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							Editing Events Offline211
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6To execute the selected Job, move the cursor to the EXEC button, then press 
[ENTER].
A confirmation window appears. Move the cursor to the YES button, then press [ENTER] 
to execute the Job.
Event Edit Page
The Event Edit page enables you to edit, duplicate, delete events and insert new events.
1Press the DISPLAY ACCESS [AUTOMIX] button repeatedly until the Automix 
| Event Edit page appears.
AEvent list
This list contains the Automix event time, channels, and parameter values. The cur-
rently-selected event in the list is indicated by a triangular icon (®). Use the Up and 
Down cursor buttons to select an event, and use the Left and Right cursor buttons to 
select a parameter value of the selected event.
BSYNC
This button synchronizes the event list to the current timecode position. Move the cur-
sor to this button, then press [ENTER] to select events closest to the current timecode 
position.
CDUPLICATE
This button duplicates the event selected in the list.
DDELETE
This button deletes the event selected in the list. Tip:  
•You can select all parameter buttons simultaneously by moving the cursor to a non-high-
lighted button and double-clicking the [ENTER] button. A confirmation window appears.
•You can deselect all selected parameter buttons simultaneously by moving the cursor to a 
highlighted button and double-clicking the [ENTER] button. A confirmation window 
appears.
Tip:  
•Move the cursor to the NO button, then press [ENTER] to abort the Job.
•To return to the previous page without executing the Job, move the cursor to the   
button, then press [ENTER].
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							212Chapter 16—Automix
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ESELECTED CH
When this option is on, only events of the channels currently selected by the channel 
[SEL] buttons are displayed in the list.
FEvent select buttons
These buttons select the type of events to be displayed in the event list.
GINSERT
This button inserts a new event in the position selected in the event list.
HLOCATE
This button locates events at (or closest to) the timecode position indicated on the Cap-
ture memory display.
ICapture memory display
This display counter indicates the captured timecode position.
JCAPTURE
This button captures the current timecode position. Up to eight timecode values can be 
captured and stored in the eight Capture memories.
KCapture memory
This box indicates the number of the currently-selected Capture memory (1–8).
2Use the Event select buttons to select the type of events to be displayed in 
the event list.
The format of the list varies depending on the selected event. The following table shows the 
events that correspond to the Event select buttons, and the list format:
Button Events Listed List Format
SCENE/LIB
Library and Scene recall events TIME CODE, CH, SCENE/LIB
FADERChannel Fader events (Inputs Channels, Bus 
Out masters, Aux Out masters, Group Master 
Levels, and the Stereo Out)TIME CODE, CH, dB, SEC
ONChannel Mutes (ON/OFF), and Group Master 
OnTIME CODE, CH, ON/OFF
PA N
Pan TIME CODE, CH, L-C-R
SURR-PAN
Surround Pan TIME CODE, CH, SURR
SURR-LFE
Surround LFE TIME CODE, CH, dB
SURR-DIV
Surround DIV TIME CODE, CH, DIV
SURR-RDIV
Surround RDIV TIME CODE, CH, RDIV
EQ-ON
EQ On/Off TIME CODE, CH, ON/OFF
EQ-FREQ
EQ Frequency TIME CODE, CH, BAND/Hz
EQ-Q
EQ Q TIME CODE, CH, BAND/Q
EQ-GAIN
EQ Gain TIME CODE, CH, BAND/dB
AUX
Aux Send 1–8 levels TIME CODE, CH, AUX, dB
AUX ON
Aux Send 1–8 mutes TIME CODE, CH, AUX, ON/OFF
Tip:  When the SELECTED CH check box is on, only events of the currently-selected channel 
are displayed.
Note:  If the data size of the selected event exceeds 1.75 MB, the message “Automix Work Mem-
ory Full!” appears, and not all events may be displayed. In this case, check the SELECTED 
CH check box to display only events of the selected channel.
 
						

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3To duplicate or delete events, select an event by moving the triangular icon 
(®® ® ®
) to the event in the list, then select the DUPLICATE or DELETE button.
4To modify the event time, channel or parameter value, move the cursor to 
a parameter value you wish to change, then rotate the Parameter wheel or 
press the [INC]/[DEC] buttons.
5To locate an event, play the Automix and move the cursor to the CAPTURE 
button, then press [ENTER].
The current position is captured and indicated in the Capture memory display.
6To recall the event at the captured position, move the cursor to the LOCATE 
button, then press [ENTER].
The event at (or closest to) the captured position is displayed and selected in the event list.
7To insert a new event, use the Event select buttons to select the type of event 
that you want to insert. Use the Capture memory display to specify the point 
at which you want to insert the new event. Move the cursor to the INSERT 
button, then press [ENTER].
The new event is inserted at the position currently displayed in the Capture memory dis-
play.Tip:  
•To modify the captured position, move the cursor to the Capture memory display, then rotate 
the Parameter wheel or press the [INC]/[DEC] buttons. Press the [ENTER] button to reset 
the currently-selected digit to “00.”
•Up to eight timecode values can be captured in the Capture memories. To recall another 
Capture memory, move the cursor to the parameter box located to the left of the CAPTURE 
button, then select the desired Capture memory number (1–8).
 
						

							214Chapter 16—Automix
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							Remote Control215
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Remote Control
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17  Remote Control
This chapter describes the Remote function, which enables you to control external equip-
ment directly from the DM1000 top panel.
About Remote Function
The DM1000’s Remote function enables you to control external DAW (Digital Audio Work-
station) equipment, MIDI devices, recorders, etc.
There are three types of Remote functions (Remote 1 &2, and Machine Control):
■REMOTE 1 (Remote Layer 1)
■REMOTE 2 (Remote Layer 2)
To use these Remote functions, you must connect the DM1000 to an external device via 
USB, and operate the faders, Encoders and [ON] buttons on the top panel to control the 
external device remotely.
You can specify a target device and parameter values on the Remote | Remote1 and Remote 
2 pages. These layers are enabled when you turn on the LAYER [REMOTE 1] and 
[REMOTE 2] buttons respectively. During Remote operation, the controls on the top panel 
enable you to control the external device. (You cannot adjust the DM1000’s parameters 
unless you select a different layer.)
You can assign functions of a target device to the controls on the top panel of the DM1000 
by using Remote Layers 1 and 2. The following targets are available for remote control:
•ProTools........................ You can remotely control Digidesign Pro Tools.
•Nuendo.......................... You can remotely control Steinberg Nuendo.
•Cubase SX..................... You can remotely control Steinberg Cubase SX.
•General DAW................ You can remotely control DAW software that supports the pro-
tocol used by Pro Tools.
•User Defined................. You can also assign MIDI messages to the faders, [ON] buttons, 
or Encoders to remotely control a connected MIDI device, such 
as a synthesizer.
•User Assignable Layer.......You can combine the DM1000 channels to create a custom 
layer. (See page 272 for more information on this function.)
■Machine Control
From the Remote | Machine Control page, you can control an external recording machine 
that is connected to the DM1000 MIDI port, REMOTE connector, USB port, or optional 
MY8-mLAN card. There are two types of commands used for machine control.
•MMC.............................. MMC stands for MIDI Machine Control. MMC commands 
can be transferred via the MIDI ports, USB port, and Slot 1 if 
an MY8-mLAN card is installed.
•P2.................................... P2 protocol is used by the Tascam DA-98HR and other profes-
sional video machines. This command can be transferred via 
the REMOTE connector. Tip:  ProTools, Nuendo, Cubase SX, and General DAW targets can be assigned to only one 
layer at a time. If you have already assigned a ProTools, Nuendo, Cubase SX, or General DAW 
target to Remote Layer 1 or 2, you cannot assign other targets to the other Remote Layer.
Tip:  To control external devices from the DM1000, you can also use the User Defined buttons 
or the CONTROL connector as a GPI (General Purpose Interface). Refer to Chapter 20 “Other 
Functions” on page 265 for more information.
 
						

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Pro Tools Remote Layer
The DM1000 features Remote Layer 1 and 2 targets especially designed for controlling Pro 
Tools.
Connections and Configuring Pro Tools
Follow the steps below to connect the DM1000 to your computer via the USB port so that 
you can control Pro Tools from the DM1000.
■Configuring Windows Computers
1Connect the DM1000 TO HOST USB port to a USB port on your PC using a 
USB cable.
2Install the necessary USB drivers included on the DM1000 CD-ROM.
See the Studio Manager Installation Guide for more information on installing the drivers.
■Configuring Macintosh Computers
1Connect the DM1000 TO HOST USB port to a USB port on your Mac using 
a USB cable.
2Install the required USB driver included on the DM1000 CD-ROM.
See the Studio Manager Installation Guide for more information on installing the driver.
3If you are using Mac OS versions 8.6 through 9.2.2, install OMS.
The DM1000 communicates with Pro Tools via OMS (Open Music System) software.
If you have not installed OMS on your Mac, use the OMS installer included on the DM1000 
CD-ROM to install OMS.Note:  You cannot control Pro Tools via MIDI connections. Be sure to connect your computer 
via the USB or an optional MY8-mLAN card installed in one of the DM1000 slots.
AUX PA N DISPLAY
ASSIGNENCODER MODE
EQUALIZER
LOW HIGHGAINQFREQUENCYLOWMIDHIGH MIDROUTING12
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STEREO DIRECT DISPLAY DISPLAYSELECTED CHANNEL
16BUS 8 32 4815BUS 7 31 4714BUS 6 30 4613BUS 5 29 4512BUS 4 28 4411BUS 3 27 431016 15 14 13 12 11 10
20dBON OFF+48V12
345
6
78 1213 14 1516
9101116 15 14 13 12 11 10 9 8 7 6 5 4 3 2PEAK
SIGNAL1-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN-16-60GAIN
PEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPEAK
SIGNALPA D20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dB20dBON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48VON OFF+48V
0
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BUS 19 925 41
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5ON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSELON SOLOSEL
BUS 2 26 42
AUTO
ON SEL
STEREO70 6050 40 30 2015 10
5 0
AUX2AUX3AUX4AUX6AUX5AUX7AUX8AUXSELECTDISPLAYAUX1FADER MODEFADER
AUX
DISPLAY ACCESSAUTOMIX DIO SETUP UTILITY
MIDI REMOTE METER VIEWPA I R/GROUPINPUTOUTPUTEFFECT SURROUND DYNAMICS SCENE/PAN/INSERT/ DELAYPATCHPATCH
GRABSCENE MEMORYSTORERECALL
DISPLAYUSER DEFINED 
     KEYS
ENTERINC
DEC
TALKBACK LEVEL
PHONES
LEVEL010
010PHONES
MONITOR
LEVEL SOLO CLEAR
2TR D12TR D2
DIMMERTALKBACK
MONITORSTEREO
SLOT
BUS DISPLAY10 0
F1F2F3F4
0 OVER
-2
-4
-6
-8
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-72 0 OVER
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LR
USB TO HOST USB port
Computer
 
						

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4Launch Pro Tools.
5Choose OMS Studio Setup from the Setups menu, and configure OMS as nec-
essary.
Refer to the documentation that came with 
OMS for more information on configuring 
the OMS Studio Setup menu. OMS recog-
nizes the DM1000 as a USB MIDI interface 
that features eight ports.
6Choose Peripherals from the Setups menu to open the Peripherals window.
7Double-click the MIDI Controllers tab.
8Refer to the screen below to set the Type, Receive From, Send To, and #Ch’s 
parameters.
As the controller type, select HUI for #1 and #2, and MCS Panner for #3 to use the Joystick.
9When you finish setting the parameters, close the window.Tip:  To control Pro Tools remotely, you need one port for every eight audio channels. Also, 
you need an additional port to control surround pan via the Joystick. Therefore, select MIDI 
Controller #1 for Channels 1-8, MIDI Controller #2 for Channels 9-16, and #3 for the Joystick.
 
						

							218Chapter 17—Remote Control
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Configuring the DM1000
Follow the steps below to set up the DM1000 so that you can remotely control Pro Tools 
from the DM1000 Remote Layer 1.
1Press the DISPLAY ACCESS [SETUP] button repeatedly until the Setup | 
MIDI/Host page appears.
2Move the cursor to the first DAW parameter box (
1) in the SPECIAL FUNC-
TIONS section, then rotate the Parameter wheel to select USB as the port.
3Press [ENTER] to confirm the setting.
4Move the cursor to the adjacent parameter 
box (on the right), then rotate the Param-
eter wheel to specify the port ID.
5Press the DISPLAY ACCESS [REMOTE] button, then press the [F1] button.
The Remote | Remote 1 page appears.Note:  If you select an incorrect port, you will be unable to use the Remote function. Be sure 
to match the port ID with that specified in the Peripherals window in Pro Tools.
1
2
 
						

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6Select ProTools (as the target device) for the Target parameter (2) located 
in the upper-right corner of the page.
By default, Remote Layer 1 target is set to ProTools. If another target has been selected, 
rotate the Parameter wheel to select ProTools.
7Press the LAYER [REMOTE 1] button.
Remote Layer 1 is now available for control, enabling you to remotely control Pro Tools.
Note:  When the Pro Tools Remote Layer is selected, the DM1000’s top panel faders, Encoders 
and other channel buttons control Pro Tools. To control the DM1000, you need to select an 
Input Channel layer or the Master layer.
Tip:  
•If an optional MB1000 Peak Meter Bridge is installed, Pro Tools channel levels are displayed 
on the MB1000 meters.
•Pressing the [REMOTE 2] button and setting the TARGET parameter to ProTools enables 
you to control Pro Tools from the Remote Layer 2. In this case, the Remote Layer 1 Target 
parameter is automatically set to No Assign.
 
						

							220Chapter 17—Remote Control
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Display
While the Pro Tools layer is selected, you can use the [F2]–[F4] buttons as well as the left 
and right [ ]/[ ] Tab Scroll buttons to select display modes. You can select the follow-
ing display modes using these buttons:
■Insert Display mode ( [F2] button)
Press the [F2] button to select Insert Display mode. In this mode, you can assign and edit 
plug-ins.
ATARGET
This parameter enables you to select the remote control target device.
BCOUNTER
This counter indicates the current position. This counter works in unison with the time-
code counter on Pro Tools. The display format of the counter is specified in Pro Tools. 
The following three check boxes in the COUNTER section indicate the cur-
rently-selected format.
•TIME CODE:................ Pro Tools timecode format is set to “Time Code.”
•FEET:............................. Pro Tools timecode format is set to “Feet:Frames.”
•BEATS:........................... Pro Tools timecode format is set to “Bars:Beats.”
•If no check boxes are selected:...........Pro Tools timecode format is set to “Min-
utes:Seconds” or “Samples.”
CSELECT ASSIGN
This parameter indicates the current function of the Encoders. For example, Pan, PanR, 
SndA, SndB, SndC, SndD, or SndE (see page 222).
DP.WHEEL MODE
This parameter indicates the function currently assigned to the Parameter wheel (see 
page 224).
3
4
5
2
1