Yamaha Projector Dpx 1200 User Manual

							47
Memory function
8

Reset all parameters in memories to default settings regardless of the input jack or input signal.
1. From the main menu, select
[Initial] 
 [Reset]  [All
memory].
VIDEO
Reset
+ : EnterAll SettingsAll MemoryCurrent Memory
Image
Memory 4 Signal Initial SetupMove Menu Window
2. Press the + button to display the
confirmation screen.
3. Press the 
 button to reset the
parameters to their default
settings.
Remote Control Main Unitor
Remote Control Main Unitor
VIDEO
Image
Memory 4 Signal Initial SetupMove Menu Window
Press        to reset
all Memory.
ESC : Return
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Connecting to AV components
This unit is equipped with 6 types of video input jacks for AV components. Follow the diagram to connect AV components to this unit, taking
care to use cables and adapters that match the input jacks.
Warning
• Be sure to turn off the power of this unit and the source component before attempting connection.
• Connection methods and jack names may differ depending on the component you are attempting to connect. Refer to the owner’s
manual for the component.
• Insert all plugs firmly to avoid noise or other problems.
Memo
•Be sure to connect Y/PB/PR and Y/CB/CR to the jacks with the correct signals when connecting AV components to INPUT A. Refer to
the owner’s manual of the source component for more information. You may need to make connections to HD/SYNC and VD for
RGB video signals.
HDMI
G/Y B/PB/CBR/PR/CR
INPUT A
HD/SYNC
VD
OUT IN
REMOTETRIGGER OUT
S VIDEOVIDEO
INPUT B
RGB/YP
BPR/YCBCR
RS-232C
D4 VIDEO
G/YR/PR/CRB/PB/CB
D connector
cable
D-sub
monitor
cableBNC cable for
component connection
Pin/BNC
adapters
Pin cableVideo pin cable
S-Video cable
D1—4 output
connectorsPin jacks D-sub
Component/RGB video output connectors
Image output from AV componentsBNC jacks S-Video output
jackVideo output
jack
HDMI cable (digital)
HDMI output
connector
9Connection
 Input
VIDEO
S VIDEO
INPUT A
INPUT B
D4 VIDEO
HDMI Signal typeComposite video
S-Video
Component video/RGB video
Component video/RGB video
Component video
Component video/RGB video (digital)Connector typePin jack
Mini DIN connector
BNC connector x 3-5
D-sub 15 pin
D connector
HDMI connector
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Connection
9
You can use the following two methods to connect to computer devices. Be sure to use cables with jacks that match the connectors and jacks
you wish to use. You cannot use a HDMI-DVI conversion cable to connect this unit and a computer device.
Connecting to computer devices
HDMI
G/Y B/PB/CBR/PR/CR
INPUT A
HD/SYNC
VD
OUT IN
REMOTETRIGGER OUT
S VIDEOVIDEO
INPUT B
RGB/YP
BPR/YCBCR
RS-232C
D4 VIDEO
D-Sub monitor
cableBNC monitor cable
Monitor output terminal
Computer devices Input
INPUT A
INPUT BSignal typeRGB (Analog)
RGB (Analog)Connector typeBNC jack x 5
D-sub 15 pin
Use the supplied trigger-out DC plug to control external
components.
Be sure to solder the wires from an external component to the
plug terminals with the correct polarities, as illustrated at left.
Warning
•Soldering the wires to terminals with incorrect polarity may
cause bodily injury or may damage this unit and the
external component connected to this unit with this cable.
Information for installers
(for US model only)
+
 polarity (inside)
- polarity (outside)
(GND)
+ polarity
- polarity
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Setting up the DPX-1200

Mounting the projector on a table
A: From in front of a screen
Place the unit on a table to project and view the image from in front of the screen. Usually,
place the unit on a reasonably high table. The height from the bottom of the unit to the center
of the lens is 12.4 cm (4”-7/8).
B: From behind a screen (using a semi-translucent screen)
Place the unit on a table to project and view the image from behind a semi-translucent
screen. The distance between the projector and the screen should be the same as “A: From in
front of the screen”.
• Set the [Location] menu item in the [Setup] menu group to [Rear/Table]. ( page 22 - 40)

Mounting the projector on the ceiling
There are two kinds of brackets (sold separately: PMT-L31 and PMT-H35), which you can use to mount the projector on the ceiling. Please
consult your dealer for details on their use, and have installation done by either your dealer or a reputable contractor.
C: From in front of a screen
Mount the unit on the ceiling to project and view the image from in front of the screen. The
distance between the projector and the screen should be the same as “A: From in front of the
screen”.
• 
Set the [Location] menu item in the [Setup] menu group to [Front/Ceiling]. ( page 22 - 40)
D: From behind a semi-translucent screen
Mount the unit on the ceiling to project and view the image from behind a semi-translucent
screen. The distance between the projector and the screen should be the same as “B: From
behind a screen”.
•
Set the [Location] menu item in the [Setup] menu group to [Rear/Ceiling]. ( page 22 - 40)
There are four ways of mounting the projector.
10Installation
Mounting method
Placed on a table
Mounted on the
ceiling
Projection method
A: From in front of a screen
C: From in front of a screen
B: From behind a semi-translucent screen
D: From behind a semi-translucent screen
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Installation
10
The most suitable distance between the screen and the projector (see Projection distance [a]) depends on the size of the screen (diagonal
length) you use. You can use the zoom function to adjust the projection distance within a preset range from Wide to Tele. You can also alter
the V.POS parameter to adjust the vertical position of the image to better suit the screen. Use the information in the table below to determine
the best location to place the projector in to suit your screen size.
Projection distance

Since the DPX-1200 has a 16:9 panel, the ideal installation location for use with a 4:3 screen depends on the size of the image you wish to
view.
 
60 80 100 150 200
6,07 – 9,74 m
(1910 – 3111) 
4,54 – 7,29 m
(1410 – 2311) 
3,00 – 4,84 m
(910 – 1510)
2,39 – 3,86 m
(710 – 1208) 
1,78 – 2,88 m
(510 – 905) 
* These are theoretical values.
During actual use there may be a deviance of a few percent.
(*1) Projects a 16:9 image that completely fills the screen (leaves a black line at the top and bottom of the screen).
(*2) Projects a 4:3 image that completely fills the screen.
(*3) When projecting both 16:9 and 4:3 images.
You can use the zoom function to make efficient use of the screen for both *1 and *2 above. The projection distance in this case is
between Wide in *2 and Tele in *1. Use the zoom to adjust the size of the projection images so that they fill the screen completely. Note
that adjustments to V.POS may cause the position of the image to change.
Projection distance [a]
Lens
centerline
Screen size
60
70
80
90
100
110
120
150
200
Screen size
(inch)
1.78 – 2.88
2.08 – 3.37
2.39 – 3.86
2.70 – 4.35
3.00 – 4.84
3.31 – 5.33
3.62 – 5.82
4.54 – 7.29
6.07 – 9.74
Projection distance [a]
Wide (m) – Tele  (m)
Screen size
(inch)16:9 image (*1)
Wide (m) – Tele  (m)4:3 image (*2)
Wide (m) – Tele  (m)
Projection distance[a]
60
80
100
120
2001.63 – 2.64
2.19 – 3.54
2.76 – 4.44
3.32 – 5.34
5.58 – 8.942.17 – 3.52
2.93 – 4.72
3.68 – 5.92
4.43 – 7.12
7.43 – 11.92
(*3)
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Follow the instructions to adjust the position of the projected image on screen.

This illustration shows the limits within which the
zoom function can alter projection distance [a] in
relation to screen size. You can adjust the image
within these limits so that it fills the screen
completely. (  page 21)

You can adjust the vertical position of the
projection image up or down by half of the height
of the screen. For example, shifting V.POS fully up
brings the lower limit of the image above the
centerline of the lens. ( page 20)

If you mount this unit on a tabletop, you can use the adjusters on its underside to change the
position of the projection image. Rotate the movable part of the two screw-type adjusters at
the front bottom of the case to adjust the height. The movement range of the adjusters is 3
cm (1-1/4 inch). Adjust with care as loosening them further than 3 cm may cause them to
separate from the unit.
Projection image position

Keystone adjustment
If you mount the unit at an angle to the screen, it projects trapezoidally distorted images. You can use the [keystone Correction] item in the
[Setup] menu group to rectify this. ( page 22-34)
Memo
•If the keystone is adjusted aspect ratio may not be correctly maintained. To correctly maintain the aspect ratio, try to use the DPX-
1200 with the lens shift in the center position.
•The video may be disturbed by keystone correction. Wherever possible, we recommend setting up so the screen and projector
form a right angle.Wide Tele
Lens centerline
Lens centerline
(When shifted
fully up)
Lens centerline
(When shifted
fully down)
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Reference
11
Glossary
The following is a list of key words used in the use of projectors and image signals and their explanations. Please refer to it when using this
manual.
For an explanation of vocabulary used in the menu, refer to Menu group items and functions” (  page 25).
11Reference
Ceiling mount bracket
The mounting hardware used to hang this unit from the ceiling.
Two types of bracket are available, for high and low ceilings.
Ceiling mount brackets are sold separately.
Cinemascope size
The widest film format in 70 mm film, with an aspect of 2.35:1.
Color spacing
The conversion of YUV color separated signal to RGB signal.
There are two formats for this, BT.601 for SDTV, and BT.709 for
HDTV. This unit switches between them as required.
Component video signal
A method of sending video signals with independent luminance
and color signals. Component video gives a higher image quality
than ordinary composite video because it bypasses mixing and
separating circuits. Component video signal consists of three lines,
the luminance signal (Y), and two color difference signals (P
B/CB,
P
R/CR).
Composite video signal
The most common type of video signal, combining luminance and
color signals in one line. This method requires mixing and
separating processes on both the send and receive sides. Use a pin
cable for connection.
DCDiTM function
Directional Correlational Deinterlacing, a high quality image
circuitry developed by the Faroudja company. DCDiTM uses edge
cutting techniques to remove jagged edges from images during
Interlace to Progressive conversion, allowing smooth, natural
reproduction of images.
DLPTM technology
Digital Light Processing, an image display engine used in
projectors that use the DMD™ chip developed by Texas
Instruments.
D terminal
A cable that allows transmission of all of the signals in composite
video in one cable. This method is used for transmitting image
signals between the latest AV components. There are 5 methods of
transmission, D1-D5. This unit is compatible with D4.
HDCP
A technique designed to protect the video transmission between a
DVI or HDMI transmitter and a display device.
HDMITM
High-Definition Multimedia Interface, a method of differentially
transmitting digital RGB/component video signal from computers
and home digital equipment.
HDTV
High-Definition Television, a term used to define systems that
satisfy the following conditions:
• A vertical resolution of 720p or 1080i (p stands for progressive
scans, ; stands for interlace scans)
• A 16:9 aspect ratio
Interlace
The most common type of scanning used in televisions. It divides a
screen into even and odd numbered fields for scanning, and then
builds an image by combining them into one image (frame).
Keystone Correction
Using the unit at an angle to the screen distorts the projected image
trapezoidally. You can use Keystone Correction to electronically
correct this distortion.
Letterbox
A method of converting the content of landscape oriented film to a
4:3 signal. You can watch landscape images without trimming them
by adding a black bar to the top and bottom of the screen, however
this sacrifices vertical resolution to some extent.
Progressive
A method of displaying all scanning lines in a frame at once,
reducing flicker noticeable on a larger screen and creating a sharp,
smooth image. This unit uses progressive scanning for progression.
RGB Signal
A method of transmitting color information using a numeric
representation of the primary colors red, green, and blue separately.
When received, it is expressed in various colors by adding a mixing
colors. RGB is widely used for sending and receiving color images
between computers, and requires horizontal and vertical sync
signals.
SDTV
Standard Definition Television, a term used to define normal
television broadcasts which do not meet HDTV standards.
Smart zoom
Expands the left and right sides of a 4:3 image without altering the
center, when you are attempting to project a 4:3 image on a wide
screen format. This creates some distortion at both edges.
Squeeze
A method of compressing film images horizontally to an aspect of
ratio of 4:3 when recording to video medium. The raw image is
oblong, so needs to be passed through a desqueezing circuit to be
projected in it’s original form.
Standby
The state in which the circuit that receives infrared-signals from the
remote control is active, but all other main circuits are turned on.
The unit consumes a small amount of power in this state.
S Video  signal
S stands for Separate. A method of sending signals with separate
luminance (Y) and color (C) signals. Use a 4-pin mini DIN
connector and cable for connection.
Sync.
Computers output signals with a given regular frequency, which
you must synchronize the projector to in order to produce a good
quality image. If you do not match the phase of the signal, the
image may be flickery, faded, or distorted.
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Test pattern
This unit contains test patterns which you can use to adjust the
position and focus of the projected image on the screen.
Tracking
Computers output signals with a given regular frequency, which
you must synchronize the projector to in order to produce a good
quality image. If you do not match the phase of the signal, vertical
stripes may appear on the image.
Vista size
A standard film size, with an aspect ratio of 1.85:1 in North
America, and 1.66:1 in Europe.
3-2 pulldown detection style IP conversion
A function for directly converting interlace signal into sixty frame
progressive signal used when receiving 60 field interlace signal
from an image source recorded with the same 24 frames as movie
film. This allows DVD and other materiel recorded with 24 frames
to be projected on large screens as a natural, precise image with no
loss of quality, comparable to a movie film.
Glossary
* DLPTM, DMDTM, DarkChip2TM, and DarkChip3TM are registered
trademarks of the Texas Instruments corporation of America.
* “DCDi” is a trademark of Faroudja, a division of Genesis
Microchip, Inc.
* HDMI, the HDMI logo and High-Definition Multimedia
Interface are trademarks or registered trademark of HDMI
Licensing LLC.
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Reference
11
The following tables show the types and formats of signals the DPX-1200 can project. Signals other than those listed here may not be
projected correctly.

TV format 1 (Composite or S Video signals received at the VIDEO or S-VIDEO jack)

TV Format 2 (Component/RGB TV signals received at the INPUT A and B, or component signals received at the D4 jack)

HDMI Format  (Component/RGB signals input from the HDMI jack)
(*3)  VGA mode is only available for RGB signals.
(*4)  You cannot select YCBCR4:2:2 mode manually. This mode only available when you set the unit to HDMI Auto mode.

PC Format(Analog RGB PC signals received at the INPUT A or B jack)
(*1) VESA is a registered trademark of the Video Electronics Standards Association.
(*2) Macintosh is a registered trademark of the Apple Computer corporation.
Compatible signal types
fsc
(MHz)Color systemSignal typeV active
(lines)f (V)
(Hz)
NTSC48059.943.58NTSC
PA L57650.004.43PA L
SECAM57650.004.406, 4.25SECAM
PAL6048059.944.43PA L
NTSC4.4357659.944.43NTSC
PAL-M48059.943.58PA L
PAL-N57650.003.58PA L
Signal type
480i
576i
480p
576p
720p/50Hz
720p/60Hz
1035i
1080i/50Hz
1080i/60Hz
H active
(pixels)
720
720
720
720
1280
1280
1920
1920
1920
V active
(lines)
483
576
480
576
720
720
1035
1080
1080
f (H)
(kHz)
15.734
15.625
31.469
31.250
37.500
44.955
33.750
28.125
33.716
f (V)
(Hz)
59.940
50.000
59.940
50.000
50.000
59.940
60.000
50.000
59.940
1280
720
1440
1280
f (H)
(kHz)f (V)
(Hz)Component typeSignal typeV active
(lines)H active
(pixels)
31.46959.94RGB (*3)VGA480640
15.73459.94RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)480i480(1440) 720
15.62550RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)576i576(1440) 720
720
144031.46959.94RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)480p480
31.2550RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)576p576
3759.94RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)720/60p720
1920
44.95550RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)720/50p720
1920
33.71659.94RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)1080/60i1080
28.12550RGB/YCBCR4:4:4/YCBCR4:2:2 (*4)1080/50i1080
VESA (*1)
Macintosh (*2)
f (H)
(kHz)V active
(lines)H active
(pixels)Signal typef (V)
(Hz)
31.469480640VGA/60Hz59.940
37.861480640VGA/72Hz72.809
37.500480640VGA/75Hz75.000
43.269480640VGA/85Hz85.008
35.156600800SVGA/56Hz56.250
37.879600800SVGA/60Hz60.317
48.077600800SVGA/72Hz72.188
46.875600800SVGA/75Hz75.000
53.674600800SVGA/85Hz85.061
48.3637681024XGA/60Hz60.004
35.00048064066.666
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 Regular care
Be sure to disconnect the power cable before doing any maintenance.

Wipe with a soft cloth. Use a damp cloth with a mild detergent and then wipe with a dry cloth again if the unit is heavily soiled. Do not use
strong solvents such as thinner or alcohol as they may damage the unit casing.

Use commercially available blowers or lens tissue to remove any dirt from the lens.

If dust accumulates on the ventilation port filter, the internal temperature of the unit rises, which may cause damage to the unit. Clean the
filter approximately once every 200 hours. Remove the power cable from the AC outlet, and remove dust from the filter with a vacuum
cleaner.
To prevent dust from entering the filter itself, be sure to vacuum the filter with the unit on its side.

 Replacing the filter
Replace the filter when it becomes difficult to remove dust from it.
Maintenance
1. Turn off the power and remove the power cable.
2. Carefully place the unit upside down on a soft cloth to prevent scratching.
3. Press the filter hook on the underside of the main unit to remove the filter.
4. Firmly attach the new filter. The lamp does not light if the filter is
incorrectly attached.
Warning
•Contact a YAMAHA dealer or service center if you require replacement filters.
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