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Wolf Cinema Projector Dcx 1500fd User Manual

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    							B-12
    3.7  aPW
    auto Power Up
    3.8  aRo
    aspect Ratio overlay
    3.9  asR
    auto source
    3.10   asU
    Quick setupaPW   aUTo PoWeR UP
    Set APW to automatically power up (1) or remain off (0) after a power failure. 
    aRo   asPeCT Ra TIo oVeRla Y 
    This is a function used when setting up the projector. When turned on (1), it overlays a number 
    of common aspect ratio boxes on top of the source image. Turning off the overlay (0), will return 
    to your source image. 
    asR   aUTo soURCe 
    Use ASR to automatically select a particular source setup (P1= S1-50) when switching channels. 
    Enable	 (P2=1)	or	disable	 (P2=0)	this	function	 as	desired.	 See	section	 see	2.5	Accessing	 Specific	
    Source Setups. 
    noTe:  In  an ASR  reply,  on/off  state  is  P3  and  the  availability  of  the  source  setup  is  P2.  See 
    below. 
    asU  QUICK seTUP  
    Use ASU to do a Quick Setup of optimized settings based on the incoming sign\
    al detected. 
    bbl   boTT oM blanKIng 
    Use  BBL  to  blank  (turn  to  black)  the  bottom  of  the  image.  Range  depends  on  the  incoming 
    signal. 
    baUD Ra Tes
    bDR:  Set  the  RS232  (only)  baud  rate  to  1200,  2400,  9600,  19200,  38400,  57600  or  115200. 
    Omit the “00” if desired.
    bDs:  Set  the  RS422  (only)  baud  rate  to  1200,  2400,  9600,  19200,  38400,  57600  or  115200. 
    Omit the “00” if desired. 
    Wait	 at	least	 2s	before	 sending	 the	first	 message	 at	the	 new	 rate.	 A	reply	 returns	 a	7-digit	 value:	
    the  complete  number,  plus  leading  zeros  (see  below).  An  invalid  setting  will  trigger  an  error 
    message.
      Examples:
      bdr96)     Set the RS232 baud rate to 9600 
      (bds38400)   Set the RS422 baud rate to 38400 
      (BDR?)     What is the current RS232 baud rate? 
      (BDR!0019200)   The current RS232 baud rate is 19200
      (BDS!0115200)   The current RS422 baud rate is 115200
    bgC  base gaMMa CURVe 
    Select	 the	base	 gamma	 curve.	“0”	represents	 the	default	 2.2	curve,	 1-21	are	user-defined	
    Arbitrary Gamma Curves.
    bKl   
    
    baCKlIghT 
    Turn the built-in keypad backlighting off (0) or on (1). 
    bKY  bRoaDCasT KeYs 
    Enable (1) or disable (0) broadcasting of commands to all projectors\
     on a network.
    3.11  bbl
    bottom blanking
    3.12  bDR or bDs baud Rates
    3.13  bgC
    gamma Curve
    3.14  bKlbacklight
    3.15  bKY
    broadcast Keys
    Appendix	B	►	Serial	Communications 
    						
    							B-13
    blb  blUe blaCKleVel 
    Set	or	request	the	blue	Blacklevel	(0-511)	for	a	specific	source	setup.	
    blD  blUe DRIVe 
    Set	or	request	the	blue	Drive	(0-511)	for	a	specific	source	setup.	
    bog  blUe oDD gaIn 
    Set	or	request	 the	blue	 Odd	Gain	 (0-255)	 for	a	specific	 source	setup.	You	can	set	an	Odd	 Gain	
    value	 for	two	 separate	 analog	input	paths.	 The	first	input	 path	is	Input	 1	(BNC	 connectors).	 The	
    second input path is one of: Input 2 (DVI-A connector), or Input 5 or Input 6 (one of the analog 
    option cards). 
    To leave one of the input values unaffected, enter a value of 0 for the input. If only one value is 
    specified,	then	both	input	paths	will	have	the	same	value.	
    examples: 
    (BOG 130 135) Sets the BNC analog path to 130, the DVI/option card path to 135. (BOG 0 120) 
    Leaves the BNC path as it was, the DVI/option card path to 120. (BOG 125) Sets both paths to 
    125. 
    boo  blUe oDD offseT 
    Set	 or	request	 the	blue	 Odd	Offset	 (0-255)	
    for	a	specific
    
    	source	 setup.	You	can	set	an	Odd	 Offset	
    value	 for	two	 separate	 analog	input	paths.	 The	first	input	 path	is	Input	 1	(BNC	 connectors).	 The	
    second input path is one of: Input 2 (DVI-A connector), or Input 5 or Input 6 (one of the analog 
    option cards). 
    To leave one of the input values unaffected, enter a value of 0 for the input. If only one value is 
    specified,	then	both	input	paths	will	have	the	same	value.	
    bRT  bRIghTness 
    Set the image brightness from 0-1000. The BRT value represents a percentage, e.g. 1000=100.0 
    % or 0505=50.5%. 
    bRU  WhITe fIelD UnIfoRMITY  
    Use  BRU  to  adjust  light  output  in  the  8  zones  around  the  central  zone  in  the  image,  and/or  to 
    turn	 BRU	 on/off.	 To	find	 out	if	BRU	 is	on,	 send	 a	request	 with	no	parameters.	 The	reply	 will	be	
    “off” (0) or “on” (1).
      examples:
      (BRU 2 0 65)   Set right red zone to 65. 
      (BRU 5 G 24)   Set top left green zone to 24. 
      (bru? 0 B)   What is the overall brightness of blue? 
      (bru! 0 B 039)   The overall brightness of blue is 39. 
      (BRU 1)    Enable White Field Uniformity feature (if feature is available). 
      (bru?)     What is the status of the Uniformity Enable feature/checkbox? 
      (bru! 1)     White Field Uniformity is Enabled. 3.16  blb
    blue blacklevel
    3.17  blD
    blue Drive
    3.18  bog
    blue odd gain
    3.19  boo
    blue odd offset
    3.20  bRT
    brightness
    3.21  bRU
    White field Uniformity
    Appendix	B	►	Serial	Communications 
    						
    							B-14
    ParameterDescription
    P1 = Where to adjust? 
    or (if Wolf WARP and 
    no other parameters)P1 
    = Which type of White 
    Field Uniformity 0 = Overall
    1 = Left
    2 = Right
    3 = Top
    4 = Bottom 5 = Top Left
    6 = Top Right
    7 = Bottom Left
    8 = Bottom Right
    If Wolf WARP and no P2 or P3 parameters, P1=
    0 = Disable
    1 = Enable normal White Field Uniformity
    2	–	4	=	User-defined	White	Field	Uniformity	(requires	s/w	v1.1	or	
    higher)
    P2 = Which color to adj. 0 or R = Red 1 or G = Green
    2 or B = Blue
    P3 = Setting 0 – 255 for “Overall”  and 0 – 127 for all other zones
    bUs  WhITe fIelD UnIfoRMITY  seleCT 
    This  enables  or  disables  White  Field  Uniformity.  If  a  WARP  module  is  installed  the  control 
    changes to a list and allows several different uniformity maps to be selected.
    Without Wolf WARP Module: 0 = disabled, 1 = enabled
    With Wolf WARP Module: use the (BUS?L) request to read the list. 
    CCa   CoMPRehensIVe ColoR  aDjUsTMenT 
    Use the CCA service function to change the factory-set native colors (Max Drives) in the projector, 
    or	 to	define	one	 or	more	 custom	 color	palettes	 (i.e.,	color	gamut).	 CCA	changes	x/y	 coordinates	
    for red, green, blue and white points for a given gamut. Can be applied \
    with CCS command. 
    noTe: Remember that Max Drives represents the measured native colors of the projector, and 
    that all color performance depends on these native colors. A new CCA for Max Drives will change 
    all color performance and gamut (palettes).
    Parameter Description
    P1 = Which gamut 
    (palette) to adjust. 0 = This is a duplicate of 1 (Max Drives)
    1 = Max Drives
    2 = Color Temperature**
    3 = SD Video*
    4 = HD Video* 5 = User 1
    6 = User 2
    7 = User 3
    8 = User 4
    * noTe: Factory-set to industry standards. Adjustment is not 
    recommended as it will change this performance standard.
    * Affects only the current color temperature setting. Changing Color 
    Temp coordinates with CCA is not recommended.
    P2  Red x 
    P3  Red y 
    P4  Green x 
    P5  Green y 
    P6  Blue x 
    P7  Blue y 
    P8  White x 
    3.22  bUs
    White field Uniformity  select
    3.23  CCa
    Comprehensive Color  adjustment
    Appendix	B	►	Serial	Communications 
    						
    							B-15
    P9 White y 
    P10  Magenta x 
    P11  Magenta y 
    P12  Cyan x 
    P13  Cyan y 
    P14  Yellow x 
    P15  Yellow y 
    examples:
    (CCA?)           = What is the current color adjustment?
    (CCA 1 661 341 332 575 144 93 320 330)   = Set “Max Drives” to these x/y coordinates 
    CCC  CoMPRehensIVe ColoR CleaR 
    The  CCC  command  will  copy  the  data  from  one  of  the  comprehensive  color  setups  into  the 
    currently selected user setup (USER1-4).  See CCS for a list of possib\
    le selections. 
    CCI  ColoR TeMPeRa TURe 
    Use  CCI  to  implement  a  color  temperature  from  3200K-9300K.  This  control  changes  just  the 
    white  point  (x/y)  of  the  current  gamut,  and  is  applied  only  if  you  are  using  color  temperature 
    (CCS) as your “Select Color Adjustment” choice. 
    CCs  seleCT oUTPUT ColoR 
    Use	CCS	to	select	a	predefined	or	user-defined	color	palette	for	use	with	a	given	source.	
    0 = Max Drives (default) 1 = Color Temperature 2 = SD Video 3 = HD Video 4 = User 1 5 = User 
    2 6 = User 3 7 = User 4 
    Cha   Channel seleCT 
    Use CHA to select a channel (1-99). This is the same as SRC command. 
    Cle  ColoR enable 
    Enable	 a	specific	 color	to	be	 projected	 on	the	 screen	 (1=red,	 2=green,	 3=blue,	4=yellow,	 5=cyan,	
    6=magenta, 7=white, 8=black).  noTe: Colors will always revert to white (full color) upon power-
    up and if “Exit” at presentation level. 
    ClP  ClaMPIng 
    Use	 CLP	to	 define	 the	blacklevel 	clamping	 location	for	the	 current	 signal	(0	=	Sync	 Tip,	1	=	 Back	
    Porch, 2 = Tri-level). 
    ClR  ColoR 
    Set the color intensity (1-1000) for video images. The CLR value represents a percentage, e.g. 
    1000=100.0 % or 0505=50.5%. 
    Con  ConTRasT 
    Use  CON  to  set  the  contrast  level  (0-1000).  The  CON  value  represents  a  percentage,  e.g. 
    1000=100.0 % or 0505=50.5%. 
    3.24  CCC
    Comprehensive Color  Clear
    3.25  CCI
    Color Temperature
    3.26  CCs
    select output Color
    3.27  Cha
    Channel select
    3.28  Cle
    Color enable
    3.29  ClP
    Clamping
    3.30  ClR Color
    3.31  Con Contrast
    Appendix	B	►	Serial	Communications 
    						
    							B-16
    3.32 CRM
    Chroma / luma DelayCRM  ChRoMa / lUMa Dela Y 
    Use CRM to set the time delay (20-50) between the chroma and luminance\
     in decoded signals. 
    CsP  ColoR sP aCe 
    CSP 	specifies	which	color	space	the	input	signal	uses.	0=RGB,	1=YprPb,	2=YPbPr	(HDTV).	
    Def  f aCToRY  DefaUl Ts 
    Use  DEF  to  reset  all  parameters  in  the  projector  to  factory  defaults—all  source  setups  are 
    deleted,	 all	factory-defined	 color	palettes	 are	restored,	 and	all	user	 adjustments/preferences	 are	
    set to default values. DEF may also change your baud rate and projector number.  noTe: You 
    must include P1 = 111 in any DEF message. This requirement prevents accidental use of DEF. 
    Because the DEF message can take a fairly long time, it is a good idea to include the optional 
    Acknowledge code ($) to determine when the defaults have been complete\
    d—i.e., ($def 111). 
    Dls  DeleTe soURCe 
    Use	 DLS	 to	delete	 a	specific	 locked	or	unlocked	 source	setup	(1-50),	 or	to	delete	 all	unlocked	
    source	 setups	(0).	To	delete	 all	setups,	 even	those	 that	are	locked,	 you	must	 first	unlock	 all	
    source setups using the memory lock command (MLK S0 0). 
    Dl Y  Dela Y 
    Use DLY to delay a real-time event for a number of milliseconds (1-65535ms).
    example:
    (RTE G 5 H “(DLY 100) (PWR 0)”)  = When pin 5 goes high, Delay 100ms, then power \
    off. 
    DRK  DaRK InTeRV al 
    Use  DRK  to  control  the  time  interval—in  active  output  lines—between  frames  projected  to  the 
    screen, so that active 3D applications are well-synchronized with shutters in 3D glasses. Range 
    depends on source frequency. For 3D models only. 
    DT a  soURCe Da Ta 
    Use  DTA  to  read  from  the  projector  (or  load  into  the  projector)  all  of  the  settings  related  to  a 
    specific	 source	setup	(1-99),	 or	pertaining	 to	system	 parameters.	 This	essentially	
    creates	 a	back-
    up.
    
    	If	a	 source	 setup	does	not	exist,	 use	DTA	to	 define	 all	settings	 for	it.	This	 essentially	 creates	
    a back-up. 
    Keep  in  mind  that  a  DTA  request  triggers  reply  messages  for  each  setting  in  a  source  setup. 
    Because  of  the  large  number  of  replies,  requesting  an  acknowledgement  from  the  projector 
    ($)	 is	a	good	 idea—receiving	 the	($)	back	 confirms	 that	the	projector	 has	returned	 all	data	 and	
    completed the full DTA reply. 
    ReaDIng seTTIngs (Da Ta) foR  a sPeCIfIC soURCe seTUP 
    Message  the number of the source setup to read – must have leading ‘S’:\
        For example, ($DTA? S5) 
    	 	 If	P1	=	source#1-99,	this	identifies	a	specific	source	setup	to	read
    Reply    P1 = the number of the source setup being read (1-99) 
        P2 = switcher number (0=projector) 
        P3 = slot number 
        P4 = the vertical frequency (cHz) 
        P5 = the horizontal frequency (10’s of Hz) 
    3.33  CsP
    Color space
    3.34  Def
    factory Defaults
    3.35  Dls
    Delete source
    3.36  Dl Y
    Delay
    3.37  DRK
    Dark Interval
    3.38  DT a
    source Data
    Appendix	B	►	Serial	Communications 
    						
    							B-17
       P6 = input polarity & routing 
          Bits 2-0 // horizontal sync source 
            0 = no sync 
            1 = horizontal on vertical input 
            2 = horizontal on horizontal input 
            3 = horizontal on green input 
            4 = horizontal on red input 
            5 = horizontal from Vid1 input 
            6 = horizontal from Vid2 input 
          Bit 3 // set if composite sync (H & V on same wire) 
          Bit 4 // set if horizontal sync has negative polarity 
          Bit 5 // set if vertical sync has negative polarity 
    Setting	1		 =	reply	message	for	first	source	setup	setting
    Setting 2   = reply message for second source setup setting
    Setting 3   = reply message for third source setup setting 
        Etc… 
    Setting n   = reply message for last source setup setting
    $     acknowledge of DTA message (if requested) 
      example: 
      ($DTA? S5) 
        (DTA! S005 000 001 05996 03150 059) 
        (CON! S005 045) 
        (BRT! S005 167) 
        Etc… 
      $
    ReaDIng seTTIngs (Da Ta) foR  all soURCe seTUP
    To  request  all  settings  for  all  sources,  use  P1=0  ($DTA?  S0).  The  reply  will  be  a  sequence  of 
    replies for each source. If you requested an acknowledgement ($), it will arrive after the last reply 
    for the last source. 
      example:
      ($DTA? S0) 
        (DTA! S005 000 001 05996 03150 059)setup 
        (CON! S005 045) 
        (BRT! S005 167)
         Etc.… 
        (DTA! S034 000 001 05996 03150 059) 
        (CON! S034 022) 
        (BRT! S034 137) 
        Etc.… 
        $ 
    DoWnloaDIng soURCe seTUP seTTIngs (Da Ta) T o a PRojeCT oR 
    Send	 a	DTA 	message	 to	define	 a	new	 source	 setup,	or	redefine	 an	existing	 source	setup,	and	
    include	 the	specified	 parameters	 (refer	back	to	the	 “Reading	 Setting	for	a	Specific	 Source	
    Setup”	
    list of parameters shown above). 
      example:
     
    
     (DTA S005 000 001 05996 03150 085) 
        (CON S005 045) 
        (BRT S005 167)
         Etc.… 
        (DTA S034 000 001 05996 03150 085) 
        (CON S034 022) 
        (BRT S034 137)
         Etc.… 
    Appendix	B	►	Serial	Communications 
    						
    							B-18
    3.39  DTl Detail
    ReaDIng PRefeRenCe seTTIngs 
    Settings	for	projector	preferences	are	either	 Transferable	or	Projector-specific:	
       Transferable: Valid for any projector of the same model. Single DTA parameter = T. 
       Projector-specific: Unique to an individual projector. Single DTA parameter = P. 
      example:
        ($DTA? T) = Request for all preferences that can be used in other  
               projectors of the same model 
        (BDR! 09600)
        (LPI! 00345)
        Etc.…
      $
        ($DTA? P) = Request for preferences that are unique to an individual  
               projector
        (CTM! 001 002 00000 000 01187)
        (CTM! 002 007 05400 012 043)
        Etc.…
        $ 
    DoWnloaDIng PRefeRenCes T o a PRojeCT oR 
    To  download  preference  settings  to  a  projector,  just  send  the  various  settings  as  separate 
    commands—DTA  is  not  used.  Take  special  care  when  sending  BDR  (Baud  Rate)  and  ADR 
    (Projector  #  or  Address)  messages,  as  they  change  the  way  your  network  operates  and  you 
    may  accidentally  break  communication.  For  example,  BDR  should  always  be  broadcast  to  all 
    projectors or you will be unable to talk to some projectors. 
    DTl   DeT aIl 
    Use DTL to set the detail for RGB and video images. 
    DTT  DeT aIl ThResholD 
    Sets the minimum change required before the detail (DTL) function is activated. This sharpens 
    images without increasing background noise. 
    ebb  eDge blenDIng blaCK leVels 
    The  EBB  control  is  only  active  when  Edge  Blending  (EBS)  and  Black  Edge  Blending  (BEB) 
    have been enabled. The particular edges that have been blended with the Edge Blending (EBL) 
    command will be active for blending the black levels. For example, you cannot adjust the Edge 
    Blend Black level for the top edge, if there is no edge blending active for the top edge. Similar to 
    the	EBL 	control,	data	can	be	specified	by	zones	or	edges,	or	by	index.	
    3.40  DTT
    Detail Threshold
    3.41  ebb edge blending  black levels
    Appendix	B	►	Serial	Communications 
    						
    							B-19
    Parameter ValueDescription
    P1 1-16 
    (P1: 1-9 = blend edge/zone brightness) 
    (P1: 10-13 = edge zone width) 
    (P1: 14-16 = color components of overall black level)  1 = Center 
    2 = Top 
    3 = Bottom 
    4 = Left 
    5 = Right 
    6 = Top Left 
    7 = Top Right 
    8 = Bottom Left 
    9 = Bottom Right 
    10 = Left Width 
    11 = Right Width 
    12 = Top Width 
    13 = Bottom Width 
    14 = Black Red Level 
    15 = Black Green Level 
    16 = Black Blue Level
    P2 When P1 = 1-9, P2 = 0-247
    When P1 = 10-13, P2 = 0-255
    When P1 = 14-16, P2 = 0-255 Brightness (0-247)
    Zone Width (0-255)
    Color Level (0-255)
      examples:
        (BEB 2 15)  Set Brightness of top edge to 15 
        (BEB?)    Request state of Black Edge Blending 
        (BEB! 1)  Black Edge Blending is enabled 
    ebe  eDge blenDIng blaCK leVels seleCT 
    This command enables (1) or disables (0) the Black Edge Blending feature. This feature can only 
    be enabled when Edge Blending has been enabled (EBS). 
    ebl   eDge blenDIng 
    Use EBL to blend together the overlapping edges of adjacent images, and/or to turn EBL on/off. 
    To	 find	 out	if	EBL 	is	 on,	 send	 a	request	 with	no	parameters.	 The	reply	 will	be	“off”	 (0)	or	“on”	 (1).	
    Note that on-screen values do not match values through ASCII messaging. 
    Parameter Description
    P1 = Which blend edge? or 
    (if Wolf WARP and no other 
    parameters)
    P1 = Type of edge blending to 
    use. 0 = Left
    1 = Right
    2 = Top
    3 = Bottom
    Or, if Wolf WARP and no P2 or P3 parameters, P1=
       0 = Disable
       1 = Enable normal Edge Blending
    			2	–	4	=	User-defined	custom	blend	(requires	s/w	v1.1	or		
       higher)
    P2 = Which blend characteristic? 0 = Width of blend 1 = Shape of blend 2 = Midpoint of  blend
    P3 = Setting Left/Right Width = 0, 5-80, Top/Bottom Width 5-60, Shape 
    2-30, Midpoint 2-30
    3.42  ebe
    edge blending black  levels select
    3.43  ebl
    edge blending
    Appendix	B	►	Serial	Communications 
    						
    							B-20
     examples:
        (EBL 2 0 15)  Set width of top blend to 15 
        (EBL?)    What is the current status of Edge Blending—on or off? 
        (EBL! 1)   Edge Blending is currently enabled 
    ebo  eDge blenDIng oVeRlaP
    Use EBO in conjunction with Edge Blending to simplify the aligning of edge-blended projectors. 
    Enabling  EBO  (1)  sets  the  blend  region  to  a  uniform  gain  of  25%  and  the  rest  of  the  image  to 
    100%. Disable EBO (0) to restore previous gain settings. 
    ebs  eDge blenDIng seleCT 
    This enables (1) or disables (0) edge blending. If a WARP module is installed the control changes 
    to a list and allows several different edge blends to be selected. Use the (EBS?L) request to read 
    the list. 
    eMe  eRRoR Message enable 
    Use	EME	to	turn	all	notification	off,	or	to	choose	how	you	wish	to	be	notified	of	projector	errors.	
      0 = Off
      1 = On-screen display
      2 = ASCII message (i.e., via ERR messages)
      3 = Both 
    eRR  eRRoR Message 
    The  projector  broadcasts  an  ERR  message  when  an  error  is  detected.  Each  ERR  message 
    includes the error code (P1), error type (P2), and a text explanation. Error messages also include 
    the address of the source projector. 
    noTe:  The  type  of  error  and  the  text  explanation  are  enclosed  together  in  quotation  marks, 
    separated by a colon and a space. Below, the text explanation appears as -----. 
    error Code (P1) Type of error (P2) Meaning
    001  “System Error: -----”  System crash. 
    002  “System Warning: -----”  System error. 
    003  “Invalid parameter:—“  Invalid parameter number. 
    004  “Too many parameters:”  Message requires fewer parameters 
    005  “Too few parameters:-----”  Message requires more parameters 
    006  “Source does not exist:-----”  The source setup# is wrong 
    007  “Could not be executed:”  Current content prevented the 
    command from executing. 
    008  “Checksum error:-----”  The checksum is incorrect. 
    009  “Unknown request:-----”  Message	code	undefined.	If	the	
    message sent as a command it is 
    ignored and no error is returned. 
    010  “Communication error:-----”  Error receiving serial data on one of the 
    RS-232 ports. 
    011  “RX Break  A serial break was received. 
    012  Supplementary info  Additional information about the error. 
    Message content depends on the 
    nature of the error. 
    3.44  ebo
    edge blending overlap
    3.45  ebs
    edge blending select
    3.46  eMe
    error Message enable
    3.47  eRR
    error Message
    Appendix	B	►	Serial	Communications 
    						
    							B-21
    examples:
    noTe: The 65535 signifies the port address of the controller receiving the message. 
    SYNC no longer responding (65535 00030ERR 001 "System Error: SYNC no longer  
            responding")
    Attempt to delete the current source  (65535 00030ERR 002 "System Warning: The current  
            source cannot be deleted")
    (BDR38900)      (65535 00030ERR 003 "BDR: Invalid parameter 1")
    (BLB 25 25)      (65535 00030ERR 004 "BLB: Too many parameters")
    (ASR S10)      (65535 00030ERR 005 "ASR: Too few parameters")
    (ASR S10 1)      (65535 00030ERR 006 "ASR: Source does not exist")
    (CON 45) with no source    (65535 00030ERR 007 "CON: Could not be executed")
    (&con 64 250)      (65535 00030ERR 008 "CON: Checksum Error")
    (ABC?)        (65535 00030ERR 009 "ABC: Unknown request") 
    faD  f aDe TIMe 
    Use  FAD  to  set  the  time  for  dissolving  one  display  image  into  the  next  (0=seamless,  100=1 
    second).  Or,  if  using  v1.0  software,  FAD  sets  the  time  for  fading  to  black  and  then  to  the  new 
    display image. 
    fCs  foCUs 
    The FCS adjusts lens focus on projectors having a motorized lens mount, and requires keypad 
    emulation. 
    examples:
      (FCS K3)   –ve Focus direction 
      (FCS K2)   +ve Focus direction. 
      (FCS K0)   Stop focus adjustment (if not issued, lens movement will continue  
          until it reaches the end stop). 
    To  “nudge”  the  focus  a  minimum  amount,  script  in  a  delay  between  (FCS  K3)  and  (FCS  K0). 
    Depending	on	your	application,	a	delay	of	at	least	20-30	milliseconds	may	be	sufficient.	
    fIl   InPUT fIl TeR 
    Use	 FIL	to	 force	 an	internal	 filter	for	HDTV	 (1),	SDTV	 (2),	EDTV	 (3),	Graphics/RGB	 (4)	or	to	turn	
    the	automatic	filtering	feature	off	(0).	 This	automatic	filter	is	for	analog	sources	only.	
    fle  fRaMe loCK enable 
    Use	 FLE	 to	define	 how	the	projector	 controls	the	output	
    frame	 timing	 based
    
    	on	 the	 input	 signal.	
    Use the following parameters to achieve the desired output frame timing.\
     
    P1  = 0: Rate Matched – the output runs at close to the input frequency but is not locked to it so 
    the output will drift in phase relative to the output.
    P1 = 1: Locked – if possible the output image is phase locked to the in\
    put frames
    P1 = 2: Free Run – the output runs at 60Hz frame rate 
     
    For older versions of software (v1.1 and earlier) this control is a checkbox to enable a “Locked” 
    output. When unchecked the output is “Frame Matched”. 
    fMT  2/3 PUll DoWn ThResholD 
    Use FMT to adjust the threshold (0-255) at which the projector will consider an incoming video 
    signal	as	film	vs.	video.	
    3.48  faD
    fade Time
    3.49  fCs focus
    3.50  fIl
    Input filter
    3.51 fle
    frame lock enable
    3.52  fMT
    2/3 Pull Down Threshold
    Appendix	B	►	Serial	Communications 
    						
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