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Steinberg Wavelab Elements 8 Manual

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    							Configuring the Software
    About Global Preferences
    331
    Global Shortcuts Tab
    This tab allows you edit key sequences for shortcuts that are available 
    across all workspaces.
    Search by
    Allows you to select the part of the commands list in which the 
    search is performed.
    Search field
    Allows you to search for a command.
    Use wildcards
    If this option is activated, you can use the wildcard characters “*” 
    and “?” for searching.
    “*” substitutes zero or more characters, and “?” substitutes any 
    character.
    For example, if Search by keyboard shortcut is selected, type “*” 
    to display all the commands that are already associated with a 
    shortcut.
    Expand/Collapse
    Expands/collapses the folder tree.
    Commands list
    Shows all commands and their shortcuts.
    Reset
    Resets the commands to their default setting.
    Summary
    Opens a menu from which you can generate a list of all commands 
    and their shortcuts either in HTML or as a print out. 
    						
    							Configuring the Software
    Audio File Editing Preferences Dialog
    332
    Edit shortcut
    Opens the Shortcut Definitions dialog where you can edit the 
    selected shortcut.
    RELATED LINKS:
    “About Customizing Shortcuts” on page 312
    “Multi-User Settings” on page 335
    Audio File Editing Preferences Dialog
    This dialog allows you to define settings for editing in the Audio Files 
    workspace. However, these settings also effect other parts of WaveLab 
    Elements. You can choose defaults for editing and playback, adjust the 
    visual appearance of the waveform displays, and determine how 
    WaveLab Elements works with audio and peak files.
    In the Audio Files workspace, select Options > Audio file editing 
    preferences.
    Editing Tab
    Save view settings in companion file
    If this option is activated, zoom settings, ruler settings, and 
    optionally the Master Section preset that is associated with the 
    audio file are saved in a companion file. When the audio file is 
    reopened, these settings are reused. Deleting a companion file 
    does not alter the audio contents.
    Save in an independent folder
    If this option is activated, the companion file is not saved in the 
    same folder as the related audio file but in a specific folder that you 
    can choose.
    Edit
    Opens the Folders dialog, where you can specify where to save 
    the companion files.
    Open new audio file windows with overview
    If this option is activated and you open an audio file, the overview 
    is also displayed. 
    						
    							Configuring the Software
    Audio File Editing Preferences Dialog
    333
    Overview: passive range indicator also covering the waveform
    If this option is activated, the range indicator that is displayed in the 
    time ruler of the overview also covers the waveform area. Unlike the 
    time ruler indicator, it is passive and cannot be modified.
    Auto zoom for overviews
    If this option is activated on opening a file, the zoom of the overview 
    is set to display the whole file.
    Display file extension on tabs
    If this option is activated, tabs display file names with their 
    extension. For example, “piano.mp3” instead of “piano”.
    Number of seconds to display on opening
    Lets you specify how much time to display when opening an audio 
    file for the first time. WaveLab Elements converts this time to the 
    appropriate zoom factor.
    Whole audio file
    If this option is activated, the horizontal zoom is set to display the 
    whole file.
    Select all channels with the mouse
    If this option is activated when you select a range with the mouse 
    in a stereo file, both channels are selected. To select the channels 
    individually, press [Shift] while selecting. To switch from one 
    channel selection to the other, press [Tab].
    Process whole file if there is no selection
    If this option is activated and a process is to be applied to an audio 
    file, the whole file is processed if there is not audio selection. In the 
    same situation, if the option is deactivated, a warning appears.
    Playback scrubbing - Restrict to Play Tool
    If this option is activated, this function only works if the Play Tool is 
    used.
    Playback scrubbing - Sensitivity
    Lets you set the micro audio loop duration that is performed when 
    you move the mouse cursor over the time ruler.
    Snap selection to zero-crossing - Do not snap at high zoom factors
    If this option is activated, snapping does not occur if the waveform 
    is displayed at a high zoom factor.
    Snap selection to zero-crossing - Scan range
    Lets you define how far WaveLab Elements can search a 
    zero-crossing point in the left and right direction. 
    						
    							Configuring the Software
    Settings Management
    334
    File Tab
    Default sample rate for files without header
    Lets you specify the sample rate of audio files that do not have a 
    header describing this property.
    Style Tab
    This tab allows you to specify custom colors to parts of the wave 
    window.
    Settings Management
    You can make some reference settings available to other WaveLab 
    Elements installations. These settings can then be used by other 
    WaveLab Elements stations to keep the settings in sync on different 
    computers.
    PROCEDURE
    1.In any workspace, select Options (WaveLab menu on Mac) > 
    Global preferences, and select the General tab.
    2. In the Setting location section, specify where to store the 
    settings.
    3. Click OK. 
    						
    							Configuring the Software
    Multi-User Settings
    335
    Multi-User Settings
    If you use multiple WaveLab Elements stations in your studio, in your 
    school, as administration, etc., you can set up one WaveLab Elements 
    station to be the master station. The shared preferences and presets of 
    this station can then be used by other slave stations.
    These settings can be stored on the local network, for example.
    If the administrator updates these settings, the different WaveLab 
    Elements stations can synchronize with the master settings. You can 
    also use this feature for single computers to back up a reference setting 
    and revert to this if necessary.
    The settings in the General tab of the Global preferences dialog are 
    not synchronized. These are stored for each user in the startup.ini 
    (Windows) or startup.plist (Mac).
    IMPORTANTIMPORTANTIMPORTANTIMPORTANT
    Settings cannot be synchronized between PC and Mac.
    RELATED LINKS:
    
    						
    							Configuring the Software
    Multi-User Settings
    336
    7. Copy the startup.ini (Windows) or startup.plist (Mac) of the slave 
    WaveLab Elements station to the settings folder of the other 
    WaveLab Elements stations, except the master WaveLab 
    Elements station.
    This avoids having to make the above procedure on each slave station.
    RESULT 
    All slave WaveLab Elements stations use the settings of the master 
    WaveLab Elements station. 
    						
    							 337
    Plug-in Reference
    Steinberg created Virtual Studio Technology (VST) to allow effect 
    plug-ins to be integrated with audio editors, such as WaveLab 
    Elements. VST uses Digital Signal Processing (DSP) to closely 
    simulate the effects of familiar recording studio hardware in software.
    A vast number of plug-ins are available, from freeware to high-end 
    commercial products.
    The order of processing is significant. You can change the order in 
    which effects are processed by moving the effect icons by dragging 
    them between slots. WaveLab Elements provides slots for up to ten 
    plug-ins.
    Most plug-ins provide a custom GUI, often displaying controls similar to 
    the physical switches and knobs of audio hardware. Other plug-ins rely 
    on the host application for their UI.
    Built-in Plug-ins
    These plug-ins use a plug-in format of WaveLab Elements, and cannot 
    be used with other applications.
    •WaveLab Elements specific plug-ins can only be used in the 
    Master Section. However, some WaveLab Elements effects are 
    also included as VST plug-ins, available as track or clip effects in 
    audio montages.
    • You can specify which plug-ins should be available in the Effects 
    pane and Dithering pane of the Master Section by using the 
    Plug-in settings dialog.
    • Only certain built-in plug-ins can be used as master effects when 
    a multichannel configuration is used in the audio montage. Note 
    that all channels in the Master Section are affected equally. 
    						
    							Plug-in Reference
    Built-in Plug-ins
    338
    Crystal Resampler
    This plug-in is a professional sample rate converter providing 
    exceptional transparency and preservation of the frequency content. It is 
    only available in the Master Section.
    NOTE
    This plug-in is very CPU consuming, especially in high quality modes.
    Sample rate (6-384 kHz)
    Defines the output sample rate while the input sample rate is 
    determined by the sample rate of the active audio file or audio 
    montage.
    Quality
    Defines the quality of the algorithm that is used (Preview (fast) or 
    Standard).
    Ducker
    This plug-in lets you control (modulate) the volume of clips placed on a 
    track with the signal of one or more clips placed on the next adjacent 
    track below it. The Ducker plug-in can only be used as a clip effect in 
    the audio montage.
    It uses the Route to... options that can be found on the Track menu. You 
    can use mono or stereo tracks for both the modulating and the upper 
    track. 
    						
    							Plug-in Reference
    Built-in Plug-ins
    339
    Threshold
    Sets the loudness threshold that triggers the Ducker. Clips on the 
    modulator track with levels above the threshold will cause the level 
    of a clip on the upper track to be lowered.
    Damping
    Sets the amount of level reduction that is applied to the clip on the 
    upper track.
    Fall time
    Sets the time it takes for the level to change from 0 dB to the set 
    damping level.
    Hold time
    When the modulating signal falls below the set threshold, this 
    setting determines how long the level will stay reduced before it 
    starts rising to normal level again.
    Rise time
    Sets the time after which the reduced level rises to the normal level 
    when the modulating signal falls below the set threshold (after the 
    Hold time).
    Mix mode
    If this is activated, the Ducker outputs a mix of the two tracks. This 
    is only useful if the Route to upper track only option has been 
    activated for the modulating track. Then this feature can be used 
    for processing several clips through the same plug-in chain if more 
    plug-ins have been assigned after the Ducker on the upper track.
    Note that the mixed output is controlled by the upper track. If this 
    is not playing a clip, both of the tracks will be silent. 
    						
    							Plug-in Reference
    Built-in Plug-ins
    340
    Leveler
    This plug-in is useful for correcting an imbalance or adjusting levels 
    between stereo channels, or for mixing down to mono.
    Volume Left/Volume Right (-48 dB to 12 dB)
    Governs how much of the signal is included in the left and/or right 
    channel of the output bus.
    Stereo Link (OFF or LINKED)
    When set to LINKED, Volume Right delivers the gain that is set 
    for Volume Left.
    Mix to Mono (OFF or ON)
    When set to ON, a mono mix of the stereo channels is delivered to 
    the output bus.
    Peak Master
    This is a basic plug-in that minimizes peaks in your audio file, allowing a 
    louder mix without clipping. It is useful in taming dynamic instruments.
    It is primarily used as a brickwall limiter. For example, you can limit audio 
    peaks without altering the rest of the audio signal. In this case, set Input 
    Gain to 0
     dB and Out Ceiling to 0 dB, to achieve a clip-free audio signal. 
    When used in this way, Peak Master is an excellent plug-in to succeed 
    a resampler plug-in, and to proceed a dithering plug-in.
    Input Gain
    Values range from -12 dB to 24 dB. 
    						
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