Steinberg Wavelab Elements 7 Manual

							5.2 Analysis 63
Workspace >Shared tool windows . More specialized tools also exist as part of some
offline processing dialogs, such as the "Find current peak level" command in the Change
level dialog, or the "Eliminate DC Offset" dialog, for example.
Related topics
Global analysis
3D Frequency Analysis
VU Meter
Spectroscope
Oscilloscope
Metering
Audio File editing
Offline processing
5.2.1 Global analysis
This dialog allows you to perform advanced analysis on your audio to identify areas with spec-
ified properties. It can be used to find problem areas such as glitches or clipped samples,
or just to check general information such as the pitch of a sound.
How it works When you analyze a section of an Audio File, WaveLab Elements scans it
and extracts information which it displays in the dialog. It also "pin-points" sections of the
file that meet specific characteristics, for example, sections being very loud or almost silent.
You can then browse between these points, set markers or zoom in on them.
Types of analysis On most of the tabs, you will find settings determining exactly how the
analysis will be performed. Each tab focuses on a particular analysis area:
ˆ Peaks- this tab is for finding individual samples with very high decibel values.
ˆ Loudness - this tab is for finding sections that are perceived by the human ear as
louder or weaker in volume. WaveLab uses an accurate method (RMS - Root Mean
Square), to measure a consecutive section of samples and then average their value.
ˆ Pitch- this tab is used for finding the exact average pitch of a section of audio. The
method works best on monophonic material (single notes, without chords or harmonies)
and assumes the analyzed section has a relatively stable pitch. As a general rule try to
analyze the sustain portion of a sound, rather than the attack.
ˆ Extras- this tab is for informing you about DC offsets and the significant bit resolution
of the file. This can be useful, for example, if you wanted to check whether a 16 bit
file really uses 16 bits (or if it was actually recorded with only 8 bit resolution and then
upscaled to 16 bits).
ˆ Errors- this tab is to help you find glitches and sections where the audio has clipped
(gone beyond 0 dB). Checking and browsing the results Checking the results on
the Pitch and Extra tabs is simple, since only one value is returned for the whole section
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of analyzed audio. For all the other tabs, the analysis methods returns a series of exact
points ("hot points") in the file or section of audio. Use the relevant buttons in each tab
to select the "hot points" you wish to look at in more detail. Using the slider you can
then browse or skip between these points, adding markers or focusing the waveform
display at that particular point in the file.
You can access this dialog in the Audio File Workspace via Analysis>Global Analysis... .
For an explanation of each parameter and interface feature, click on , or the 'What's this?'
question mark icon. For more information see
Getting Help
Related topics
3D Frequency Analysis
5.2.2 3D Frequency Analysis
This function in WaveLab Elements allows you to view a wave file in both the frequency and
time domains. Although a wave display (time domain) tells you a lot about where one sound
starts or ends in a file, for example, it doesn't tell you anything about the timbral contents
of the file. A frequency graph (frequency domain) allows you to investigate the individual
frequency components of an Audio File. With the addition of the time dimension you can
follow these frequencies in your Audio File over time and pick out individual snare hits or
vocal notes in a song, for example. The graph used in WaveLab Elements is sometimes
called a 3D-Spectrogram.
Displaying and viewing the graph
You can choose to analyze a selection of audio or an entire file. If you select a stereo record-
ing, a mix of the two channels will be analyzed. Once you have your region selected or no
region (in the case you wish to analyze the whole file) choose Analysis>3D Frequency
Analysis... . The graph window will appear.
There is a scrub wheel that allows you to rotate the view around and a settings button that
displays the range of frequencies currently displayed. Click on this button to open the
set-
tings dialog
and edit the frequency range displayed, as well as to access other options.
Tip: The length of the selection affects the accuracy of the analysis. For short selections
the result will be very detailed. For longer selections (over a minute or so) the results are
generally less detailed as the harmonic content may vary between "measuring points", and
as such are not included in the graph. You might for example make a separate analysis of
the attack (beginning) of a sound, since the most drastic variations usually occur there.
Some example uses for 3D Frequency Analysis
The 3d Frequency Analysis graph in WaveLab Elements can be used for many purposes, for
example:
ˆ to see how the frequency spectrum is distributed in a mix.
ˆ as a basis for EQ-ing, so that you know which frequencies to reduce or boost.
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ˆ to see which parts of the audio spectrum a certain background noise occupies (for
removing by filtering).
ˆ for educational purposes - these graphs tell you a lot about how different sounds are
"built".
Related topics
Frequency range
Metering
5.2.3 VU Meter
The vu-meter is used to display the peak and average loudness/decibel level of your Audio
File. It also displays the pan, or the balance between the left and right channels in a stereo
file.
The upper part of the level/pan meter window shows the peak level and average loudness,
in the following way:
ˆ The Peak Level meters display the peak levels of each channel, graphically and numeri-
cally. By default, the meter segments and numerical peak values are displayed in green
for low levels, yellow for levels between -6dB and -2dB, and red for levels above -2dB.
You can change both the colors and the range boundaries if you wish via the Level/Pan
Meter Settings dialog. This can be accessed through the Functions>Settings...
menu, or by using the
icon.
ˆ The VU (Volume Unit) meters measure the average loudness (RMS) of each channel.
These meters have a built-in inertia, evening out loudness variations over a user-defined
time span. If you are monitoring playback or audio input, you will also note two vertical
lines following each VU meter bar, seemingly "trying to reach" the current RMS value.
These lines indicate the average of the most recent minimum RMS values (left line)
and the average of the most recent maximum RMS values (right line). To the left, the
difference between the minimum and maximum average values is displayed (the level
value in brackets) - this gives you an overview of the dynamic range of the audio material.
ˆ If you are monitoring real-time audio (playback or input), the maximum peak and loud-
ness values are displayed numerically to the right of the meter bars. Numbers in brack-
ets to the right of the Maximum Peak values indicate the number of successive clips
(0dB signal peaks). Recording levels should be set so that they only rarely clip. If the
master level is set too high, the sound quality and frequency response will be compro-
mised at high recording levels, with unwanted clipping effects. If the level is set too
low, noise levels may be high relative to the main sound being recorded.
The VU meter can be found in the Metersmenu of the Audio Files and Audio Montage
Workspaces.
Related topics
Metering
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5.2.4 Spectroscope
The Spectroscope shows a continuous graphical representation of the frequency spectrum,
analyzed into 60 separate frequency bands, represented as vertical bars. Peak levels are
shown as a short horizontal lines above the corresponding band, indicating recent peak/-
maximum values.
The Spectroscope can be found in the Metersmenu of the Audio Files and Audio Montage
Workspaces. It can be used either as a floating window, or docked in the Workspace.
Related topics
Metering
5.2.5 Oscilloscope
The Oscilloscope offers a highly magnified view of the waveform around the playback cursor
position.
If you are analyzing a stereo file, the Oscilloscope normally shows the separate levels of
the two channels. However, if you activate the option "Show Sum and Subtraction" on the
Functions menu (or click the +/- icon), the upper half of the Oscilloscope shows the sum of
the two channels and the lower half shows the subtraction.
Making settings
By opening the Settings dialog you can adjust the display colors, and choose to activate
Auto-zoom or not. With Auto-zoom activated, the display is optimized so that the highest
level reaches the top of the display at all times. The Settings dialog can be accessed through
the Functions >Settings... menu, or by using the
icon.
The Oscilloscope can be found in the Metersmenu of the Audio Files and Audio Montage
Workspaces. It can be used either as a floating window, or docked in the Workspace.
Related topics
Metering
5.3 Metering
WaveLab Elements contains a variety of audio meters to help in monitoring and analyzing
audio.Meters can be used to monitor audio during playback. There are three different audio
meters in WaveLab Elements, each with its own separate window. The meters are accessed
via the Analysis menu, the Shared Tool windows menu, or from the Meters control bar.
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Monitor Modes
You can choose the audio source and the mode for displaying information in the meters.
You can access the following monitoring functions from the Meters menu or via the Meters
command bar:
ˆ Monitor Playback - the meters display the audio output of the Master Section
after the dithering section, unlike the Master Section's own meter .
ˆ Monitor Audio Input - the meters display the audio input you have chosen in the
Audio Streaming Settings . This is useful for monitoring audio while recording.
ˆ Monitor File Rendering - the meters display what is being written to disk during
file rendering, taking into account Master Section settings, with average, minimum and
maximum peak values computed. After rendering, the meter(s) freeze, and remain frozen
until you refresh or change the monitor mode.
ˆ Monitor Edit cursor position - the meters display static information about the
audio beneath the edit cursor. Note that the Master Section settings are not taken into
account in this mode.
ˆ Analyze audio selection - this allows you to make a selection and have the
meters display the average values over the selected range as a static display. The
Master Section settings are not taken into account in this mode. When you change the
selection, you need to update the meter displays by selecting
"Refresh selection
analysis" from the Meters menu (or by clicking the Refresh button on the Meters control
bar).
If you have one of the continuous display modes chosen, you can also select to freeze the
meters at any time using the
"Freeze meters" command.
Using meter windows
There can only be one instance of each Audio Meter. For example, if you dock one meter in a
Workspace, it will be automatically removed from the place where it was previously located.
Audio Meters can appear in the Audio File, Audio Montage Workspaces as well as the Con-
trol Window. They can be used:
ˆ as a docked window in a Workspace
ˆ as a tabbed window in the control window
ˆ as an independent floating window. In this mode, it can be useful to make the window
"frameless" from Window>Hide frame , to save screen space. In this case, the whole
menu is accessed by right-clicking.
The axis of most Audio Meters may be rotated, to view the graphics horizontally or vertically.
Some meters can also have their visual style and display parameters customized via their
corresponding settings dialog. This can be accessed through the Functions>Settings...
menu in each meter window, or by using the
icon.
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Related topics
VU Meter
Spectroscope
Oscilloscope
5.3.1 VU Meter
The vu-meter is used to display the peak and average loudness/decibel level of your Audio
File. It also displays the pan, or the balance between the left and right channels in a stereo
file.
The upper part of the level/pan meter window shows the peak level and average loudness,
in the following way:
ˆ The Peak Level meters display the peak levels of each channel, graphically and numeri-
cally. By default, the meter segments and numerical peak values are displayed in green
for low levels, yellow for levels between -6dB and -2dB, and red for levels above -2dB.
You can change both the colors and the range boundaries if you wish via the Level/Pan
Meter Settings dialog. This can be accessed through the Functions>Settings...
menu, or by using the
icon.
ˆ The VU (Volume Unit) meters measure the average loudness (RMS) of each channel.
These meters have a built-in inertia, evening out loudness variations over a user-defined
time span. If you are monitoring playback or audio input, you will also note two vertical
lines following each VU meter bar, seemingly "trying to reach" the current RMS value.
These lines indicate the average of the most recent minimum RMS values (left line)
and the average of the most recent maximum RMS values (right line). To the left, the
difference between the minimum and maximum average values is displayed (the level
value in brackets) - this gives you an overview of the dynamic range of the audio material.
ˆ If you are monitoring real-time audio (playback or input), the maximum peak and loud-
ness values are displayed numerically to the right of the meter bars. Numbers in brack-
ets to the right of the Maximum Peak values indicate the number of successive clips
(0dB signal peaks). Recording levels should be set so that they only rarely clip. If the
master level is set too high, the sound quality and frequency response will be compro-
mised at high recording levels, with unwanted clipping effects. If the level is set too
low, noise levels may be high relative to the main sound being recorded.
The VU meter can be found in the Metersmenu of the Audio Files and Audio Montage
Workspaces.
Related topics
Metering
5.3.2 Spectroscope
The Spectroscope shows a continuous graphical representation of the frequency spectrum,
analyzed into 60 separate frequency bands, represented as vertical bars. Peak levels are
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shown as a short horizontal lines above the corresponding band, indicating recent peak/-
maximum values.
The Spectroscope can be found in the Metersmenu of the Audio Files and Audio Montage
Workspaces. It can be used either as a floating window, or docked in the Workspace.
Related topics
Metering
5.3.3 Oscilloscope
The Oscilloscope offers a highly magnified view of the waveform around the playback cursor
position.
If you are analyzing a stereo file, the Oscilloscope normally shows the separate levels of
the two channels. However, if you activate the option "Show Sum and Subtraction" on the
Functions menu (or click the +/- icon), the upper half of the Oscilloscope shows the sum of
the two channels and the lower half shows the subtraction.
Making settings
By opening the Settings dialog you can adjust the display colors, and choose to activate
Auto-zoom or not. With Auto-zoom activated, the display is optimized so that the highest
level reaches the top of the display at all times. The Settings dialog can be accessed through
the Functions >Settings... menu, or by using the
icon.
The Oscilloscope can be found in the Metersmenu of the Audio Files and Audio Montage
Workspaces. It can be used either as a floating window, or docked in the Workspace.
Related topics
Metering
5.4 Transport controls
The transport controls allow you to control playback within an Audio File or montage, and to
open the record window. It can be accessed via the Transport menu or the Transport toolbar.
See
Command bars for more information.
The Transport menu gives access to (and shows keyboard shortcuts to) the same functions
that are available in the transport toolbar.
The Transport toolbar gives quick access to most of these functions. If the toolbar is hid-
den, select Workspace >Command bars >Transport commands . Transport functions
operate on the current Audio File.
The basic transport functions are:
ˆ Loop On/Off
- Toggles looping on/off for the currently selected Audio File or montage.
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ˆ Start of file / End of File
- Move the cursor to the beginning or end of the currently selected Audio File.
ˆ Skip forward / Skip backward
- Skip the cursor forwards or backwards within the currently selected Audio File.
ˆ Play
- Begin playback of the current Audio File.
ˆ Stop
- Stop playback of the current Audio File. A second click moves the cursor to the
beginning of the last start position. A further click returns the cursor to the start of the
file.
ˆ Record
- Opens the recording window from which you can start recording.
Additional transport functions such as start, skip and stopping playback options are also
available from the transport command bar. In WaveLab Elements additional playback speed
and jog/shuttle shortcuts are also provided.
For an explanation of each parameter and interface feature, click on , or the 'What's this?'
question mark icon. For more information see
Getting Help
Related topics
Recording Dialog
Command bars
5.5 Specific tool windows
Specific tool windows are windows that are specific to the current Workspace. They can
perform useful tasks in the active Workspace.
They can be docked and un-docked.
Audio File Workspace specific tool windows
The following specific tool windows are available within the Audio File Workspace:
Metadata window
Sample attributes
Marker Window
File Browser
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5.5.1 Metadata window
This specific tool window displays any Meta-data tags belonging to the currently active file.
This usually consists of a set of tags that describe the audio contents. For example it might
include the title of the track, the author, and the date it was created. This data will vary
depending on the file type, and not all file types store this information so it may be blank. To
edit the file's meta-data tags click anywhere in the window. This will open the corresponding
file attributes dialog.
You can access this dialog in the Audio File Workspace via Workspace>Specific tool
windows >Meta-Data .
For an explanation of each parameter and interface feature, click on , or the 'What's this?'
question mark icon. For more information see
Getting Help
Related topics
Specific tool windows
5.5.2 Sample attributes
This dialog allows you to define settings for an audio sample before loading it into a hardware
or software sampler.
The settings do not process the sample in any way, they just give the file properties that the
receiving sampler can use. This includes information about the pitch of the sample (which
can be detected automatically by WaveLab Elements), the key range that the sample should
span, and the velocity range to occupy. For WAV and AIFF files, this information is stored in
the file's header.
By default, there are no sample attributes in an Audio File. Therefore you must explicitly
create this information by clicking on the "Create" button first. This dialog is useful if your
sampler can take advantage of these additional tags. If supported by your sampler, it can save
you time by allowing you to both edit and define a samples properties from within WaveLab
Elements.
You can access this dialog via Workspace>Specific tool windows >Sample At-
tributes... .
For an explanation of each parameter and interface feature, click on , or the 'What's this?'
question mark icon. For more information see
Getting Help
Related topics
5.5.3 Marker Window
The marker window is a specific tool window that allows you to create, edit and use markers
while working on an audio waveform.
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The Marker list
The marker window contains a list of any markers placed in the currently active file along
with their corresponding details. Click on a column header to sort the list in ascending or
descending order based on the values in that column. You can also use the Filter menu to
toggle which types of markers are displayed in the list.
From this list of markers you can use the fields, controls and menus to:
ˆ Create a new marker at the playback head position - click on a marker icon (at
the top of the window) or choose a marker type from the Insert menu to drop a marker
at the current playhead location.
ˆ Create a pair of markers from a selection - make a selection in the waveform and
then click on a pair of marker icons (at the top of the window) or choose a "Create
region" command from the Insert menu to drop a pair of markers at either side of the
current selection.
ˆ Start playback - It is possible to start playback at the selected marker position, with
or without pre-roll, by clicking on the leftmost icons. Click on
in the "audition"
column to play the wave from that marker position with a pre-roll. Click on the right
hand button to play the wave exactly from the marker position.
ˆ Change marker types - You can change a marker type by (left) clicking on its icon
and choosing another marker type from the pop-up list that appears.
ˆ Edit a marker's name/time/comments - double click in a cell to edit a value (to
align the marker to an exact time, for instance). You can edit the name of the marker,
its time position and any comments.
ˆ Lock a marker's position - select the checkbox to lock the marker. This prevents it
from being accidentally dragged to a new position in the Waveform window.
For more information on using markers see
Markers . For details on the different marker
types and their uses see
Marker types . Note that there are more marker features available in
the Montage version compared to the Audio File version. See "Using markers in the Audio
Montage Workspace" in
Markers for more details.
You can access this specific tool window within the Audio Files and Audio Montage
Workspaces via Workspace>Specific tool windows >Markers .
For an explanation of each parameter and interface feature, click on , or the 'What's this?'
question mark icon. For more information see
Getting Help
Related topics
Specific tool windows
Markers
Marker types
WaveLab Elements 7