Panasonic Upgrade Utility For Audio Mixer WR-DA7 Version 2.0 Users Guide

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11.New method or controlling the Surround LR/FR Position in Jog &
Fader mode 
Previous Versions: Adjustments to the Surround Left-Right Position are
controlled using the JOG dial. Surround Front-Rear Position is controlled
using the MASTER LR FADER. 
Version 2.0: Along with the above operations, adjustments to surround Left-
Right Position can be performed by using the PAN knob and adjustments for
the Surround Front-Rear Position by using the upper knob in the DYNAMICS
Section.
12. New method for controlling Surround Sub 
Previous Versions: To make adjustments to the Surround Sub send level,
you could only adjust it from within the [SEND VOL] Surround Mode.
Version 2.0: The Surround Sub level can now be adjusted in all of the
Surround modes.
13. New feature allows communication with Digital Audio Workstations
(DAW) in the MIDI Remote window
Previous Versions: This mode was not implemented.
Version 2.0: From the [UTILITY>USER CSTM] window, you can now select
the DAW MODE. Once you have selected the [DAW] button, you can use the
Custom/MIDI Layer to control a Digital Audio Workstation from the Top Panel
of the DA7.  Many DAWs, such as ProTools, are controllable from an external
MIDI controller.  
In order to make this DAW MODE compatible with as many Digital Audio
Workstations as possible, we have implemented a MIDI protocol that
conforms to the JL Cooper CS-10 Workstation Controller.  To configure the
DAW MODE to work properly with your DAW, you should consult the
operation manual of your workstation for the configuration of your system.   
						

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CAUTION:  This window should be checked immediately after you upgrade the
console.  Because this is a new feature, it is possible for the Input Channels to
be assigned randomly.  If they are incorrect, simply press either the MIDI RMT
or the DAW button depending on what is displayed in the window.  Once you
press the default button in each section and return to normal operation, it
should display NONE in each space.  This is the correct default and your DA7
will recall it You will only need to do this once at the time you upgrade.
The [MIDI>MIDI RMT] window displays ‘DAW MODE’ in the Library’s
[TITLE]. You can not store, edit and recall the parameters of settings stored
in this library. 
Operation with ProTools
The following instructions should be confirmed with the user manual for
your ProTools set-up.  It is included here as a reference guide only.  ProTools
will communicate with the DA7 in the same manner as a JL Cooper CS-10.
Cursor to the desired [DAW] button in the FADER area and press the ENTER
button.
[UTILITY>USER CSTM] window
[MIDI>MIDI RMT] window 
						

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The [DAW] button will toggle and appear in inverse video if DAW MODE is
selected. 
Then press the [EXECUTE] button to determine the ProTools settings. 
Next, launch ProTools. (If you launch ProTools without changing the mode,
the DA7 will sometimes recall a scene.) 
From within the ProTools software, select the JL Cooper [CS-10] as the
Controller type. The Machine ID should be set to 16. If you use more than 8
(up to 16) channels, then you should set the [CS-10] to X2 in the OMS
menu. The Second CS-10s Machine ID should be 15. (Refer to ProTools
Manual.) 
The DA7 can only control and link the operation of FADER, MUTE, SOLO,
and PAN from the Top Panel for ProTools. 
From ProTools, operation of the Audio Channels on the DA7 is linked with
MUTE and SOLO only. From the MIDI Channels, DA7 is linked with FADER,
MUTE, SOLO, and PAN. 
When the MUTE or SOLO is operated from the ProTools screen, the DA7 will
only perform the last operated function (MUTE or SOLO) from the DA7 only. 
i.e.
1.You have pressed MUTE on a channel from the DA7.
2.At this time, if you operate MUTE from ProTools screen, then the
DA7 will be in the same mode as ProTools and will perform the
same function. However, If you operate SOLO from the ProTools
screen, then the DA7 will not be connected with ProTools.
3. You have pressed SOLO on a channel from the DA7. 
4.At this time, if you operate SOLO from ProTools screen, then the
DA7 will be in the same mode as ProTools and will perform the
same function. However, if you operate MUTE from ProTools
screen, then DA7 will not be connected with ProTools. 
Operation with other Digital Audio Workstations
Consult the user manual of your DAW for operation of MIDI controllers.  The
DAW MODE in the DA7 sends a MIDI Command Protocol compatible with
the JL Cooper CS-10. 
						

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14. New feature allows the routing of Inputs to an assignable Input
Matrix 
Previous Versions: The Audio Input signals were pre-assigned to the Faders. 
Version 2.0: The Audio Input signals can now be re-assigned (in-groups of
eight channels) to a Fader within its group. This is a new window.  It is called
[INPUT MTX] and is located in the [UTILITY] window group. 
Move the Cursor to the channel area, and the desired INPUT box. Select the
desired Audio Channel by using the JOG dial. The INPUT box will appear in
inverse video. Then, press ENTER button. If you press the [DEFAULT] button,
the INPUT box area will change to its normal assignments for each FADER. 
CAUTION:  This window should be checked immediately after you upgrade the
console.  Because this is a new feature, it is possible for the Input Channels to
be assigned randomly.  If they are incorrect, simply press the default button in
each section to return to normal operation.  You will only need to do this when
you upgrade.
[UTILITY>INPUT MTX] window 
						

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15. New feature allows Fader Grouping of the Output Bus Channels 
Previous Versions: The Bus Channels could not be included in Fader
Groups. 
Version 2.0: The Bus Channels can now be assigned to new Fader Groups 5
and 6. The Bus Channels Fader Group is assignable in the lower level of the
right side in [GROUP>FADER GRP] window.
To place a Bus into a group, Cursor to [GRP] 5 or 6 by using the UP or
DOWN ARROW button to highlight Group 5 or 6. With the CURSOR in the
CURSOR mode, use the Jog Dial to select the desired Bus channel, or press
the SELECT button of the Bus channel that you wish to place in a group. 
The selection of a Bus in a group is represented by a highlighted black box
or “–” mark.  The black box means that it is included within the Fader Group,
and the “–” mark means that it is not included within the Fader Group. 
Press the ENTER button, then Group 5 or 6 will be toggled. Inverse video
means Enable Fader Group, and normal video means Disable Fader Group. 
[GROUP>FADER GRP] window 
						

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16. New feature implements an Input to Output Routing Window
Previous Version: Not implemented
Version 2.0: This is a New Window. The [ROUTING] in [GROUP] window
group is used for selecting the routing of the Inputs and Aux Returns to Bus,
Master LR, and Surround Enable/Disable. 
If the Input or Aux Return channel is selected to Stereo, then the Center Line
between the Odd and Even channels will disappear. (e.g. at above graphics,
INPUT 3 and 4.) 
If the Bus channel is selected to Stereo, then the BUS channel is toggled and
is displayed in inverse video. (e.g. at above graphics, BUS 5,6, and 7,8). 
When this window is displayed, the assignments can be changed the by using
the 10 keypad in the selected channel of this window “Selected” means
cursor on this window (e.g. at above graphics, Input 6.) Don’t confuse this
with channel selecting. (e.g. at above graphics, Input 01)  #1 through #8 is
for Bus Assign, #9 is for Master LR Assign, and #0 is for Surround
Enable/Disable. 
When this window is selected, the Consoles LED field indicators will display
Routing. 
FADER/AUX1 through PAN/SURR/AUX4 are displayed as Bus Assign, Odd Bus
Assignments are Green, Even Bus Assignments are Red, and Both Bus
[GROUP>ROUTING] window 
						

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Assignments are Amber. LIBRARY/AUX5 are displayed Master LR Assign,
Master LR Assign is Amber. SEL/MAN/AUX6 is displayed Surround
Enable/Disable, Surround Enable is Amber. 
17. New feature allows UNDO after Enabling the AUTOMATION 
Previous Versions: When AUTOMATION is enabled, the DA7 read the Start
Scene automatically, however you could not execute the UNDO to return to
its previous status. 
Version 2.0: The Current Status can be recalled by pressing the UNDO/REDO
button to return to the previous status before the Automation was enabled. 
18. Manual Locate in the Timecode display area 
Previous Versions: To enter a new Location in the Timecode for the MTR, it
needed to be entered as a Locate Point. 
Version 2.0: In the [AUTOMATION>EXECUTE] window, you can move the
cursor into the [TIMECODE] area and press the ENTER button. Now the
Timecode can be entered directly by using the Ten Key Pad. 
When a number is entered, the cursor will move to next column
automatically. Use the LEFT and RIGHT ARROW buttons to move the cursor. 
When the desired Timecode is selected, press the ENTER button, the MTR
will search to the selected Timecode location.
[AUTOMATION>EXECUTE] window 
						

							19. New feature allows separate IN and OUT X-FADE times of scene
memories
Previous Versions: The FADER IN and OUT times were set to the same
settings.
Version 2.0: The FADER IN and OUT times are Independent and can be
adjusted using the Two soft-knobs in the [SCENE MEMORY>XFADE] window.
20. New feature allows VTR control with RS-422 9-pin protocol
Previous Versions: Only MMC (MIDI Machine Control) was available.
Version 2.0: Now either MMC or VTR control can be selected.
1. Connect a VTR to the RS-422/485 port on the DA7’s Rear Panel.
2. Set the RS422 9PIN PROTOCOL to ON in the [UTILITY>CONFIG]
window.
3. Operate the ARROW buttons on the DA7’s Top Panel in the MMC
mode. Operative buttons are PLAY, FF, REW, and STOP and
LOCATE.
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[SCENE MEMORY>XFADE] window 
						

							When the RS-422 9PIN PROTOCOL area is ON:
* The REPLAY and LOOP buttons will not function.
* The Communication speed must be set to 38.4 KBPS.
When the RS-422 9PIN PROTOCOL area is OFF, MMC will be the default.
21. New shortcut for switching the built-in oscillator on / off
To switch the internal oscillator [ON] or [OFF] press the UTILITY button
while holding down the MMC button on the DA7’s Top Panel.
22. New shortcut to switch the built-in SOLO-MUTE on / off 
To switch the SOLO-MUTE [ON] or [OFF] press the UNDO/REDO button
while holding down the MMC button on the DA7’s Top Panel. 
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[UTILITY>CONFIG] window 
						

							23. New Threshold level adjustment of analog input PEAK/SIGNAL LEDs
Previous Versions: The Threshold of the PEAK/SIGNAL LED was fixed at 
-6.0dB. 
Version 2.0: The Threshold of the PEAK/SIGNAL LED can now be adjusted
from -10dB through 0.0dB. In the [UTILITY>OSC/BATT] window, there is a
[PEAK LED THL] knob with a value in middle level of right side. 
Cursor to the [PEAK LED THL] knob, and operate JOG dial. Factory
Default value is -6.0dB. 
24. Correction of freezing when faders are moved manually during
Automation playback 
Previous Version: While Automation is being played back, if you manually
move the faders, the DA7 will occasionally freeze-up and stop all functions.
This is most likely to occur when FADER FADE events (not FADER events) are
playing back.  
Version 2.0: This has been resolved. 
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[UTILITY>INPUT MTX] window