Yamaha Mg 102 C Manual

							 Front & Rear Panels
MG82CX/MG102C Owner’s Manual11
Reference
8COMP Control
Adjusts the amount of compression applied to the channel.
As the knob is turned to the right the compression ratio
increases while the output gain is automatically adjusted
accordingly. The result is smoother, more even dynamics
because louder signals are attenuated while the overall level
is boosted.
Avoid setting the compression too high, as the the
higher average output level that results may lead to
feedback.
9PEAK Indicator
The peak level of the post-EQ signal is detected, and the
PEAK indicator lights red when the level reaches 3 dB below
clipping. For XLR-equipped stereo input channels (3/4 and
5/6), both the post-EQ and post-mic-amp peak levels are
detected, and the indicator lights red if either of these levels
reaches 3 dB below clipping.
0Equalizer (HIGH, MID, and LOW)
This three-band equalizer adjusts the channel’s high, mid,
and low frequency bands. CH 7/8 (CHs 7/8, 9/10) have two
bands: high and low.  Setting the knob to the t position pro-
duces a flat response in the corresponding band. Turning the
knob to the right boosts the corresponding frequency band,
while turning to the left attenuates the band. The following
table shows the EQ type, frequency, and maximum cut/boost
for each of the three bands.
AEFFECT (AUX) Control
Adjusts the level of the signal sent from the channel to the
EFFECT (AUX) bus. Note that the signal level sent to the
bus is also affected by the Level control 
C. On stereo chan-
nels (CHs 3/4 to 7/8 (CHs 3/4 to 9/10)) the signals from the L
(odd) and R (even) channels are mixed and then sent to the
EFFECT (AUX) bus.
BPAN Control (CHs 1, 2)
PAN/BAL Control (CHs 3/4, 5/6)
BAL Control (CH 7/8 (CHs 7/8, 9/10)
The PAN control determines the stereo positioning of the
channel signal on the Stereo L and R buses.
The BAL control knob sets the balance between left and right
channels. Signals input to the L input (odd channel) go to the
Stereo L bus; signals input to the R input (even channel) go to
the Stereo R bus.
On channels where this knob provides both PAN and
BAL control (channels 3/4 and 5/6), the knob oper-
ates as a PAN control when input is received via the
MIC jack or L (MONO) input only, and as a BAL
control when input is received via both L and R
inputs.
CLevel Control
Adjusts the level of the channel signal. Use these knobs to
adjust the balance between the various channels.
Set the controls for unused channels all the way down
to minimize noise.
Master Control Section
12TR IN Jacks
These RCA pin jacks can be used to input a stereo sound
source. Use these jacks when you want to connect a CD
player directly to the mixer.
Select where you want to send the signal using the
2TR IN switch, and adjust the signal level using the
2TR IN control in the Master Control section.
2REC OUT (L, R) Jacks
These RCA pin jacks can be connected to an external
recorder such as an MD recorder in order to record the same
signal that is being output via the STEREO OUT jacks.
The mixer’s STEREO Master control has no affect on
the signal output via these jacks. Be sure to make
appropriate level adjustments at the recording device.
BandTypeFrequencyMaximum 
Cut/Boost
HIGH
Shelving10 kHz
±15 dB MIDPeaking2.5 kHz
LOW
Shelving100 Hz
NOTE
NOTE
NOTE
0
8
A
D
B 1
3
45
2
6
7
9
C
MG82CX
NOTE
NOTE 
						

							12MG82CX/MG102C Owner’s Manual
Front & Rear Panels Reference
3RETURN L (MONO), R Jacks
These are unbalanced phone-jack type line inputs. The signal
received by these jacks is sent to the STEREO L/R buses.
These jacks are typically used to receive the signal returned
from an external effect device (reverb, delay, etc.).
These jacks can also be used as an auxiliary stereo
input. If you connect to the L (MONO) jack only, the
mixer will recognize the signal as monaural and will
send the identical signal to both the L and R jacks.
4SEND EFFECT (AUX) Jack
This is an impedance balanced* phone-jack type output that
outputs the signal from the EFFECT (AUX) bus. You can use
this jack, for example, to connect to an external effect unit.
5STEREO OUT (L, R) Jacks
These are impedance balanced* phone-jack type outputs that
output the signals adjusted by the STEREO Master control.
You can use these jacks, for example, to connect to the power
amplifier driving your main speakers.
6MONITOR (L, R) Jacks
These are impedance balanced* phone-jack type outputs that
output the signals adjusted by the MONITOR/PHONES con-
trol. Connect these jacks to your monitor system.
7PHONES Jack
Connect a pair of headphones to this stereo phone jack. The
PHONES jack outputs the same signal as the MONITOR
OUT jacks.
8PHANTOM +48 V Switch
This switch toggles phantom power on and off. When the
switch is on the mixer supplies +48V phantom power to all
channels that have XLR mic input jacks (CHs 1–5/6).
Turn this switch on when using one or more phantom-pow-
ered condenser microphones. 
When this switch is on the mixer supplies DC +48 V
power to pins 2 and 3 of all XLR-type MIC INPUT
jacks.
9RETURN Control
Adjusts the level at which the signal received at the
RETURN jacks (L (MONO) and R) is sent to the STEREO
L/R bus.
If you supply a signal to the RETURN L (MONO)
jack only, the mixer sends the same signal to both the
L and R Stereo buses.
0POWER Indicator
This indicator lights when the mixer’s power is ON.
ALevel Meter
This LED meter displays the level of the signal sent to the
MONITOR jacks and the PHONES jack. The “0” segment
corresponds to the nominal output level. The PEAK segment
lights red when the output reaches the clipping level.
B2TR IN
•2TR IN Switch
If it is set to TO STEREO ( ), the signals are sent to the
STEREO L/R buses. If this switch is set to TO MONITOR
(), the signals input via the 2TR IN jacks are sent to the
MONITOR OUT jacks, the PHONES jack, and the level
meter. The MONITOR MIX feature becomes available when
it is set to TO MONITOR ( ).
* : When overdubbing, you can adjust the levels 
of the monitor playback signal and the signal 
being recorded separately.
MONITOR MIX Signal Flow
•2TR IN control
Adjusts the level of the signal sent from the 2TR IN jacks to
the STEREO L/R buses.
CMONITOR/PHONES Control
Controls the level of the signal output to the PHONES jack
and the MONITOR jacks.
DSTEREO Master Control
Adjusts the signal level sent to the STEREO OUT jacks.
*Impedance Balanced
Since the hot and cold terminals of impedance balanced output
jacks have the same impedance, these outputs are less affected by
induced noise.
•Be sure to leave this switch off ( ) if you do
not need phantom power.
•When tuning the switch on ( ), be sure that
only condenser mics are connected to the XLR
input jacks (CHs: 1 to 5/6). Devices other than
condenser mics may be damaged if connected
to the phantom power supply. Note, however,
that the switch may be left on when connecting
to balanced dynamic microphones.
•To avoid damage to speakers, be sure to turn off
amplifiers (or powered speakers) before turning
this switch on or off. We also recommend that
you turn all output controls (STEREO Master
control, etc.) to their minimum settings before
operating the switch to avoid the risk of loud
noises that could cause hearing loss or device
damage.
NOTE
NOTE
CAUTION
NOTE
Playback
signal
Recording
signal2TR IN2TR IN Control
STEREO Master ControlMONITOR/PHONES Controls
STEREO
buses
REC OUT MONITOR/
PHONES 
jacks 
						

							 Front & Rear Panels
MG82CX/MG102C Owner’s Manual13
Reference
DIGITAL EFFECT*Only the MG82CX has digital effects.
1FOOT SWITCH Jack
A YAMAHA FC5 foot switch (sold separately) can be connected to this
jack and used to toggle the digital effects ON and OFF.
2PROGRAM Dial
Selects one of the 16 internal effects. See page 18 for details about the
internal effects.
3PARAMETER Control
Adjusts the parameter (depth, speed, etc.) for the selected effect.
The last value used with each effect type is saved.
When you change to a different effect type, the mixer automat-
ically restores the value that was previously used with the
newly selected effect (regardless of the current position of the
PARAMETER Control knob).
These parameter values are reset when the power is turned off.
4ON Switch
Switches the internal effect on or off. The internal effect is applied only
if this switch is turned on. The switch lights orange when on.
An optional YAMAHA FC5 foot switch (sold separately) can be used to
toggle the digital effects ON and OFF.
The ON switch lights and the internal effect unit is active by
default when the power is initially turned on.
5EFFECT RTN Control
Adjusts the signal level sent from the internal digital effect unit to the
STEREO buses.
Rear Input/Output Section
1POWER Switch
Use this switch to turn the mixer’s power ON or to STANDBY mode.
2AC ADAPTOR IN Connector
ConnectConnect the supplied PA-10 power adaptor to this connector
(see page 5).
Note that a small current continues to flow while the switch
is in the STANDBY position. If you do not plan to use the
mixer for a while, be sure to unplug the AC adaptor from the
wall outlet.
Use only the PA-10 adaptor included with this mixer. Use of
a different adaptor may result in fire or electric shock.
3
4
5 2
1
MG82CX
NOTE
NOTE
12
CAUTION
CAUTION 
						

							Reference
14MG82CX/MG102C Owner’s Manual
Setup
Jack List
*These jacks will also accept connection to monaural phone plugs. If you use monaural plugs, the connection will be unbalanced.
DI
MG82CX
Powered Speakers
Recorder
CD Player Guitar
Bass
Microphone
Synthesizer
Powered Monitor  Headphones Effect Processor
(exciter)Foot Switch
(YAMAHA FC5)
Effect Processor
Input and Output JacksPolaritiesConfigurations
MIC INPUTPin 1: Ground
Pin 2: Hot (+)
Pin 3: Cold (–)
LINE INPUT(CHs 1, 2)
STEREO OUT, MONITOR OUT, 
EFFECT (AUX)*Tip: Hot (+)
Ring: Cold (–)
Sleeve: Ground
INSERTTip: Output
Ring: Input
Sleeve: Ground
PHONESTip: L
Ring: R
Sleeve: Ground
RETURN
LINE INPUT 
(CHs 3/4 to 7/8 (CHs 3/4 to 9/10))Tip: Hot
Sleeve: Ground
OUTPUT INPUT
Tip SleeveRing
Tip Sleeve 
						

							MG82CX/MG102C Owner’s Manual15
Reference
Troubleshooting
* The MG82CX feature is described first, followed by the MG102C feature in brackets: MG82CX (MG102C).
■Power doesn’t come on.❑Is the supplied power adaptor properly plugged into an appropriate AC wall outlet?
❑Is the supplied power adaptor properly plugged into the mixer?
■No sound.❑Are microphones, external devices, and speakers connected correctly?
❑Are the channel GAIN controls, LEVEL controls, STEREO Master control set to
appropriate levels?
❑Is the MONITOR switch set properly?
❑Are your speaker cables connected properly, or are they shorted?
❑If the above checks do not identify the problem, call Yamaha for service. (Refer to
the page 59 for a list of service centers.)
■Sound is faint, 
distorted, or noisy.❑Are the channel GAIN controls, LEVEL controls, STEREO Master control set to
appropriate levels?
❑Are two different instruments connected to the XLR-type and phone jacks, or to the
phone and RCA pin jacks on one channel? Please connect to only one of these
jacks on each channel.
❑Is the input signal from the connected device set to an appropriate level?
❑Are you applying the effects at an appropriate level?
❑Are microphones connected to the MIC input jacks on channels 1 to 5/6?
❑If you are using condenser microphones, is the PHANTOM +48 V switch turned ON?
■No effect is applied. 
(If you are using 
MG82CX)❑Check that the EFFECT control on each channel is correctly adjusted.
❑Be sure that the internal effect unit’s ON switch is turned ON.
❑Be sure that the EFFECT PARAMETER control and EFFECT RTN control are cor-
rectly adjusted.
■I want spoken words to 
be heard more clearly.❑Be sure that the   switches are ON.
❑Adjust the equalizers (HIGH, MID and LOW) on each channel.
■I want to output a monitor 
signal through speakers.❑Connect a powered speaker to the EFFECT (AUX) jack*. Then adjust the output
signal by using the EFFECT (AUX) controls* on each channel.
Mounting to a Microphone Stand
1Turn the mixer upside-down, and hold the
microphone-stand adaptor (BMS-10A; sold
separately) against the bottom of the mixer
so that the screw holes are aligned (
1).
Screw the adaptor firmly into place with the
two screws (
2).
2Turn the mixer right-side up, and mount it
onto your microphone stand.
3Loosen the angle adjustment wingnut (1),
adjust the mixer’s angle as desired (
2), and
then tighten the wingnut securely (
3).
For more information, refer to the BMS-10A Owner’s
Manual.
•When using the mixer on a microphone stand, be
sure to set the stand on a level and stable sur-
face. Do not set up the stand in locations subject
to vibrations or wind.
•Note that mixer may be damaged if the stand
should fall over. Attach the connection cables care-
fully so that the cables will not catch on the equip-
ment and cause it to fall. For example: arrange the
cables so that they run parallel with the micro-
phone pole down to the base of the stand.
•Leave ample free space around the stand.
CAUTION 
						

							MG82CX/MG102C Owner’s Manual55
Reference
Specifications
■Electrical Specifications
■General Specifications
All level controls are nominal if not specified.
Output impedance of signal generator: 150 ohms
*The MG82CX feature is described first, followed by the MG102C feature in brackets: MG82CX (MG102C)
MINTYPMAXUNIT
Frequency Response STEREO OUT GAIN: min (CHs 1-5/6)
20 Hz-20 kHz
Nominal output level @1 kHz–3.0 1.0
dB EFFECT SEND
(AUX SEND*)–3.0 1.0
MONITOR OUT, REC OUT–3.0 1.0
Total Harmonic Distortion 
(THD + N)STEREO OUT +14 dBu, 20 Hz-20 kHz, Input Gain Control at mini-
mum0.1 %
Hum & Noise
Hum & Noise are measured 
with a 6 dB/octave filter 
@12.7 kHz; equivalent to a 
20 kHz filter with infinite 
dB/octave attenuation.
Input: CH INPUT 1, 2 MICEIN (Equivalent Input Noise): Rs = 150 Ω, GAIN: 
maximum (CH1, 2)–128
dBu STEREO OUT STEREO Master control at nominal level and all 
CH Level control at minimum.–87
EFFECT SEND
(AUX SEND*)All CH EFFECT (AUX*) controls at minimum.
–85
STEREO OUT STEREO Master control and one CH level control 
at nominal level (CH1, 2)–64
STEREO OUT Residual Output Noise
–100
Crosstalk (1 kHz) Adjacent Input CH1, 2 –70
dB
Input to Output
STEREO L/R, CH 1, 2, PAN: panned hard left or right–70
Maximum Voltage Gain (1 kHz)
All level controls are maxi-
mum when measured
PAN/BAL: panned hard left 
or hard right.Rs = 150 Ω
INPUT GAIN: maximumMIC to CH INSERT OUT 60
dB MIC to STEREO OUT 76
MIC to REC OUT 58.2
MIC to MONITOR OUT 92
MIC to PHONES OUT 81
MIC to EFFECT SEND (AUX SEND*) 76
LINE to STEREO OUT 50
LINE to EFFECT SEND (AUX SEND*) 47
ST CH 7/8, (CHs 7/8, 9/10*) to STEREO OUT 26
Rs = 150 ΩRETURN to STEREO OUT 12
Rs = 600 Ω2TR IN to STEREO OUT 23.8
Phantom Voltage MIC no load 48 V
Input HPF CHs 1-5/6, 80 Hz, 12 dB/oct
Input Equalization
Turn over/roll-off frequency 
of shelving: 3 dB below 
maximum variable level.
±15 dB maximumCHs 1-5/6 HIGH: 10 kHz (shelving)
MID: 2.5 kHz (peaking)
LOW: 100 Hz (shelving)
CH 7/8 (CHs 7/8, 9/10*) HIGH: 10 kHz (shelving)
LOW: 100 Hz (shelving)
PEAK Indicator Red LED turns on when post EQ signal (either post MIC HA or post EQ signal 
for CHs 3/4, 5/6) reaches –3 dB below clipping (+17 dBu).
Internal Digital Effect* 16 PROGRAM, PARAMETER control
Foot Switch (Digital Effect On/Off)
LED Level Meter Pre MONITOR Level 2x7 points LED meter (PEAK, +6, +3, 0, –5, –10, –20 dB)
PEAK lights if the signal level reaches 3 dB below the clipping level.
Power Supply Adaptor PA-10 AC 38 VCT, 0.62 A, Cable Length = 3.6 m
Power Consumption 21 W
Dimensions (W x H x D) 256.6 mm x 62.2 mm x 302.5 mm
Net Weight 1.6 kg (MG82CX), 1.5 kg (MG102C) 
						

							56MG82CX/MG102C Owner’s Manual
Specifications Reference
■Input Specifications
Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms
*Sensitivity : The lowest level that will produce an output of +4 dB (1.23 V), or the nominal output level when the unit is set to the maximum 
level. (All level controls are at their maximum position.)
■Output Specifications
Where 0 dBu = 0.775 Vrms and 0 dBV= 1 Vrms
*The MG82CX feature is described first, followed by the MG102C feature in brackets: MG82CX (MG102C)
Input ConnectorsGainInput 
ImpedanceAppropriate 
ImpedanceSensitivity *Nominal LevelMax. before 
ClippingConnector 
Specifications
CH INPUT MIC 
(CHs 1, 2)–60 dB3 kΩ50–600 Ω 
Mics–72 dBu (0.195 mV) –60 dBu (0.775 mV) –40 dBu (7.75 mV)XLR-3-31 type(balanced [1 = GND, 
2 = HOT, 3 = COLD])–16 dB–28 dBu (30.8 mV) –16 dBu (123 mV) +4 dBu (1.23V)
CH INPUT LINE 
(CHs 1, 2)–34 dB
10 kΩ600 Ω 
Lines–46 dBu (3.88 mV) –34 dBu (15.5 mV) –14 dBu (155 mV)TRS phone jack 
(balanced [Tip = 
HOT, Ring = COLD, 
Sleeve = GND])
+10 dB– 2 dBu (0.615 V) +10 dBu (2.45 V) +30 dBu (24.5 V)
ST CH MIC 
INPUT (CHs 3/4, 
5/6)–60 dB3 kΩ50–600 Ω 
Mics–72 dBu (0.195 mV) –60 dBu (0.775 mV) –40 dBu (7.75 mV)XLR-3-31 type(balanced [1 = GND, 
2 = HOT, 3 = COLD])–16 dB–28 dBu (30.8 mV) –16 dBu (123 mV) –6 dBu (389 mV)
ST CH LINE 
INPUT (CHs 3/4, 
5/6)–34 dB10 kΩ600 Ω 
Lines–46 dBu (3.88 mV) –34 dBu (15.5 mV) –14 dBu (155 mV)Phone jack 
(unbalanced)
+10 dB– 2 dBu (0.615 V) +10 dBu (2.45 V) +30 dBu (24.5V)
ST CH INPUT 
(CH 7/8 (CHs 7/8, 
9/10))—10 kΩ600 Ω 
Lines–22 dBu (61.5 mV) –10 dBu (245 mV) +10 dBu (2.45 V)Phone jack
(unbalanced)
RCA pin jack
CH INSERT IN 
(CHs 1, 2)—10 kΩ600 Ω 
Lines–12 dBu (195 mV) 0 dBu (0.775 V) +20 dBu (7.75 V)
TRS phone jack
(unbalanced [Tip = 
Out, Ring = In, 
Sleeve = GND])
RETURN (L, R)—10 kΩ600 Ω 
Lines– 8 dBu (308 mV) +4 dBu (1.23 V) +24 dBu (12.3 V)Phone jack 
(unbalanced)
2TR IN (L, R)—10 kΩ600 Ω 
Lines–22 dBV (79.4 mV) –10 dBV (0.316 V) +10 dBV (3.16 V)RCA pin jack
Output ConnectorsOutput 
ImpedanceAppropriate 
ImpedanceNominal LevelMax. before 
clippingConnector Specifications
STEREO OUT (L, R)150 Ω10 kΩ Lines+4 dBu (1.23 V)+20 dBu (7.75 V)Phone jack (impedance balanced [Tip 
= HOT, Ring = COLD, Sleeve = GND])
EFFECT SEND (AUX 
SEND*)150 Ω10 kΩ Lines+4 dBu (1.23 V)+20 dBu (7.75 V)Phone jack (impedance balanced [Tip 
= HOT, Ring = COLD, Sleeve = GND])
CH INSERT OUT 
(CHs 1, 2)75 Ω10 kΩ Lines0 dBu (0.775 V)+20 dBu (7.75 V)Phone jack (unbalanced [Tip = OUT, 
Ring = IN, Sleeve = GND])
REC OUT (L, R)600 Ω10 kΩ Lines–10 dBV (0.316 V)+10 dBV (3.16 V)RCA Pin jack
MONITOR OUT (L, R)150 Ω10 kΩ Lines+4 dBu (1.23 V)+20 dBu (7.75 V)Phone jack (impedance balanced [Tip 
= HOT, Ring = COLD, Sleeve = GND])
PHONES OUT100 Ω40 Ω Phones3 mW75 mWStereo phone jack 
						

							 Specifications
MG82CX/MG102C Owner’s Manual57
Reference
■Digital Effect Program List
*“LFO” stands for Low Frequency Oscillator. An LFO is normally used to modulate another signal, determining the modulation speed and 
waveform shape.
■Dimensional Diagrams
NoProgramParameterDescription
1REVERB HALL 1REVERB TIMEReverb simulating a large space such as a concert hall.2REVERB HALL 2REVERB TIME
3REVERB ROOM 1REVERB TIMEReverb simulating the acoustics of a small space (room).4REVERB ROOM 2REVERB TIME
5REVERB STAGE 1REVERB TIMEReverb simulating a large stage.6REVERB STAGE 2REVERB TIME
7REVERB PLATEREVERB TIMESimulation of a metal-plate reverb unit, producing a more hard-edged sound.
8DRUM AMBIENCEREVERB TIMEA short reverb that is ideal for use with kick drum.
9KARAOKE ECHODELAY TIMEEcho designed for karaoke (sing-along) applications.
10VOCAL ECHODELAY TIMEEcho suitable for vocals.
11CHORUS 1LFO FrequencyCreates a thick sound by modulating the delay time.
The PARAMETER control adjusts the frequency of the LFO* that modulates the 
delay time.
12CHORUS 2LFO Frequency
13FLANGERLFO FrequencyA sweeping pitched effect.
The PARAMETER control adjusts the frequency of the LFO* that modulates the 
delay time.
14PHASERLFO FrequencyPhase modulation produces a cyclical phasing effect.
The PARAMETER control adjusts the frequency of the LFO* that modulates the 
delay time.
15AUTO WAHLFO FrequencyA wah-wah effect with cyclical filter modulation.
The PARAMETER control adjusts the frequency of the LFO* that modulates the 
delay time.
16DISTORTIONDRIVEAdds a sharp-edged distortion to the sound.
256.6
302.5
62.2
55.2
2
300
Unit:mm 
						

							58MG82CX/MG102C Owner’s Manual
Specifications Reference
■Block Diagram and Level Diagram
CH IN LINE 
Gain:Min [+10dBu]
CH IN MIC Gain:Min [–16dBu]
Clip Level
Clip Level
CH Level
ST CH Level
[Nominal:–6dB]CH EFFECT/AUX
[Nominal:–6dB]
ST CH EFFECT/AUX
[Nominal:–6dB]
EFFECT/AUX SEND [+4dBu]
RETURN
2TR IN
[Nominal:–6dB] ST CH IN
[–10dBu]
RETURN [+4dBu]
2TR IN [–10dBV]
[–7.8dBu]
Clip Level
Clip Level
ST 
OUT [+4dBu]
MONITOR/PHONES
[Nominal:–16dB]
PHONES 
[3mW @ 40ohms]MONITOR OUT 
[+4dBu]
REC OUT [–10dBV]
 [–7.8dBu] ST [Nominal:–6dB]
ST CH EFFECT/AUX SEND [+1dBu]
Clip LevelClip Level
Clip Level
CH IN LINE Gain:Max [–34dBu]
CH IN MIC Gain:Max [–60dBu]ST CH LINE IN 
Gain:Min [+10dBu]
ST CH MIC IN 
Gain:Min [–16dBu]
ST CH LINE IN 
Gain:Max [–34dBu]
ST CH MIC IN
Gain:Max [–60dBu]
+20dBu +30dBu
0dBu +10dBu
–20dBu –10dBu
–40dBu –30dBu+20dBu +30dBu
0dBu +10dBu
–20dBu –10dBu
–30dBu
–50dBu –40dBu
–60dBu –60dBu –50dBu
HPF
COMP
HA
HPFHA
[0dBu]
[0dBu]
[0dBu]
[0dBu][0dBu]
[0dBu]
[16 to 60dB]80
GAIN Trim
[–60 to –16dBu]
[0dBu] [–34 to +10dBu]MIC[–60 to –16dBu]MIC
[–34 to +10dBu][–34 to +10dBu]
[–34 to +10dBu]LINE R LINE L/MONO
(CH3/4, 5/6)ST CH INPUT(CH1 to 2)CH INPUT
[6 to 50dB]GAIN Trim LINE
INSERT
I/O
TH+GAIN
+48V PHANTOM
RE
80
3-Stage EQ
[0dBu] [
–6dBu]
[–6dBu][
–6dBu][
–6dBu]
[
–6dBu]
[
–6dBu]
[–6dBu]
[
–6dBu][
–14dBu]
[
–6dBu][
–16dBu]
[
0dBu] [
+4dBu] [
0dBu] [
–14dBu] [0dBu]
[0dBu]
[0dBu][0dBu] [0dBu]
[0dBu]
[+4dBu]
[+4dBu]
[+4dBu][3mW @40ohms][–10dBV]
[–7.8dBu]
[0dBu] [0dBu]
LOW
MID
HIGH
RE PEAK
3-Stage EQLOW
MID
HIGH
HA
RE PEAK
ST CH LEVELCH LEVELPA N
STEREO
STEREO L
STEREO REFFECT/AUX
LED METERMONITOR/PHONES
STEREO L
MONITOR OUTREC OUT STEREO OUT
PHONES STEREO R
L
R L
R L
R
BAL/PAN
BAL
RETURN
2TR IN
EFFECT RETURN
EFFECT (MG82CX)
AUX (MG102C)
EFFECT (MG82CX)
AUX (MG102C)
EFFECT (MG82CX)
AUX (MG102C)TO STEREO/TO MONITOR
ST CH LEVEL
3-Stage EQ
HA
ST CH INPUT(CH7/8)
(CH9/10) (only MG102C)
[–10dBu]
2TR IN[–10dBV]
[–7.8dBu]RETURN[+4dBu]
L
R
L/MONO
R
L
R
HAHAINVINVINVINV
ON
YE PARAMETER
PROGRAM(1-16)only MG82CX FOOT SW
EFFECT ON/OFF
LO
RO
IN
BABA
SUMSUM
BA
DRDR
BABA
BA
BABABA
SUM
BA
SUM+
–SUM +
–
2-Stage EQ2-Stage EQLOW
HIGHDIGITAL
EFFECT
(DSP)
EFFECT SEND (MG82CX)
AUX SEND (MG102C)[+4dBu]
MONITOR MIX
only MG82CX 
						

							For details of products, please contact your nearest Yamaha 
representative or the authorized distributor listed below.
Pour plus de détails sur les produits, veuillez-vous adresser à 
Yamaha ou au distributeur le plus proche de vous figurant dans la 
liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten 
Niederlassung und bei Yamaha Vertragshändlern in den jeweili-
gen Bestimmungsländern erhältlich.
Para detalles sobre productos, contacte su tienda Yamaha más 
cercana o el distribuidor autorizado que se lista debajo.
CANADAYamaha Canada Music Ltd.
135 Milner Avenue, Scarborough, Ontario,
M1S 3R1, Canada
Tel: 416-298-1311
U.S.A.Yamaha Corporation of America 
6600 Orangethorpe Ave., Buena Park, Calif. 
90620, U.S.A.
Tel: 714-522-9011
MEXICOYamaha de México S.A. de C.V.
Calz. Javier Rojo Gómez #1149,
Col. Guadalupe del Moral
C.P. 09300, México, D.F., México
Tel: 55-5804-0600 
BRAZILYamaha Musical do Brasil Ltda.
Rua Joaquim Floriano, 913 - 4 andar, Itaim Bibi, 
CEP 04534-013 Sao Paulo, SP. BRAZIL
Tel: 011-3704-1377
ARGENTINAYamaha Music Latin America, S.A. 
Sucursal de Argentina
Viamonte 1145 Piso2-B 1053, 
Buenos Aires, Argentina
Tel: 1-4371-7021
PANAMA AND OTHER LATIN 
AMERICAN COUNTRIES/
CARIBBEAN COUNTRIES 
Yamaha Music Latin America, S.A.Torre Banco General, Piso 7, 
Urbanización Marbella, Calle 47 y Aquilino de la 
Guardia, Ciudad de Panamá, Panamá
Tel: +507-269-5311
THE UNITED KINGDOMYamaha-Kemble Music (U.K.) Ltd.
Sherbourne Drive, Tilbrook, Milton Keynes, 
MK7 8BL, England
Tel: 01908-366700
GERMANYYamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
SWITZERLAND/LIECHTENSTEINYamaha Music Central Europe GmbH, 
Branch Switzerland
Seefeldstrasse 94, 8008 Zürich, Switzerland
Tel: 01-383 3990
AUSTRIAYamaha Music Central Europe GmbH, 
Branch Austria
Schleiergasse 20, A-1100 Wien, Austria
Tel: 01-60203900
CZECH REPUBLIC/SLOVAKIA/
HUNGARY/SLOVENIA
Yamaha Music Central Europe GmbH, 
Branch Austria, CEE Department
Schleiergasse 20, A-1100 Wien, Austria 
Tel: 01-602039025
POLANDYamaha Music Central Europe GmbH 
Sp.z. o.o. Oddzial w Polsce
ul. 17 Stycznia 56, PL-02-146 Warszawa, Poland
Tel: 022-868-07-57
THE NETHERLANDS/
BELGIUM/LUXEMBOURG
Yamaha Music Central Europe GmbH, 
Branch Benelux
Clarissenhof 5-b, 4133 AB Vianen, 
The Netherlands 
Tel: 0347-358 040 
FRANCEYamaha Musique France
BP 70-77312 Marne-la-Vallée Cedex 2, France
Tel: 01-64-61-4000
ITALYYamaha Musica Italia S.P.A. 
Combo Division
Viale Italia 88, 20020 Lainate (Milano), Italy
Tel: 02-935-771
SPAIN/PORTUGALYamaha-Hazen Música, S.A.
Ctra. de la Coruna km. 17, 200, 28230 
Las Rozas (Madrid), Spain
Tel: 91-639-8888
SWEDENYamaha Scandinavia AB
J. A. Wettergrens Gata 1
Box 30053
S-400 43 Göteborg, Sweden
Tel: 031 89 34 00
DENMARKYS Copenhagen Liaison Office
Generatorvej 6A 
DK-2730 Herlev, Denmark
Tel: 44 92 49 00
NORWAYNorsk filial av Yamaha Scandinavia AB
Grini Næringspark 1
N-1345 Østerås, Norway 
Tel: 67 16 77 70
OTHER EUROPEAN COUNTRIESYamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: +49-4101-3030
Yamaha Corporation, 
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, 
Japan 430-8650
Tel: +81-53-460-2313
TURKEY/CYPRUSYamaha Music Central Europe GmbH
Siemensstraße 22-34, 25462 Rellingen, Germany
Tel: 04101-3030
OTHER COUNTRIESYamaha Music Gulf FZE
LB21-128 Jebel Ali Freezone 
P.O.Box 17328, Dubai, U.A.E.
Tel: +971-4-881-5868
THE PEOPLE’S REPUBLIC OF CHINAYamaha Music & Electronics (China) 
Co.,Ltd.
25/F., United Plaza, 1468 Nanjing Road (West),
Jingan, Shanghai, China
Tel: 021-6247-2211
INDONESIAPT. Yamaha Music Indonesia (Distributor)
PT. Nusantik
Gedung Yamaha Music Center, Jalan Jend. Gatot 
Subroto Kav. 4, Jakarta 12930, Indonesia
Tel: 21-520-2577
KOREAYamaha Music Korea Ltd.
Tong-Yang Securities Bldg. 16F  23-8 
Yoido-dong, Youngdungpo-ku, Seoul, Korea
Tel: 02-3770-0660
MALAYSIAYamaha Music Malaysia, Sdn., Bhd.
Lot 8, Jalan Perbandaran, 47301 Kelana Jaya, 
Petaling Jaya, Selangor, Malaysia
Tel: 3-78030900
SINGAPOREYamaha Music Asia Pte., Ltd.
#03-11 A-Z  Building
140 Paya Lebor Road, Singapore 409015
Tel: 747-4374
TAIWANYamaha KHS Music Co., Ltd. 
3F, #6, Sec.2, Nan Jing E. Rd. Taipei.
Taiwan 104, R.O.C.
Tel: 02-2511-8688
THAILANDSiam Music Yamaha Co., Ltd.
891/1 Siam Motors Building, 15-16 floor
Rama 1 road, Wangmai, Pathumwan
Bangkok 10330, Thailand
Tel: 02-215-2626
OTHER ASIAN  COUNTRIES Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, 
Japan 430-8650
Tel: +81-53-460-2317
AUSTRALIAYamaha Music Australia Pty. Ltd.
Level 1, 99 Queensbridge Street, Southbank, 
Victoria 3006, Australia
Tel: 3-9693-5111
COUNTRIES AND TRUST 
TERRITORIES IN PACIFIC OCEAN
Yamaha Corporation,
Asia-Pacific Music Marketing Group
Nakazawa-cho 10-1, Hamamatsu, 
Japan 430-8650
Tel: +81-53-460-2313
NORTH AMERICA
CENTRAL & SOUTH AMERICA
EUROPE
AFRICA
MIDDLE EAST
ASIA
OCEANIA
HEAD OFFICEYamaha Corporation, Pro Audio & Digital Musical Instrument DivisionNakazawa-cho 10-1, Hamamatsu, Japan 430-8650
Tel: +81-53-460-2441
PA14