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Yamaha Dvx 1000 Owners Manual

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    							Automix Main Page201
    DM1000 Version 2—Owner’s Manual
    Automix
    16
    When the TO END button is on, the way in which fader events are processed depends 
    on the currently-selected Fader Edit mode and Edit Out mode. The following table 
    shows how the faders operate when the Fader Edit mode is set to Absolute.
    If the Fader Edit mode is set to Relative, and the Edit Out mode is set to either Takeover 
    or Off, the fader will remain at a position relative to its position when recording was 
    stopped right through to the end of the Automix.
    GEDIT OUT
    This parameter sets the Edit Out mode: TAKEOVER, RETURN, or OFF (both buttons 
    are off ). This mode determines how rerecorded fader moves align with existing fader 
    data at the punch out point.
    Fader data includes Input Channel levels, Bus Out master levels, Aux Send master levels, 
    the Stereo Out level, and Remote layer faders.
    TO END Return Takeover or Off
    OFFAt the point at which recording is stopped, the fader 
    returns to the position specified by the existing fader 
    data, at the speed specified by the Time parameter 
    on the Fader1 or 2 page.At the point at which recording is stopped, the fader 
    remains at the same position until the next fader 
    event in the existing data is encountered.
    ONAt the point at which recording is stopped, the fader 
    returns to the position specified by the existing fader 
    data, at the speed specified by the Time parameter 
    on the Fader1 or 2 page. All subsequent events are 
    erased. The fader remains at that position through to 
    the end of the Automix.At the point at which recording is stopped, all subse-
    quent events are erased so that the fader remains at 
    that position right through to the end of the Auto-
    mix.
    Existing data
    Return time
    Time
    Punch in Stop recordingFader edit
    Time
    Punch in Stop recordingExisting data
    Fader edit
    Existing data
    Return time
    Time
    Punch in Stop recordingFader edit
    Time
    Punch in Stop recordingExisting data
    Fader edit
     
    						
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    The following table shows how faders move in each Edit Out mode. You can set the 
    Return Time (time required by Input and Output Channel faders to return to the pre-
    viously-recorded position) on the Fader1 or 2 page (see page 205).
    HFADER EDIT
    This parameter determines how fader moves are rerecorded (it has no effect during the 
    first recording pass). You can select ABSOLUTE or RELATIVE.
    In Absolute mode, fader moves are rerecorded as absolute values (existing fader data is 
    erased). In Relative mode, fader moves are rerecorded relative to the existing fader data.
    Fader data includes Input Channel level, Bus Out master levels, Aux Out master levels, 
    the Stereo Out level, Remote layer faders.
    The following table explains Fader Edit mode operation (TO END: off. Edit Out: off ).
    ITOUCH SENSE
    If you set this parameter to TOUCH, you can punch in and out the parameters selected 
    in the OVERWRITE section by just touching the fader knobs. If you set this parameter 
    to LATCH, you can only punch in the parameters (punch-out is disabled). If the Fader 
    Touch Sense parameter is set to “DISABLED,” on the Setup | Prefer2 page, this section is 
    grayed out.
    Off Return Takeover
    At the punch out point, the fader 
    remains at the same position until the 
    next fader event in the existing data 
    occurs.At the punch out point, the fader 
    returns to the position specified by the 
    existing fader data, at the speed speci-
    fied by the Time parameter on the 
    Fader1 or 2 page.At the punch out point, recording con-
    tinues until the fader position intersects 
    the existing fader data. If you are still 
    touching the fader knob at the actual 
    punch out point, the fader is disabled 
    until you release it.
    In this example, punch out was per-
    formed by pressing the [AUTO] button, 
    and the fader was moved manually 
    between the specified punch out point 
    and actual punch out point.
    Absolute Relative
    Fader edits are recorded as absolute values and 
    existing fader data between the punch in and out 
    points is erased.Fader edits are rerecorded relative to the existing 
    fader data.
    Time
    Punch in Punch outExisting data
    Fader edit
    Existing data
    Return time
    Time
    Punch in Punch outFader edit
    Time
    Punch in Punch outExisting data
    Fader edit
    Actual punch out
    Time
    Punch in Punch outExisting data
    Fader editTime
    Punch in Punch outExisting data
    Fader edit
     
    						
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    JOVERWRITE section
    This section enables you to select parameters to be recorded on the first pass, and rere-
    corded (i.e., overwritten) on subsequent passes. You can select or deselect these param-
    eters while recording is in progress (see page 190).
    KAUTOMIX ENABLED/DISABLED
    This parameter enables or disables the Automix. When the parameter is set to DISABLE, 
    you cannot record or play back an Automix. If the ESAM function is enabled, you can-
    not enable the Automix.
    LNEW
    Move the cursor to the NEW button, then press [ENTER] to create a new Automix. 
    When you create a new Automix, a Scene recall event to recall the current Scene (i.e., the 
    last Scene recalled) is automatically inserted at the start of the Automix. (You can edit 
    this event so that you will be able to recall another Scene.)
    MUNDO
    Move the cursor to this button, then press [ENTER] to undo various Automix opera-
    tions (Undo function). When you record new events in an Automix, or when you per-
    form an offline edit, the current Automix data is copied to the Undo buffer. You can 
    retrieve the data from the buffer by moving the cursor to the UNDO button and press-
    ing [ENTER] while Automix is stopped. You can also cancel the Undo operation (Redo 
    function).
    NINSERT
    Move the cursor to this button, then press [ENTER] to insert the current mix parame-
    ters into the current Automix data. This is useful when you want to quickly replace the 
    Automix data in the specified range (e.g., to replace dialogs). Refer to “Inserting Mix 
    Parameters into Automix” on page 193
    OAUTO REC
    Move the cursor to the AUTO REC button, then press [ENTER] to place the DM1000 
    in Automix record ready mode. The button becomes highlighted. In this state, when the 
    DM1000 receives the appropriate timecode, it automatically starts Automix recording. 
    Record ready mode is not canceled, even if Automix recording is stopped, unless you 
    move the cursor to this button and press [ENTER].
    PREC
    Move the cursor to the REC button, then press [ENTER] to place the DM1000 in Auto-
    mix record ready mode. The button starts to flash. In this state, when the DM1000 
    receives the appropriate timecode, it automatically starts Automix recording.
    Unlike the AUTO REC button, however, record ready mode is canceled when recording 
    is stopped.
    If you move the cursor to this button and press [ENTER] during Automix playback, the 
    DM1000 engages record ready mode.
    QPLAY
    If the timecode source is set to internal, move the cursor to the PLAY button and press 
    [ENTER]. Automix recording or playback starts.
    If you selected an external timecode source, as soon as the DM1000 receives the external 
    timecode, recording or playback starts, and this button turns on automatically. After you 
    stop Automix by pressing the STOP button or ABORT button, you can restart recording 
    or playback by pressing this button as long as the DM1000 is still receiving timecode.Tip:  
    •The Undo buffer is cleared when you turn off the power to the DM1000. If you want to 
    save the contents of the Undo buffer, perform the undo operation, then store the Automix.
    •However, you cannot undo the operations performed on the Event Edit page.
     
    						
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    RSTOP
    Move the cursor to this button, then press [ENTER] to stop Automix recording or play-
    back. (If you stop recording, a confirmation window appears asking whether you wish 
    to update the Automix data.) The button remains highlighted while Automix is stopped.
    SABORT
    This button aborts the current recording without updating the existing Automix data.
    Automix Memory Page
    The Automix Memory page enables you to store and recall Automixes. The lower half of this 
    page is identical to the Automix Main page.
    To locate the Automix | Memory page, press the DISPLAY ACCESS [AUTOMIX] button 
    repeatedly until the page appears.
    ATITLE EDIT
    This button enables you to edit the title of the Automix memory selected in the center 
    column.
    BRECALL
    This button recalls the Automix memory selected in the center column.
    CSTORE
    This button enables you to store the current Automix to the memory selected in the cen-
    ter column.
    DCLEAR
    This button clears the Automix memory selected in the center column.
    ETITLE
    This parameter displays the title of the current Automix.
    FMEMORY TITLE column
    This column enables you to select an Automix memory to be recalled or stored. The col-
    umn lists the titles of Automix memories. An empty Automix memory has a title of “No 
    Data!”
    GCURRENT
    This parameter displays the size of the current Automix.
    HUNDO
    This parameter displays the size of the current Undo buffer.
    7
    8
    9
    J
    1
    2
    3
    4
    K
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    Automix
    16
    IFREE
    This parameter displays the amount of free memory available for storing the current 
    Automix.
    JMEMORY
    This parameter displays the size of the Automix memory selected in the center column.
    KPROTECT ON/OFF
    To protect the contents of the Automix memory selected in the MEMORY TITLE col-
    umn, move the cursor to this button and press [ENTER]. A padlock icon ( ) appears 
    next to the titles of Automix memories that are write-protected. You cannot store, clear, 
    or edit the title of write-protected Automix memories.
    For details on the Store, Recall, Title Edit, and Clear functions, see “General Library 
    Operation” on page 173.
    Fader1 &2 pages
    The Fader1 & 2 pages enable you to edit fader positions while viewing the current fader 
    position and the fader data recorded in the Automix.
    To locate the Fader1 or 2 page, press the DISPLAY ACCESS [AUTOMIX] button repeatedly 
    until the page appears.
    During Automix playback, fader positions are displayed graphically as black bars on the 
    Automix | Fader1 or 2 page. The Fader1 page displays fader positions for Input Channel 1 
    through 48 and Stereo out. The Fader2 page displays fader positions for Bus Outs 1–8, Aux 
    Outs 1–8 and Fader Group Masters A–H, Q–T.
    When the Fader mode is set to Fader, each page displays Input and Output Channel levels. 
    When the Fader mode is set to Aux, each page displays Aux Send levels.
    During rerecording, the Fader1 and 2 pages display the existing 
    fader data in bar graphs. While fader events are being recorded, 
    arrows appear next to each fader bar. A downward arrow indi-
    cates that the current fader position is higher than that specified 
    by the existing fader data. An upward arrow indicates that the 
    current fader position is lower than that specified by the existing 
    fader data.
    AABSOLUTE & RELATIVE
    These buttons are the same as those on the Main page (see page 200).
    3
    12
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    BMOTOR
    This button turns the fader motors on or off for Automix playback. The button is high-
    lighted when the motors are on.
    CEdit Safe buttons
    The numbered buttons below each fader bar are Edit Safe buttons, which prohibit Auto-
    mix recording on certain channels. A channel is set to safe and excluded from Automix 
    recording when its button is highlighted. However, you can play existing events and use 
    faders, Encoders, and [ON] buttons on safe channels. This is useful for rehearsing mix 
    moves.
    DTOUCH SENSE
    This function is the same as that on the Automix Main page.
    EUPDATE
    This button is the same as that on the Automix Main page.
    FEDIT OUT
    The TAKEOVER and RETURN buttons are the same as those on the Automix | Main 
    page. The EDIT OUT section on this page also contains the TIME parameter. This 
    parameter determines the time required for faders to return to the levels specified by the 
    existing Automix data when the RETURN button is turned on. Tip:  You cannot turn off the motors during Automix recording. Even if this button is turned 
    off, the motors are automatically turned on when recording starts.
    Tip:  
    •You can make all channels safe simultaneously by selecting a non-highlighted button and 
    double-clicking the [ENTER] button. A confirmation window appears.
    •You can cancel all safe channels simultaneously by selecting a highlighted button and 
    double-clicking the [ENTER] button. A confirmation window appears.
     
    						
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    Editing Events Offline
    You can edit recorded Automix events offline on the Event Job and Event Edit pages. You 
    can perform offline editing only while the Automix function is stopped.
    Event Job Page
    On the Event Job page, you can erase, copy, move/merge, or trim specified events on spec-
    ified channels between specified in and out points.
    1Press the DISPLAY ACCESS [AUTOMIX] button repeatedly until the Automix 
    | Event Job page appears.
    AChannel buttons
    These button enable you to select the channels for which you want to edit Automix data.
    BALL SELECT
    This button selects all channels.
    CALL CLEAR
    This button de-selects all channels.
    DTIME SETTING
    This section enables you to specify the region of Automix data to be edited (IN and OUT 
    points).
    EJOB TYPE
    This section enables you to select the job type. If you select “MEM” in the SOURCE sec-
    tion, the MERGE button replaces the MOVE button.
    2Use the Channel buttons to select channels for which you want to edit Auto-
    mix data.
    You can select multiple Input Channels, Bus Outs, Aux Outs, and the Stereo Out.
    3Specify the region of Automix data you want to edit by setting the IN and 
    OUT parameters in the TIME SETTING section.
    You can also capture the IN and OUT points on-the-fly by moving the cursor to the IN or 
    OUT button and pressing the [ENTER] button. To modify the captured positions, move the 
    cursor to the value you wish to change, and rotate the Parameter wheel or press the 
    [INC]/[DEC] buttons. Press the [ENTER] button to reset the currently-selected digit to “00.”
    Up to eight IN and OUT timecode values can be captured and stored in the eight Capture 
    memories. The currently-selected Capture memory number (1–8) appears to the left of the 
    IN and OUT buttons. Move the cursor to the Capture memory number, and rotate the 
    Parameter wheel or press the [INC]/[DEC] buttons to select the desired Capture memory.
    1
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    2
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    4Move the cursor to the desired Job button in the Job Type section, then press 
    [ENTER].
    The following Jobs are available. Certain Jobs feature an extra parameter below the TIME 
    SETTING section.
    ■ERASE
    This button erases the specified range of Automix data.
    ■COPY
    This button copies the specified range of Automix data to another position. When you select 
    this button, the SOURCE and COPY TO sections appear below the TIME SETTING sec-
    tion.
    •SOURCE section
    This section enables you to select the copy source Automix.
    •COPY TO section
    -TIME
    This parameter specifies the start point to which the specified data is to be copied. (The 
    number in parentheses on the right indicates the end point of the destination.) You can 
    also capture the start point on-the-fly by moving the cursor to the TO button and press-
    ing the [ENTER] button to capture the current position. To modify the captured posi-
    tions, move the cursor to the value you wish to change, then rotate the Parameter wheel 
    or press the [INC]/[DEC] buttons. Press the [ENTER] button to reset the cur-
    rently-selected digit to “00.”
    -CH
    This parameter specifies the channel to which you want to copy the specified data. If 
    multiple channels are selected as the copy source, use the CH parameter box to specify 
    the number of the top channel in the destination. (The number in parentheses on the 
    right indicates the number of the last channel in the destination.)
    For example, if eight channels are selected as the copy source and you specify “17” in the 
    CH parameter box, the copy destination will be Channels 17 through 24.
     
    						
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    ■MOVE/MERGE
    The function of this button changes depending on the SOURCE section setting.
    If you select CURRENT (current Automix) in the SOURCE section, this button becomes 
    the MOVE button, which moves the specified range of Automix data to another position.
    If you select MEM (Automix memories 1–16) in the SOURCE section, this button becomes 
    the MERGE button, which merges the specified range of Automix data with other Automix 
    data.
    When you select this Job, the SOURCE section and MOVE TO (MERGE TO) section 
    appear below the TIME SETTING section.
    •SOURCE section
    These parameters select the source Automix to be moved or merged. If you select CUR-
    RENT (the current Automix), you can use the MOVE button. If you select MEM (Automix 
    memory), you can use the MERGE button. If you select MEM, specify the Automix mem-
    ory number in the small parameter box on the right.
    •MOVE TO (MERGE TO) section
    -TIME
    This parameter specifies the start point to which the specified data is to be moved or 
    merged. (The number in parentheses on the right indicates the end point of the desti-
    nation.) You can also capture the start point on-the-fly by moving the cursor to the TO 
    button, then pressing the [ENTER] button to capture the current position. To modify 
    the captured positions, move the cursor to the value you wish to change, and rotate the 
    Parameter wheel or press the [INC]/[DEC] buttons. Press the [ENTER] button to reset 
    the currently-selected digit to “00.”
    -CH
    This parameter specifies the channel to which the specified data is to be moved or 
    merged. If multiple channels are selected as the move/merge source, use the CH param-
    eter box to specify the number of the top channel in the destination. (The number in 
    parentheses on the right indicates the number of the last channel in the destination.)
    For example, if eight channels are selected as the move/merge source and you specify 
    “17” in the CH parameter box, the move/merge destination will be Channels 17 through 
    24.
    ■TRIM
    This button enables you to adjust the level of fader 
    events in the specified range of Automix data. When 
    you select this Job, the TRIM EDIT section appears 
    below the TIME SETTING section.
    -IN
    This parameter determines the time required for the fader to reach the level specified by 
    the Trim amount parameter.
    -OUT
    This parameter determines the time required for the fader to return to the previous 
    level.
     
    						
    							210Chapter 16—Automix
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    -Trim amount
    This parameter specifies the trim amount in the range of –96 dB to +96 dB.
    5After setting all necessary parameters, move the cursor to the EXEC button, 
    then press [ENTER].
    The PARAMETERS window appears, which enables you to select parameters to be edited, 
    and to perform the selected Job.
    A parameter is selected when its button is highlighted. (You can specify multiple parame-
    ters.) These buttons correspond to the following parameters:
     Button Events
    FADERChannel Fader events (Inputs Channels, Bus Out masters, Aux Out masters, 
    Group Master Levels, and the Stereo Out)
    ON
    Channel Mute events, and Group Master On
    PA N
    Input Channel pan events
    SURR
    Input Channel surround pan, LFE level, and DIV parameter events
    EQ
    Channel EQ events
    LIBCH
    Channel library recall events
    GATE
    Gate library recall events
    COMP
    Comp library recall events
    EQ
    EQ library recall events
    SCENE
    Scene recall events
    FX LIB 1–4
    Effects library recall events of each internal effects processor
    AUX 1–8
    Level events of each Aux Send
    ON 1–8
    Mute events of each Aux Send
    REMOTE 1–2
    User Defined Remote Layer events
    EFFECT 1–4
    Parameter events for each internal effects processor
    Time Trim: –
    x dB
    TRIM IN
    TRIM OUT
    IN OUT
    Trimmed data Existing data
     
    						
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