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Canon 70d W User Manual

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    P Multiple Exposures N
     Are there any restrictions on the image-recording quality?
    All JPEG image-recording qualit y settings can be selected. If 41 
    or  61  is set, the merged multiple-exposure will be a  1 image.
      Can I merge images recorded on the card?
    With [Select image for multi. expo. ], you can select the first single 
    exposure from the images recorded on the card (p.179). Note that 
    you cannot merge multiple images already recorded on the card.
      Are multiple exposures possible with Live View shooting?
    Shooting multiple exposures is also possible with Live View shooting 
    (p.215). Note that [A 1: Aspect ratio] will be fixed at [ 3:2].
      Will auto power off take effect during multiple-exposure 
    shooting?
    As long as [5 2: Auto power off ] is not set to [Disable], the power 
    will turn off automatically after 30 min. of non-operation. If the auto 
    power off takes effect, multiple-exposure shooting will end, and 
    multiple-exposure settings will be canceled.
    Before starting the multiple-exposure shooting, the auto power off 
    will take effect as set with the camera, and multiple-exposure 
    settings will be canceled.
    FAQ
    Image-Recording Quality SettingMerged Multiple-Exposure
    JPEGJPEG
    11
    41 /611
    1 +JPEG1+JPEG
    41 /61 +JPEG1+JPEG
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    Although using the self-timer or a remote switch can prevent camera 
    shake, using mirror lockup to prevent camera vibrations (mirror shock) 
    can also help when you use a super  telephoto lens or shoot close ups 
    (macro photography).
    1 Set [Mirror lockup] to [Enable].
     Under the [z2] tab, select [Mirror lockup ], then press .
     Select [Enable ], then press .
    2 Focus the subject, then press the shutter button 
    completely.
    X The mirror will swing up.
    3 Press the shutter button completely again.
    XThe picture is taken and the mirror goes back down.
    2  Mirror Lockup N
     In very bright light, such as at the beach or a sk i slope on a sunny day, 
    take the picture prompt ly after mirror lockup.
      Do not point the camera  toward the sun. The sun’s heat can scorch and 
    damage the shutter curtains.
      If you use the self-timer and bulb ex posure in combination with a mirror 
    lockup, keep pressing the shutter bu tton completely (self-timer delay 
    time + bulb exposure time ). If you let go of the shutter button during the 
    self-timer countdown, there will  be a shutter-release sound, but no 
    picture will be taken.
      During mirror lockup, shooting func tion settings and menu operations, 
    etc. are disabled.
     Even if the drive mode is set to continuo us shooting, only one shot can be taken. You can also use the self-t imer with mirror lockup.
      If 30 seconds elapse after the mirror  has locked up, it will go back down 
    automatically. Pressing the  shutter button completely again locks up the 
    mirror again.
      For mirror lockup, usin g Remote Switch RS-60E 3 (sold separately) is 
    recommended (p.184).
      You can also use a remote  controller (sold separately, p.184). Setting the 
    remote controller to a 2-s ec. delay is recommended.
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    When you use the self-timer, bulb, or a remote switch and do not look 
    through the viewfinder, stray light en tering the viewfinder can cause the 
    image to look dark. To prevent th is, use the eyepiece cover (p.27) 
    attached to the camera strap.
    During Live View shooting and movi e shooting, attaching the eyepiece 
    cover is unnecessary.
    1Detach the eyecup.
     Push the bottom of the eyecup to 
    detach.
    2Attach the eyepiece cover.
     Slide the eyepiece cover down into 
    the eyepiece groove to attach it.
      After you finish shooting, detach the 
    eyepiece cover and attach the 
    eyecup.
    Using the Eyepiece Cover
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    You can connect Remote Switch RS-60E3 (sold separately) to the 
    camera and shoot (p.416).
    For detailed instructions, refer to the remote switch’s instruction 
    manual.
    1Open the terminal cover.
    2Connect the plug to the remote 
    control terminal.
    F Using a Remote Switch
    R Remote Control Shooting
    With Remote Controller RC-6 (sold separately), you 
    can shoot remotely up to approx. 5 meters/16.4 feet 
    from the camera. You can either shoot immediately or 
    use a 2-sec. delay.
    You can also use Remote  Controller RC-1 and RC-5.
    1Focus the subject.
    2Set the lens focus mode switch to 
    .
     You can also shoot with < f>.
    3Press the < R> button. (9 )
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    R Remote Control Shooting
     4Select the self-timer.
     Look at the LCD panel and turn the 
     dial to select < Q> or < k>.
    5Press the remote controllers 
    transmit button.
     Point the remote c ontroller toward the 
    camera’s remote control sensor and 
    press the transmit button.
    X The self-timer lamp lights up and the 
    picture is taken.
    Remote
    control
    sensor
      Fluorescent or LED lighting may ca use camera misoperation by 
    triggering the shutter inadvertently.  Try to keep the camera away from 
    such light sources.
      If you point a remote controller for a  TV set toward the camera and 
    operate it, it may cause camera mis operation by triggering the shutter 
    inadvertently.
    Remote control shooting is also possible with device s such as an EX-series 
    Speedlite equipped with a remote-release function.
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    Flash Photography
    This chapter explains how to use the built-in flash and 
    external Speedlites (EX-series, sold separately), how to 
    set flash settings with th e menu, and how to use the 
    built-in flash for wireless flash shooting.
    Flash cannot be used  with movie shooting. (It will not fire.)
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    In Creative Zone modes, just press the 
     button to raise the built-in flash for 
    flash photography. To retract the built-in 
    flash, push it back down with your fingers.
    In Basic Zone modes (except   
    < 5 >  modes), the built-in flash will 
    be raised and fire automatically in low-light and backlit conditions.
    In the < A>     modes, you have the option to fire 
    the flash or not.
    The table below shows the shutter  speed and aperture settings that will 
    be used with flash.
    D  Using the Built-in Flash
    Shooting ModeShutter SpeedAperture
    A C246FAutomatically setAutomatically set
    dAutomatically set (1/250  sec. - 1/60 sec.)Automatically set
    sManually set (1/250 sec. - 30 sec.)Automatically set
    fAutomatically set (1/2 50 sec. - 30 sec.)Manually set
    a Manually set (1/250 sec.  - 30 sec.) Manually set
    F The exposure will continue while you 
    hold down the shutter button. Manually set
    Flash Photography in the <
    f> Mode
    To obtain a correct flash exposure, the  flash output will be set automatically 
    (autoflash exposure) to match the manually-set aper ture. The shutter speed 
    will be set automatically  between 1/250 sec. - 30 se c. to suit the scene’s 
    brightness.
    In low light, the main subj ect is exposed with the automatic flash, and the 
    background is exposed with  a slow shutter speed set automatically. Both the 
    subject and background lo ok properly exposed (automatic slow-speed flash 
    sync). If you are handholdin g the camera, keep it steady to prevent camera 
    shake. Using a tripod is recommended.
    To prevent a slow sh utter speed, under [z2: Flash control ], set [Flash 
    sync. speed in Av mode ] to [1/250-1/60 sec. auto ] or [1/250 sec. (fixed) ] 
    (p.196).
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    D Using the Built-in Flash
    Effective Range of Built-in Flash[Approx. in meters/feet]
    ISO Speed
    EF-S18-55mm f/3.5-5.6 IS STM
    EF-S18-135mm f/ 3.5-5.6 IS STM
    EF-S18-200mm f/3.5-5.6 IS
    Wide Angle: f/3.5Telephoto: f/5.6
    100 1-3.4/3.3-11.2 1-2.1/3.3-7.0
    200 1-4.8/3.3-15.9 1-3.0/3.3-9.9
    400 1-6.9/3.3-22.5 1-4.3/3.3-14.1
    800 1.2-9.7/4.0-31.8 1-6.1/3.3-19.9
    1600 1.7-13.7/5.6-45.0 1.1-8.6/3.5-28.1
    3200 2.4-19.4/8.0-63.6 1.5-12.1/5.0-39.8
    6400 3.4-27.4/11.2-90.0 2.1-17.1/7.0-56.2
    12800 4.8-38.8/15.9-127.3 3.0-24.2/9.9-79.5
    H (25600) 6.9-54.9/22.5-180.0 4.3-34.3/14.1-112.5
    If you use a super telephoto lens or  large-aperture lens and the bottom of 
    the picture looks dark, usin g an external Speedlite (sold separately, p.193) is 
    recommended.
      When you use the built-in flash, detac h any lens hood and keep at least 
    1 meter/3.3 feet away  from the subject.
      If the lens has a hood attached or if  you are too close to the subject, the 
    bottom of the picture  might look dark due to  the obstructed flash.
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    							D Using the Built-in Flash
    190
    Using the red-eye reduction lamp  before flash photography can reduce 
    red eye.
    Red-eye reduction will function  in any shooting mode except , 
    , < 5>, and < G>.
    1Select [Red-eye reduc.].
      Under the [ z2] tab, select [Red-eye 
    reduc.], then press < 0>.
    2Select [Enable].
      Select [Enable ], then press .
      For flash photography, when you 
    press the shutter button halfway, the 
    red-eye reduction lamp will light up.
    Set flash exposure compensation if  the flash exposure of the subject 
    does not come out as desired. You can set flash exposure 
    compensation up to ±3 stops in 1/3-stop increments.
    1Press the < Q> button. (7 )
    X The Quick Control screen will appear.
    3  Red-eye Reduction
    y Flash Exposure Compensation N
     The red-eye reduction feature is most  effective when the subject looks at 
    the red-eye reduction lamp, when the  room is well lit, or when you are 
    close to the subject.
      When you press th e shutter button halfway, the scale 
    display on the bottom of the  viewfinder will shrink and 
    turn off. For best  results, take the picture after this 
    scale display turns off.
      The effectiveness of red-eye reductio n varies depending on the subject.
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