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Sony Fs7 Owners Manual

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Page 11

11
D. Preparing the camera and shooting
  1. Preparing to shoot  12
  2. The shutter and shutter speed  17
 3. Setting the gain or ISO 20
  4. White Balance in Custom Mode  23
  5. White Balance in Cine EI mode  24
  6. Exposure, Waveform and Histogram  25
  7. Aperture/Iris control  30
  8. The ND filter System  31
  9. Focus and Focus Aids  33
Section Index 
Content s  

Page 12

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D. Preparing the camera and shooting
D1. Preparing to shoot
After switching the camera on you may see a message 
saying “Execute APR”. This is not an error or malfunction. 
The APR function minimizes the appearance of bright or 
dark sensor pixels and minimizes sensor noise. 
Cover/cap the lens and press SEL/SET to execute the  
APR function. 
If you do not perform APR you will be reminded to 
perform APR the next time the camera is turned on. 
You should perform APR regularly to maintain the best...

Page 13

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D. Preparing the camera and shooting
D1.1 Start by setting the country area. The country area 
setting determines which frame rates are available. 
Choose PAL Area to enable 50i/50p/25p, choose NTSC 
Area for 60i/60p/30p//23.98p/24p.
D1.2 Next choose the recording codec.  
(MENU: System – Codec - Select).  
The options available will depend on the whether you 
have the extension unit installed on the camera or not.
Recommendation: Use the XAVC-I codec. This codec 
offers the greatest frame rate...

Page 14

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D. Preparing the camera and shooting
MPEG HD 422: HD only, the same as the XDCAM 422 
codec, 8 bit, 422 at 50Mb/s. Good for news, quick turn-
around, small file size. Not best for heavy post production 
work or grading, Not recommended for use with S-Log2/3.
XAVC-I: HD/UHD/4K DCI. XAVC-I is always 10 bit 422. 
XAVC-I is normally the easiest version of XAVC to edit, 
requiring the least processing power. XAVC-I is the best 
choice for working with S-Log2/3. 
XAVC-L: HD/UHD XAVC-L is a long GOP codec...

Page 15

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D. Preparing the camera and shooting
ProRes (with XDCA-FS7 only): HD only. ProRes is a widely 
adapted codec originally developed by Apple for use in 
post production but now finding use as an acquisition 
codec. ProRes 422 HQ offers slightly higher quality than 
ProRes 422.
Raw (with XDCA-FS7 only): High quality external 
recording option that allow the recording of raw sensor 
data on a compatible external recorder.  
Content sSection Index  

Page 16

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D. Preparing the camera and shooting
D1.3 Now select the frame size/recording format and 
frame rate. The (MENU: System – Rec Format – Video 
Format) page is where you set the frame size and frame 
rate that will be the cameras base rate. The options 
available will depend on the country area and codec 
choice. 
1920x1080 = HD, 3840x2160 = UHD (the standard frame 
size for consumer 4K television), 4096x2160 = 4K DCI (the 
standard for 4K digital cinema). 
If you have chosen XAVC-L as well as frame...

Page 17

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D. Preparing the camera and shooting
D2. Shutter Speed or Shutter Angle 
It is recommended that to avoid issues with flicker from 
some types of light fixtures that the shutter speed is 
set to a multiple of the local mains electricity frequency. 
Please check the mains frequency of the country you are 
shooting in to determine the most appropriate shutter 
speed. In a 50Hz country 1/50 or 1/100 is recommended. 
In a 60Hz country 1/60 or 1/120 is recommended.
D2.1 The shutter speed or shutter angle...

Page 18

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D. Preparing the camera and shooting
Shutter speed is the easiest to understand and is similar 
to how the shutter period would be expressed in a stills 
camera. With Shutter Speed the shutter timing remains 
fixed at the speed set even if you change the recording 
frame rate (unless the shooting frame rate is increased 
beyond the set shutter speed, in which case the shutter 
speed will become set to the slowest possible speed for 
the shooting rate chosen). 
The Shutter Angle setting mimics the way...

Page 19

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D. Preparing the camera and shooting
D2.2 To change the shutter period indication  
between Speed and Degrees go to  
(MENU: Camera – Shutter – Mode).
To change the shutter speed: Press the Shutter button 
on the side of the camera body and use the scroll wheel 
to choose your desired shutter speed or angle. Then press 
the sel/set button to set the shutter speed. Do not press 
the shutter button again you wish to set the shutter speed 
control to automatic.
Suggested settings are 180 degrees or for...

Page 20

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D. Preparing the camera and shooting
D3.  Setting the Gain or ISO (Custom Mode)
The signal that comes from the cameras sensor can be 
made brighter by adding additional amplification by 
increasing the gain of the cameras image processors. 
This may be useful when shooting in low light situations. 
However it should be noted that when you increase the 
camera’s gain, as well as making the desirable image 
brighter you will also increase the noise seen in the image. 
Because of this it is normally...
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