Canon cinema EOS C500 PL User Manual
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![Page 86
Setting the Time Code
86
About the Time Code Display
An icon may appear next to the time code depending on the operation. Refer to the following table.
NOTES
• When the frame rate is 23.98P or 24.00P, the frames valu e in the time code runs from 0 to 23. When the frame
rate is 25.00P, 50.00i or 50.00P, it runs from 0 to 24. For other frame rates, it runs from 0 to 29.
• In 4K and 2K modes or when using pre-recording mode in MXF mode, [Free Run] is set automatically and
cannot be changed. When you are...](http://img.usermanuals.tech/thumb/14/1570/w64_cinema-eos-c500-pl-1478307361_d-85.png "Page 86
Setting the Time Code
86
About the Time Code Display
An icon may appear next to the time code depending on the operation. Refer to the following table.
NOTES
• When the frame rate is 23.98P or 24.00P, the frames valu e in the time code runs from 0 to 23. When the frame
rate is 25.00P, 50.00i or 50.00P, it runs from 0 to 24. For other frame rates, it runs from 0 to 29.
• In 4K and 2K modes or when using pre-recording mode in MXF mode, [Free Run] is set automatically and
cannot be changed. When you are...")
![Page 89
89
Synchronizing with an External Device
Time Code Signal Input
An external SMPTE-standard LTC timing signal received from the TIME
CODE terminal will be recorded as the time code. The user bit of the
external timing signal can also be recorded. Before connecting the device,
set the TIME CODE terminal to input. Also, you must set the running
mode of the time code to [Free Run] (A84).
1 Open the [TC In/Out] submenu.
[¤ TC/UB Setup] > [Time Code] > [TC In/Out]
2 Select [In] and then press SET....](http://img.usermanuals.tech/thumb/14/1570/w64_cinema-eos-c500-pl-1478307361_d-88.png "Page 89
89
Synchronizing with an External Device
Time Code Signal Input
An external SMPTE-standard LTC timing signal received from the TIME
CODE terminal will be recorded as the time code. The user bit of the
external timing signal can also be recorded. Before connecting the device,
set the TIME CODE terminal to input. Also, you must set the running
mode of the time code to [Free Run] (A84).
1 Open the [TC In/Out] submenu.
[¤ TC/UB Setup] > [Time Code] > [TC In/Out]
2 Select [In] and then press SET....")
![Page 90
Synchronizing with an External Device
90
Reference Video Signal Output
You can output the camera’s video signal as a reference sync signal (analog blackburst or tri-level signal) through
the SYNC OUT terminal to synchronize an external device to this camera.
In mode, you must first set [ ¤ TC/UB Setup] > [Time Code]
> [24P TC/Sync] to [Normal], which is the default setting. In
mode or if the default setting has not been changed in mode, start
from step 3 below.
1 Open the [24P TC/Sync]...](http://img.usermanuals.tech/thumb/14/1570/w64_cinema-eos-c500-pl-1478307361_d-89.png "Page 90
Synchronizing with an External Device
90
Reference Video Signal Output
You can output the camera’s video signal as a reference sync signal (analog blackburst or tri-level signal) through
the SYNC OUT terminal to synchronize an external device to this camera.
In mode, you must first set [ ¤ TC/UB Setup] > [Time Code]
> [24P TC/Sync] to [Normal], which is the default setting. In
mode or if the default setting has not been changed in mode, start
from step 3 below.
1 Open the [24P TC/Sync]...")
![Page 91
91
Synchronizing with an External Device
1You can use the [¤TC/UB Setup ] > [Time Code] > [24P TC/Sync] setting to select [Normal] or [XF Legacy].2You can switch between the P and PsF setting for output.
Time Code Signal Output
The time code will be output from the TIME CODE terminal as an SMPTE-standard LTC timing signal. The user
bit will also be output. Before connecting the device, set [ ¤TC/UB Setup] > [Time Code] > [TC In/Out] to
[Out] to change the TIME CODE terminal to output ( A89). The...](http://img.usermanuals.tech/thumb/14/1570/w64_cinema-eos-c500-pl-1478307361_d-90.png "Page 91
91
Synchronizing with an External Device
1You can use the [¤TC/UB Setup ] > [Time Code] > [24P TC/Sync] setting to select [Normal] or [XF Legacy].2You can switch between the P and PsF setting for output.
Time Code Signal Output
The time code will be output from the TIME CODE terminal as an SMPTE-standard LTC timing signal. The user
bit will also be output. Before connecting the device, set [ ¤TC/UB Setup] > [Time Code] > [TC In/Out] to
[Out] to change the TIME CODE terminal to output ( A89). The...")
![Page 95
95
Recording Audio
Adjusting the Microphone’s Sensitivity
You can adjust the microphone’s sensitivity if the XLR terminal switch is
set to MIC or MIC+48V.
1 Open the desired XLR terminal’s sensitivity submenu.[¡ Audio Setup] > [Audio Input] > [XLR1 Mic Trimming] or [XLR2
Mic Trimming]
2 Select the desired level and then press SET.
Available Sensitivity Levels
Activating the Microphone’s Attenuator
You can activate the microphone’s attenuator (20 dB) if the XLR terminal
switch is set to MIC or...](http://img.usermanuals.tech/thumb/14/1570/w64_cinema-eos-c500-pl-1478307361_d-94.png "Page 95
95
Recording Audio
Adjusting the Microphone’s Sensitivity
You can adjust the microphone’s sensitivity if the XLR terminal switch is
set to MIC or MIC+48V.
1 Open the desired XLR terminal’s sensitivity submenu.[¡ Audio Setup] > [Audio Input] > [XLR1 Mic Trimming] or [XLR2
Mic Trimming]
2 Select the desired level and then press SET.
Available Sensitivity Levels
Activating the Microphone’s Attenuator
You can activate the microphone’s attenuator (20 dB) if the XLR terminal
switch is set to MIC or...")
![Page 96
Recording Audio
96
Activating the Microphone’s Attenuator
If the audio level is too high and the sound sounds distorted, activate the
microphone attenuator (20 dB).
1 Open the [MIC Att.] submenu.[¡ Audio Setup] > [Audio Input] > [MIC Att.]
2 Select [On] and then press SET.
Monitoring the Audio with Headphones
Connect headph ones* to the × (headphone) terminal to monitor the
recorded audio. You can adjust the headphone volume with the
[ ¡ Audio Setup] > [Audio Output] > [Headphone Volume] setting....](http://img.usermanuals.tech/thumb/14/1570/w64_cinema-eos-c500-pl-1478307361_d-95.png "Page 96
Recording Audio
96
Activating the Microphone’s Attenuator
If the audio level is too high and the sound sounds distorted, activate the
microphone attenuator (20 dB).
1 Open the [MIC Att.] submenu.[¡ Audio Setup] > [Audio Input] > [MIC Att.]
2 Select [On] and then press SET.
Monitoring the Audio with Headphones
Connect headph ones* to the × (headphone) terminal to monitor the
recorded audio. You can adjust the headphone volume with the
[ ¡ Audio Setup] > [Audio Output] > [Headphone Volume] setting....")
91 Synchronizing with an External Device 1You can use the [¤TC/UB Setup ] > [Time Code] > [24P TC/Sync] setting to select [Normal] or [XF Legacy].2You can switch between the P and PsF setting for output. Time Code Signal Output The time code will be output from the TIME CODE terminal as an SMPTE-standard LTC timing signal. The user bit will also be output. Before connecting the device, set [ ¤TC/UB Setup] > [Time Code] > [TC In/Out] to [Out] to change the TIME CODE terminal to output ( A89). The embedded time code will be output from the 3G-SDI terminals, MON. terminals and HD/SD SDI terminal. NOTES • The user bit of the time code signal is output whil e the camera is recording in mode or during playback of a clip recorded on a CF card in mode. For the HD/SD SDI terminal, when the frame rate is set to [23.98P] and the [¤ TC/UB Setup] > [User Bit] > [Output Mode] setting is set to [Pulldown], the user bit will be 2:3 pulldown data. In other words, when a 23.98P recording is output from the HD/SD SDI terminal, the signal is converted to 59.94i using the 2:3 pulldown me thod. An external device can receive the data used in this conversion (2:3 pulldown data) to convert th e signal to the original 23.98P specifications. Video configurationSYNC OUT terminal System priorityResolutionFrame rate HD Sync1 Blk Burst mode modeNormal2XF Legacy MXF 1920×1080 59.94i1080/59.94i 1080/59.94i1080/59.94i480/59.94i29.97P1080/29.97 (P/PsF) 23.98P1080/23.98 (P/PsF) 50.00i1080/50.00i1080/50.00i1080/50.00i576/50.00i25.00P1080/25.00 (P/PsF) 24.00P1080/24.00 (P/PsF)1080/60.00i1080/60.00i– 1280×720 59.94P720/59.94P 720/59.94P720/59.94P480/59.94i29.97P720/29.97P 23.98P720/23.98P 50.00P720/50.00P720/50.00P720/50.00P576/50.00i25.00P720/25.00P 24.00P720/24.00P720/60.00P720/60.00P– Operating modes:
Recording Audio 92 Recording Audio The camera features two-channel linear PCM audio recording and playback with a sampling frequency of 48 kHz. You can record audio using commercially availa ble microphones (XLR terminal, MIC terminal) or line input (XLR terminal). You can select the audio input independently for channel 1 and channel 2. An audio signal will be output with the video signal from the 3G-SDI te rminals, MON. terminals and HD/SD SDI terminal. When you use an external recorder, the audio signal will also be recorded. Connecting an External Microphone or Ex ternal Audio Input Source to the Camera In order to use the XLR terminals, the monitor unit must be attached to the camera. The monitor unit features two XLR terminals (CH1/CH2) that can be used to r ecord audio independently to the two audio channels. In addition to XLR microphones, yo u can also connect to the camera’s MIC terminal commercially available condenser microphones with their own power supply and a ∅ 3.5 mm mini-stereo plug*. If the monitor unit is attached to the camera, you can use the microphone holder on the monitor unit. * For 50.00 Hz recordings, use commercially available microphones with a cable no longer than 3 m. Follow the procedure below to attach a microphone (refer also to the following illustration). To connect an external device to the camera, plug the de vice’s cable into the camera’s XLR terminal ( ). 1 Loosen the microphone lock screw (), open the microphone holder and insert the microphone ( ). 2 Tighten the lock screw and put the microphone cable through the microphone cable clamp under the microphone holder ( \b). 3 Plug the microphone cable into the desired XLR terminal ( ) or the MIC terminal ( ). NOTES • Be careful not to pass the microphone cable in front of the cooling fan’s air vents. Failure to do so may cause audio noise to be recorded. Operating modes: Microphone lock screw MIC terminal Cable clamp XLR terminals
93 Recording Audio Selecting the Audio Input from the XLR Terminals Using the XLR terminals CH1 and CH2, you can record audio independently to the two audio channels from a microphone or analog audio input source. Note that th e camera’s MIC terminal is given priority over the XLR terminals. To record audio from the XLR terminals, be sure not to connec t any microphones to the MIC terminal. Switching Between Microp hone and Line Input Set the XLR terminal switch of the desired channel to LINE or MIC. • To supply a microphone with phan tom power, set the switch to MIC+48V instead. Make sure to connect the microphone first, before turning the phantom power on. Ke ep the microphone connected when turning off the phantom power. • When using the XLR terminal to record to only one channel, use the CH1 terminal. Selecting the Recording Channel You can select to which channe l the camera will record audio. 1 Open the [XLR Rec Channel] submenu. [¡ Audio Setup] > [Audio Input] > [XLR Rec Channel] 2 Select the desired option and then press SET. Options IMPORTANT • When connecting a microphone or device that does no t support phantom power, make sure to set the XLR terminal switch to MIC or LINE, respectively. If you se t the switch to MIC+48V, the microphone or device may be damaged. [CH1]: Records audio to each channel separately. Audio input into CH1 is recorded to channel 1, while audio input into CH2 is recorded to channel 2. [CH1/CH2]: Audio input into CH1 is recorded to both channels. Audio input into CH2 will not be recorded. CH1/CH2 ã switches XLR terminal switches CH1/CH2 ã dials [ ¡ Audio Setup] [ Audio Input] [XLR Rec Channel] [CH1]
Recording Audio 94 Adjusting the Audio Level from the XLR Terminals You can set the audio recording level for audio input from the XLR terminals to auto or manual for each channel. Automatic Audio Level Adjustment Set the ã switch of the desired channel to A (automatic) to let the camera automatically adjust that channel’s audio level. NOTES • When both CH1 and CH2 are set to the same audio input (external microphone or external line input), if the audio level is set to automatic, you can use the [ ¡Audio Setup] > [Audio Input] > [XLR ALC Link] setting to link the audio level adjustment of both channels. Manual Audio Level Adjustment You can set the audio level for each channel manually from - G to 18 dB. 1Set the ã switch of the desired channel to M. 2 Turn the corresponding ã dial to adjust the audio level. • For reference, the 0 corresponds to - G, 5 corresponds to 0 dB, and 10 corresponds to +18 dB. • As a guideline, adjust the audio recording level so that the audio level meter on the screen or rear panel will go to the right of the 18 dB mark (one mark right of the 20 dB mark) only occasionally. • Closing the protective cover for XL R audio controls will prevent the audio controls from being changed inadvertently. NOTES • If at least one of the channels is set to manual audi o level adjustment, you can also activate the audio peak limiter to prevent audio distortions. When activated, the audio peak limiter will limit the amplitude of audio input signals when they exceed -4 dBFS. Use the [ ¡Audio Setup] > [Audio Input] > [Limiter] setting. • We recommend using headphon es when adjusting the audio level. If the input level is too high, audio may become distorted even if the audio leve l indicator shows an appropriate level. • If you set an assignable button to [Audio Level] ( A111), you can press the button to turn the onscreen audio level indicator on and off. CH1/CH2 ã switches CH1/CH2 ã switches CH1/CH2 ã dials
95 Recording Audio Adjusting the Microphone’s Sensitivity You can adjust the microphone’s sensitivity if the XLR terminal switch is set to MIC or MIC+48V. 1 Open the desired XLR terminal’s sensitivity submenu.[¡ Audio Setup] > [Audio Input] > [XLR1 Mic Trimming] or [XLR2 Mic Trimming] 2 Select the desired level and then press SET. Available Sensitivity Levels Activating the Microphone’s Attenuator You can activate the microphone’s attenuator (20 dB) if the XLR terminal switch is set to MIC or MIC+48V. 1 Open the desired XLR terminal’s microphone attenuator submenu. [¡ Audio Setup] > [Audio Input] > [XLR1 Mic Att.] or [XLR2 Mic Att.] 2 Select [On] and then press SET. Adjusting the Audio Level from the MIC Terminal You can adjust the audio recording leve l of a microphone attached to the MIC terminal to auto or manual. You can set the audio level manually within a range of 0 to 99. 1 Open the [MIC Mode] submenu. [ ¡ Audio Setup] > [Audio Input] > [MIC Mode] 2 Select [Automatic] or [Manual] and then press SET. • If you selected [Automatic], you do not need to perform the rest of the procedure. If you selected [Manual], continue the procedure to set the microphone’s audio recording level. 3 Open the [MIC Level] submenu. [ ¡ Audio Setup] > [Audio Input] > [MIC Level] 4 Use the joystick ( Ý) or SELECT dial to set the audio recording level and then press SET. • As a guideline, adjust the audio recording level so that the audio level meter on the screen or rear panel will go to the right of the 18 dB mark (one mark right of the 20 dB mark) only occasionally. NOTES • When adjusting the audio level manually, you can activate the audio peak limiter with the [¡ Audio Setup] > [Audio Input] > [Limiter] setting. When activated, the audio peak limiter will limit the amplitude of audio input signals when they exceed -6 dBFS. • We recommend using headphones when adjusting the audio level. If the input level is too high, audio may become distorted even if the audio leve l indicator shows an appropriate level. • If you set an assignable button to [Audio Level] ( A111), you can press the button to turn the onscreen audio level indicator on and off. +12 dB+6 dB0 dB-6 dB-12 dB [ ¡ Audio Setup] [ Audio Input] [XLR1 Mic Trimming] [XLR2 Mic Trimming] [0 dB] [¡ Audio Setup] [Audio Input] [XLR1 Mic Att.] [XLR2 Mic Att.] [Off] [¡ Audio Setup] [Audio Input] [MIC Mode][Automatic] [ ¡ Audio Setup] [Audio Input] [MIC Level] [50]
Recording Audio 96 Activating the Microphone’s Attenuator If the audio level is too high and the sound sounds distorted, activate the microphone attenuator (20 dB). 1 Open the [MIC Att.] submenu.[¡ Audio Setup] > [Audio Input] > [MIC Att.] 2 Select [On] and then press SET. Monitoring the Audio with Headphones Connect headph ones* to the × (headphone) terminal to monitor the recorded audio. You can adjust the headphone volume with the [ ¡ Audio Setup] > [Audio Output] > [Headphone Volume] setting. * For 50.00 Hz recordings, use commercially available headphones with a cable no longer than 3 m. Selecting the Audio Channel You can select the audio channe l that is output from the × (headphone) terminal. 1 Open the [Channel] submenu. [ ¡ Audio Setup] > [Audio Output] > [Channel] 2 Select the desired option and then press SET. Options NOTES • If you set an assignable button to [Audio Output CH] (A 111), you can press the button to change the audio channel directly. Operating modes: [CH1/CH2]: Audio from CH1 is output from the left audio channel and audio from CH2 is output from the right audio channel. [CH1/CH1]: Audio from CH1 is output from both the left and right audio channels. [CH2/CH2]: Audio from CH2 is output from both the left and right audio channels. [All/All]: Audio from CH1 and CH2 is mixed and output from both the left and right audio channels. [¡ Audio Setup] [ Audio Input] [MIC Att.] [Off] × (headphone) terminal [ ¡ Audio Setup] [Audio Output] [Channel] [CH1/CH2]
97 Using Metadata Using Metadata The camera automatically adds metadata to MXF clips, which are recorded on a CF card. You can use the Canon XF Utility software to check and search for specific meta data. You can also create and transfer a user memo remotely using the Wi-Fi Remote application ( A50). Metadata Components 1User memo files need to be created using the software and saved on the SD card in advance.2Can only be added to clips already recorded.3Recording data is logged automatically by the camera. Setting a User Memo Created with Canon XF Utility Before you can add a user memo, you must first install the Canon XF Utility software (A154). Next, create the user memo and then save it to an SD card. Once you insert the SD card in the camera and select the user memo, it will be added to clips you record. For details on using the software, refer to the instruction manual that is installed with the Canon XF Utility software ( A156). 1Use Canon XF Utility to save a user memo to an SD card. • For details, refer to Managing User Memo Profiles in the Canon XF Utility Instruction Manual. 2 Insert the SD card into the SD card slot of the camera. 3 Open the metadata [Setting] submenu. [ 4K/2K/MXF Setup] > [Metadata] > [Setting] 4 Select [SD Card] and then press SET. 5 Open the [User Memo] submenu. [ 4K/2K/MXF Setup] > [Metadata] > [User Memo] 6 Select the file name of the desired user memo and then press SET. •The Q icon appears on the right of the screen. • Select [Off] to record clips without a user memo. NOTES • After you set a user memo, do not remove the SD card while you are recording. If the SD card is removed, the user memo will not be added to the clip. • You must set the user memo before you start recording for it to be added to the clip. You cannot change the user memo already added to a clip using the camera but you can do so with the Canon XF Utility software. MetadataEntering content Checking content CameraCanon XF UtilityWi-Fi RemoteCanon XF Utility User Memo: clip title, creator, location and description.–Ü1ÜÜ GPS information: altitude, latitude and longitude.–Ü2ÜÜ Recording data: Shutter speed, ISO speed/gain value, etc.–3––Ü Unique Material Identifiers (UMID): country, organization and user codes based on the SMPTE standard.Ü ( A 170) ––– Operating modes: [ 4K/2K/MXF Setup] [Metadata] [Setting] [SD Card] [ 4K/2K/MXF Setup] [Metadata] [User Memo]
Using Metadata 98 Setting a User Memo Using Wi-Fi Remote After completing the necessary preparations (A50) you create a user memo profile and transfer it to the camera from a Wi-Fi-enabled device using the Wi-Fi Remo te application. Using the Wi-Fi Remote application you have two additional advantages over user memos created with Canon XF Utility: you can change the user memo of the last clip recorded, even if you did not sp ecify a user memo in advance; and you can enter manually the GPS information of your shooting location. 1 Press the [Metadata Input] tab on the Wi-Fi Remote screen. 2Press [ — Activate]. • Alternatively, on the camera, you can set [ 4K/2K/MXF Setup] > [Metadata] > [Setting] to [Remote]. 3 Fill the necessary user memo and GPS information fields. • You can press [Clear] to clear the information entered into each field. 4 Press one of the transfer options to transfer the metadata to the camera. • [Metadata correctly transferred] will be displayed on the Wi-Fi Remote screen and the metadata will be transferred and applied to the clips on the camera. 5Press ^ to close the message. Options NOTES • The metadata sent to the camera from Wi-Fi Remote will be lost in the following cases. - If the camera was turned off. - If the [ 4K/2K/MXF Setup] > [Metadata] > [Setting] setting was changed. • Metadata sent to the camera from Wi-Fi Remote will not be added to relay clips recorded before the switch to the current CF card. [Apply from Next]: Adds the metadata you set in Wi-Fi Remote to all clips recorded after the transfer. [Overwrite Prev.]: Only available after recording a clip. Adds the metadata you set in Wi-Fi Remote to all clips recorded after the transfer and also to the last clip recorded (overwriting any user memo that may have been recorded previously with the clip). [Overwrite]: Only available while recording a clip. Adds the metadata you set in Wi-Fi Remote to the clip that is being recorded (overwriting any previous user memo). It will also add this metadata to all clips recorded after the transfer.
99 Color Bars/Audio Reference Signal Color Bars/Audio Reference Signal You can have the camera generate and record color bars and/or a 1 kHz audio reference signal and output them from the 3G-SDI terminals1, MON. terminals1, HD/SD SDI terminal, HDMI OUT terminal, SYNC OUT terminal2 and × (headphone) terminal1.1Outputs audio reference signal only.2Outputs color bars only. Recording Color Bars You can choose between SMPTE stan dard-definition color bars, EBU color bars and ARIB multi-format HDTV color bars. 1 Open the color bars [Type] submenu. [ ~ Camera Setup] > [Color Bars] > [Type] 2 Select the type of color bars and then press SET. 3 Open the [Enable] submenu to activate the color bars. [~ Camera Setup] > [Color Bars] > [Enable] 4 Select [On] and then press SET. • The selected color bars appear on the screen and will be recorded when you press the START/STOP button. • Turning the camera off or changing the operating mode to mode will deactivate the color bars. • Alternatively, if you set an assignable button to [Color Bars] ( A111), you can press the button to activate the color bars. Recording an Audio Reference Signal The camera can output a 1 kHz audio re ference signal with the color bars. 1 Open the [1 kHz Tone] submenu. [¡ Audio Setup] > [Audio Input] > [1 kHz Tone] 2 Select the desired level and then press SET. • Available levels are -12 dB, -18 dB and -20 dB. • Select [Off] to turn off the signal. • The signal is output at the selected level and will be recorded when you press the START/STOP button. Operating modes: [ ~ Camera Setup] [ Color Bars] [Type] [SMPTE] or [EBU]* * Depending on the country/region of purchase. [~ Camera Setup] [ Color Bars] [Enable] [Off] [¡ Audio Setup] [ Audio Input] [1 kHz Tone] [Off]
Video Scopes 100 Video Scopes The camera can display a simplified waveform monitor or vectorscope. It can also display an edge monitor* to help you focus. The video scopes appear only on the LCD screen. They do not appear in the viewfinder or on an external monitor. In order to use the video scopes , the monitor unit must be attached to the camera. * The edge monitor looks at the focus of the entire picture and displays the results as a waveform. The edge monitor is availabl e only in mode. Displaying a Video Scope Press the WFM button (waveform monitor or vectorscope) or EDGE MON. button (edge monitor). • The waveform monitor will appear in a window on the lower right of the screen. • You can repeatedly press the WFM button to activate the video scopes in the following sequence. Waveform monitor Vectorscope Off • Alternatively, you can display the video scopes using [ wOther Functions] > [WFM (LCD)] > [Setting]. Select [WFM] for the waveform monitor, [VS] for the vectorscope or [Edge Mon.] for the edge monitor. Configuring the Waveform Monitor The camera’s waveform monitor function offers 5 modes. You can also change the gain. 1 Open the [Waveform Monitor] submenu. [ w Other Functions] > [WFM (LCD)] > [Waveform Monitor] 2 Select the desired option and then press SET. • If you do not need to change the gain, you do not need to perform steps 3 and 4. 3 Open the waveform monitor [Gain] submenu. [ w Other Functions] > [WFM (LCD)] > [Gain] (under [Waveform Monitor]) 4 Select [1x] or [2x] and then press SET. Options Operating modes: Operating modes: [Line]: Sets the waveform monitor to line display mode. [Line+Spot]: The waveform of the area in the red frame is displayed in red on top of the [Line] mode waveform. [Field]: Sets the waveform monitor to field display mode. [RGB]: Functions like an RGB parade scope. [YPbPr]: Functions like a YPbPr parade scope. [w Other Functions] [WFM (LCD)] [Waveform Monitor] [Line]