting of “0” removes that color 
    from the image entirely. If the saturation is too high, that color will be overpowering and 
    unrealistic. 
    •Hue: This slidebar adjusts the red/green color hue for true color reproduction of video 
    signals. For best results, adjust tint while displaying an external color bars test pattern (see 
    Figure 4-4). Otherwise, it is recommended that Hue remain at its default setting. 
    When you have finished customizing the color space, select Store Setting and press ENTER. 
    Image Over Scan: Image Over Scan pushes the outside edge of the active picture area of the 
    video signal out beyond the edge of the display area. 
    Some television programs are produced based on the assumption that older television sets 
    may not display the outer edges of the broadcast picture area. Over scan effectively trims 
    away these inactive, outer edges and enlarges the remaining portion of the image to fill the 
    display area.
    Use the on-screen slidebar to select the desired amount of over scan.
    For HDTV, DVDs and other video sources, Image Over Scan is generally not necessary or 
    desirable.
    Video Black Level: This control compensates for incoming elevated black levels present in 
    certain video signals, and ensures that blacks in the display are neither “crushed” (where dark 
    grays appear black) nor excessively elevated (where blacks appear dark gray). By default, the 
    projector automatically determines the best setting according to the type of incoming video 
    signal: 
    •0 IRE: Used for DVD output with “enhanced black,” SECAM, most PAL standards and 
    Japanese NTSC. 
    •7.5 IRE: Used for most NTSC video signals. 
    For some types of video, you may want to override the setting. Generally, if black appears 
    crushed when brightness = 30, choose “0 IRE.” If black appears excessively elevated, use 
    “7.5
     IRE.” 
    Aperture Control: Use the Aperture Control to increase or decrease the aperture or iris size 
    (the physical opening through the lens; similar to an “f-stop” on a camera). Doing so allows 
    you to optimize brightness and contrast according to the amount of ambient light in the 
    viewing area. 
    Use a higher setting for rooms with lots of ambient light. Use a lower setting for more 
    “theater-like” viewing conditions (little or no ambient light).  
    						
    							Operation
    56 Vidikron Vision 70 Series Owner’s Operating Manual
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    IMINARY
    Image Shift: The Image Shift menu allows you to precisely center the image on the screen. 
    (These controls are available only with a 480i source signal.) 
    • Horizontal: This control moves the image right or left within the area of available pixels. 
    • Vertical: This option moves the image up or down within the area of available pixels. 
    Amplitude: The Amplitude menu allows you to fine-tune the currently-selected image 
    aspect ratio by stretching it horizontally or vertically, in small increments. This can be useful if 
    your projector is equipped with an anamorphic lens. 
    The Horizontal control adjusts the image width while keeping the height constant. Similarly, 
    the Vertical control adjusts the image height while keeping the width constant. 
    Horizontal Masking (Vision 70/CineWide and Vision 70/CineWide with AutoScope 
    only): To achieve the proper image geometry with the secondary anamorphic lens, select 
    Horizontal Masking from the Service menu. Then, use the  or  button to change the 
    native aspect ratio of the display, in small increments. 
    Fan Control: Select Fan Control from the Service Menu to control the operation of the 
    projector’s cooling fan. 
    •Mode: In most cases, the default Fan Control Mode (Auto Normal) will maintain the 
    correct operating temperature. If the lamp frequently turns off due to overheating, or in 
    certain high-altitude operating environments, you may need to change this setting to 
    Auto Hi. Altitude or Manual. 
    • Fan Speed: If you set the Fan Mode to Manual, select Fan Speed and use the on-screen 
    slidebar to adjust the speed. 
    After changing either of these settings, press EXIT to return to the previous menu.
    Lamp Reset Timer: When you replace the projector lamp (refer to Lamp Replacement on 
    page 61), you should also reset the lamp timer. To do this, select Lamp Reset Timer from the 
    Service menu. Press the right-arrow key on the remote to highlight “Yes,” then press ENTER 
    to confirm the reset. 
    1. To adjust the image position with a 480p or higher-resolution source, 
    use the 
    HD/RGB Adjust controls in the Option menu, described on 
    page 52. 
    2. The values shown represent where the approximate center of the 
    image lies in relation to the total number of pixels available 
    horizontally or vertically. This varies widely according to the signal; 
    watch the image while adjusting. 
    Reset the Lamp Timer ONLY after you replace the lamp. Otherwise, the 
    reported “Lamp Hours” will be inaccurate. 
    Do not exceed the recommended lamp life of 2000 hours. An old lamp 
    becomes increasingly fragile and prone to sudden failure. 
    Note
    Note
    WARNING 
    						
    							Operation
    Vidikron Vision 70 Series Owner’s Operating Manual 57 
    PREL
    IMINARY
    RS-232 Baud Rate: To change the data rate of the projector’s RS-232 input, select RS-232 
    Baud Rate from the Service menu. Set it to either 9600, 38400 or 115200, to match the data 
    rate of the computer or control system connected to the projector.
    Remote Control: The Remote Control menu shows you the primary and secondary infrared 
    (IR) codes to which the Vision 70 will respond. The Primary IR code is permanently set to +20. 
    The secondary IR code is also +20. 
    You can change the secondary IR code if either: 
     Another device in the theater (a DVD player, for example) is responding to commands 
    from the Vision 70 remote control in ways that are unpredictable or undesirable. 
     You have multiple Vision 70 projectors and want to control them independently, as 
    opposed to broadcasting commands from a single remote to all of them. In this scenario, 
    you can use multiple remotes programmed to use different IR codes. Or, you can use a 
    single remote and change the IR code as needed to address a specific projector. 
    When you change the secondary IR code, the remote sends that code instead of the primary 
    IR code. 
     
    To simultaneously change the secondary IR code and synchronize that remote with a 
    projector, point the remote at the projector, then press and hold 
     and  simultaneously for 
    five seconds. The Remote Control edit window, shown at left, appears. Type a new, two-digit 
    code. 
    The procedure for changing the secondary IR code on the remote only is the same, except 
    that you point the remote away from the projector. 
    Screen Trigger Mode (Vision 70/CineWide with AutoScope only): Select Screen Trigger 
    Mode from the Service menu to set the behavior of the 12-volt trigger output. 
     Set the Screen Trigger Mode to Normal if you want the trigger to activate when the 
    projector is turned on (for instance, if the trigger is controlling a retractable screen). 
     Set the Screen Trigger Mode to Tr i g g e r if you want the trigger to activate when the 
    Cinema or Cinema Fill aspect ratio is selected. 
    Return to User OSD: To exit the Service menu, use the up- or down-arrow keys to highlight 
    Return to User OSD and press ENTER. 
    To return to the Service menu, select it from the Main Menu, press ENTER twice, then press 
    MENU on the remote control. (You do not need to re-enter the passcode.) 
    The Remote Control menu is read-only and need not be visible in order to 
    change the secondary IR code. Note
    Remote Control
    Secondary20 
    						
    							Operation
    58 Vidikron Vision 70 Series Owner’s Operating Manual
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    IMINARY
    ISF CalibrationTo access the ISF Calibration menu, select ISF Calibration from the Main Menu and press 
    ENTER. Use the number buttons on the remote control to enter the ISF Calibration menu 
    passcode when prompted and press ENTER again. Then, press MENU on the remote control. 
    Picture Adjust: These settings are described in the Picture Adjust section (page 44). 
    White Balance / Gamma Selection / Aperture Control: These settings are described in the 
    previous section, 
    Service. 
    Blue Enable: This setting is described in the Image Option section (refer to page 52). 
    Save ISF Settings: For each input, the Vision 70 lets you store image quality settings as 
    presets that you can recall at a later time. You can create up to three presets per input and 
    resolution. 
    To store image quality settings to a preset:
    1. Select Picture Adjust from the ISF Calibration menu.
    2. Select Color Temp. from the Picture Adjust menu. 
    3. Use the  or  button to set the color temperature to “4” or “5.” Make a note of your 
    selection. 
    4. Press EXIT. 
    5. Adjust brightness and contrast as described in the Picture Adjust section (page 44). Exit 
    the Picture Adjust menu when finished.
    6. Select White Balance from the ISF Calibration menu. Adjust the grayscale as required 
    (refer to 
    White Balance on page 54). 
    7. From the White Balance menu, select “Save Color Temp. 4” or “Save Color Temp. 5” 
    (depending on your selection in Step 3) and press ENTER.
    8. From the ISF Calibration menu, select Save ISF Settings and choose “Save ISF Night” to 
    store your settings. 
    9. Repeat Steps 1 through 8 for the “ISF Day” preset. 
    To recall stored custom image quality settings, select Load Saved Settings from the Image 
    Option menu (refer to Image Option on page 49) and choose “Custom 1,” “ISF Night” or 
    “ISF Day.” Or, simply use the corresponding buttons on the remote control. 
    ISF Calibration
    Picture Adjust
    White Balance
    Gamma Selection
    Aperture Control
    Blue Enable
    Save ISF Settings
    Splash Screen Timer
    ISF Enable
    Return to User OSD
    ➤
    This menu should be used by ISF-certified technicians only. 
    When you change a setting, save the change to a preset afterwards. 
    Otherwise, the change will be lost when a different input is selected. 
    (Most settings are saved for each input and resolution separately.) 
    The first time you perform this procedure, store the current white balance 
    settings in both color temperatures (4 and 5). This will give you a 
    convenient starting point for color temperature 5, should you wish to use it 
    for the other preset. 
    Note
    Note
    Tip 
    						
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