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JBL Sdp5 Manual

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    							AUDIO CONTROLSJBL Synthesis
    4-4
    TILT EQ-3.0 to +3.0dB
    Controls the amount of tilt equalization applied to the Main Zone
    audio output connectors labeled Front L/R, Center, and Subwoofer.
    This parameter setting affects the entire frequency spectrum with a
    hinge point at 1kHz. As the setting is increased, frequencies higher
    than 1kHz are boosted, while frequencies lower than 1kHz are
    simultaneously cut. As the setting is decreased, frequencies higher than
    1kHz are cut, while frequencies lower than 1kHz are simultaneously
    boosted. The graph shown on the left of the next page illustrates
    the frequency response of TILT EQ parameter settings.
    Note:
    When the Zone 2 command bank is activated,
    pressing the remote control Blue button sets the
    BASS, TREBLE, and TILT EQ parameters to +0.0dB.
    TILT EQAUDIO CONTROLS
    AUDIO CONTROLS(continued from page 4-3)
    MAIN MENU
    MODE ADJUST
    AUDIO CONTROLS
    SETUP
    AUDIO CONTROLS
    AUDIO CONTROLS
    BASS +0.0dB
    TREBLE +0.0dB
    TILT EQ  +0.0dB
    LOUDNESS ON
    BALANCE 
    FADER 
    ZONE2 BALANCE  
    TILT EQ +0.0dB
    -3.0 to +3.0dBMAIN MENU
    MODE ADJUST
    AUDIO CONTROLS
    SETUP
    AUDIO CONTROLS
    AUDIO CONTROLS
    BASS +0.0dB
    TREBLE +0.0dB
    TILT EQ  +0.0dB
    LOUDNESS OFF
    BALANCE 
    FADER 
    ZONE2 BALANCE  
    LOUDNESS ON
    ON
    OFF
    LOUDNESSON, OFF
    Controls the amount of low-frequency boost that is automatically
    applied to the Main Zone audio output connectors labeled Front
    L/R, Center, and Subwoofer. When set to ON, loudness
    compensation is automatically applied based on volume level. As
    volume level increases, the amount of boost automatically
    decreases. The loudness contour is optimized for sources calibrated
    to THX reference levels. When set to OFF, no loudness
    compensation is applied. The graph shown on the right of the next
    page illustrates the frequency response that is automatically
    applied when the LOUDNESS parameter is set to ON and Main
    Zone volume level is adjusted.
    LOUDNESSAUDIO CONTROLS 
    						
    							AUDIO CONTROLSSDP-5
    4-5
    10 20 50 100 200 500 1k2k 5k 10k 20k
    Hz
    +3.0
    +2.8
    +2.6
    +2.4
    +2.2
    +2.0
    +1.8
    +1.6
    +1.4
    +1.2
    +1.0
    +0.8
    +0.6
    +0.4
    +0.2
    -0.0
    -0.2
    -0.4
    -0.6
    -0.8
    -1.0
    -1.2
    -1.4
    -1.6
    -1.8
    -2.0
    -2.2
    -2.4
    -2.6
    -2.8
    -3.0+3.0
    +2.8
    +2.6
    +2.4
    +2.2
    +2.0
    +1.8
    +1.6
    +1.4
    +1.2
    +1.0
    +0.8
    +0.6
    +0.4
    +0.2
    +0.0
    -0.2
    -0.4
    -0.6
    -0.8
    -1.0
    -1.2
    -1.4
    -1.6
    -1.8
    -2.0
    -2.2
    -2.4
    -2.6
    -2.8
    -3.0
    TILT EQ Parameter Settings
    The TILT EQ parameter (previous page) controls the amount of tilt equalization
    applied to the Main Zone audio output connectors labeled Front L/R, Center, and
    Subwoofer.
    10 20 50 100 200 5001k 2k 5k 10k 20k
    Hz
    dB
    0
    0
    +12
    0
    0
    +9
    0
    0
    +6
    0
    0
    +3
    0
    0
    LOUDNESS Parameter Settings
    The LOUDNESS parameter (previous page) controls the amount of low-frequency
    boost that is automatically applied to the Main Zone audio output connectors labeled
    Front L/R, Center, and Subwoofer.
    . . . AUDIO CONTROLS continues on page 4-6 
    						
    							ZONE2 BALANCEL< to  to >R
    Controls the left-to-right balance of the Zone 2 audio output
    connectors.
    Note:
    When the Zone 2 command bank is activated,
    pressing the remote control FP button centers the
    ZONE2 BALANCE parameter.
    ZONE2 BALANCEAUDIO CONTROLS
    BALANCEL< to  to >R
    Controls the left-to-right balance of the Main Zone audio output
    connectors.
    FADERB< to  to >F
    Controls the back-to-front balance of the Main Zone audio output
    connectors.
    Note:
    When the Shift command bank is activated, pressing
    the remote control FP button centers the Main Zone
    BALANCE and FADER parameters.
    FADERAUDIO CONTROLS
    BALANCEAUDIO CONTROLS
    AUDIO CONTROLSJBL Synthesis
    4-6
    MAIN MENU
    MODE ADJUST
    AUDIO CONTROLS
    SETUP
    AUDIO CONTROLS
    AUDIO CONTROLS
    BASS +0.0dB
    TREBLE +0.0dB
    TILT EQ  +0.0dB
    LOUDNESS ON
    BALANCE 
    FADER 
    ZONE2 BALANCE  
    BALANCE 
    L<  >RMAIN MENU
    MODE ADJUST
    AUDIO CONTROLS
    SETUP
    AUDIO CONTROLS
    AUDIO CONTROLS
    BASS +0.0dB
    TREBLE +0.0dB
    TILT EQ  +0.0dB
    LOUDNESS ON
    BALANCE 
    FADER 
    ZONE2 BALANCE  
    FADER 
    B<  >F
    AUDIO CONTROLS(continued from page 4-5)
    ZONE2 BALANCE  
    						
    							5
    MODE ADJUST
    MODE ADJUST . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-2
    Listening Mode Activation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-2
    Preferred Listening Mode Selection Parameters • Mode and Buttons • Mode
    Family Selection Buttons
    Listening Mode Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 5-3
    L7 FILM • L7 TV • L7 MUSIC • L7 MUSIC SURR • DOLBY PLII + THX • DOLBY PLII
    MOVIE • DOLBY PLII MUSIC • DOLBY PRO LOGIC • dts NEO:6 FILM • dts NEO:6
    MUSIC • NIGHTCLUB • CONCERT HALL • CHURCH • CATHEDRAL • PANORAMA •
    PANORAMA CALIBRATION • PARTY • 2-CHANNEL • MONO LOGIC • MONO
    SURROUND • MONO • 5.1 L7 FILM • 5.1 L7 TV • 5.1 L7 MUSIC • 5.1 THX, 5.1 THX
    ULTRA2, & 5.1 THX SurEX • 5.1 THX MUSIC • DOLBY DIGITAL & DOLBY DIGITAL EX
    •5.1 2-CHANNEL • 5.1 MONO LOGIC • 5.1 MONO SURR • 5.1 MONO • dts-ES
    DECODING • dts(-ES) L7 FILM • dts(-ES) L7  MUSIC • dts THX ULTRA2 & dts-ES THX
    • dts THX Music • dts(-ES) • dts(-ES) 2-CHAN • 5.1a BYPASS • 2CH BYPASS
    Listening Mode Menu Option & Parameter Descriptions . . . . . . . . . . . . 5-28 
    						
    							MODE ADJUSTJBL Synthesis
    5-2
    MODE ADJUST
    Selecting the MAIN MENU MODE ADJUST option opens the MODE ADJUST menu shown at
    the left, which can be used to select a listening mode for adjustment. When the MODE
    ADJUST menu opens, the currently activated Main Zone listening mode is highlighted.
    Selecting a listening mode does not activate that listening mode for the current Main
    Zone input source.Rather, selecting a listening mode opens the corresponding listening
    mode menu, which can be used to customize the activated listening mode. These adjustments
    are applied when that listening mode is selected with one of the methods described in the
    Listening Mode Activation section that begins below.
    LISTENING MODE ACTIVATION
    Listening modes are available for 2-channel, Dolby Digital, dts(-ES), and analog input sources.
    The SDP-5 allows listening mode selection for all Main Zone sources. In some cases, the
    SDP-5 automatically activates a listening mode in response to certain commands. For this
    reason, it is important to understand the three methods through which listening mode
    activation occurs.
    Listening modes can be activated with:
    •the INPUT SETUP menu preferred listening mode selection parameters (3-13)
    •the front panel or remote control Mode and buttons (2-3, 2-14)
    •the remote control mode family selection buttons (2-16)
    MODE ADJUST
    L7FILM
    L7TV
    L7MUSIC
    L7MUSIC SURR
    %!PLII + THX
    %!PLII MOVIE
    %!PLII MUSIC
    %!PRO LOGIC
    dts neo:6 FILM
    dts neo:6 MUSIC
    NIGHTCLUB
    CONCERT HALL
    CHURCH
    CATHEDRAL
    PANORAMA
    PARTY
    2-CHANNEL
    MONO LOGIC
    MONO SURROUND
    MONO
    5.1 L7FILM
    5.1 L7TV
    5.1 L7MUSIC
    5.1 THXI*
    5.1 THXIMUSIC
    %!DIGITAL*
    5.1 2-CHANNEL
    5.1 MONO LOGIC
    5.1 MONO SURR
    5.1 MONO
    DTS-ES L7FILM*
    DTS-ES L7MUSIC*
    DTS-ES THX *
    DTS THXIMUSIC
    DTS-ES*
    DTS-ES2-CHAN*
    5.1a BYPASS
    2CH BYPASSMAIN MENU
    MODE ADJUST
    AUDIO CONTROLS
    SETUP
    MODE ADJUST
    *These listening mode names differ depending on
    the input source, the speaker configuration, and
    certain parameter settings. Refer to the Listening
    Mode Descriptions section that begins on the next
    page for more information. 
    						
    							Button
    Button2-Channel
    SourcesDolby Digital
    Sourcesdts(-ES)
    Sources
    MODE ADJUSTSDP-5
    5-3
    PREFERRED LISTENING MODE SELECTION
    PARAMETERS
    The INPUT SETUP menus include three preferred listening mode
    selection parameters labeled 2-CH, DOLBY D, and dts-ES. These
    parameters can be used to select a preferred listening mode for
    2-channel, Dolby Digital, and dts(-ES) input sources. The SDP-5
    automatically activates the selected listening mode whenever a
    new input is selected or a new input source is present. Refer to
    page 3-13 for more information.
    MODE AND BUTTONS
    The front panel and remote control Mode and buttons can
    be used to audition listening modes with the current Main Zone
    input source. Pressing these buttons scrolls upward () and
    downward () through listening modes available for the current
    Main Zone source. Listening modes are scrolled in the order that
    appears on the MODE ADJUST menu (5-2).
    For example, if a 2-channel input source is present, the Mode 
    and buttons scroll through available 2-channel listening modes.
    The selected listening mode appears in the bottom-left corner of
    the Main Zone two-line status (2-20).
    MODE FAMILY SELECTION BUTTONS
    The remote control mode family selection buttons can be used to
    activate the LOGIC7 Film, Dolby, dts(-ES), THX, LOGIC7 Music, or
    LOGIC7 TV listening mode that is appropriate for the Main Zone
    input source. For instance, if the L7 button is pressed while a
    2-channel source is present, the L7 FILM listening mode is
    activated. The table at the top of the next column indicates  the
    listening modes associated with each mode family selection
    button.
    LISTENING MODE DESCRIPTIONS
    Listening mode descriptions begin on the next page. The table
    beneath each description lists the default and possible settings for
    each listening mode menu parameter. All listening mode menus
    are shown in the Appendix, beginning on page A-10. Listening
    mode menu option and parameter descriptions begin on page
    5-28.
    Music
    TV
    L7 FILM 5.1 L7 FILM dts(-ES) L7 FILM
    dts(-ES)
    dts-ES THX DOLBY DIGITAL*
    5.1 THX* MODE SELECTION
    NOT AVAILABLE**MODE SELECTION
    NOT AVAILABLE**
    MODE SELECTION
    NOT AVAILABLE** DOLBY PLII MOVIE
    dts NEO:6 FILM
    DOLBY PLII + THX
    L7 MUSIC 5.1 L7 MUSIC dts(-ES) L7 MUSIC
    L7 TV 5.1 L7 TV
    *These listening mode names differ depending on the input source, the speaker
    configuration, and certain parameter settings.
    ** The MODE SELECTION NOT AVAILABLE message appears on the on-screen and
    front panel displays when no listening mode is available for the Main Zone input
    source that is present. 
    						
    							MODE ADJUSTJBL Synthesis
    5-4
    L7 FILM
    •A proprietary listening mode.
    •Designed for enhanced playback of 2-channel stereo or matrix-
    encoded film sources.
    •Derives seven channels from 2-channel input sources, as well as
    full-frequency stereo surround channels that realistically
    increase the perceived width, length, and sense of envelopment
    of the listening space.
    •Provides remarkable improvement compared to other
    decoders.
    •Recommended for 2-channel film sources.
    Option/ Default Possible
    Parameter Setting Settings
    AUTO AZIMUTH ON ON, OFF
    VOCAL ENHANCE +0.0dB +6.0dB, +3.0dB, +0.0dB
    RE-EQUALIZER ON ON, OFF
    SOUND STAGE REAR FRONT, NEUTRAL, REAR
    5 SPKR ENHANCE OFF ON, OFF
    BASS ENHANCE OFF ON, OFF
    SURR ROLLOFF 15.3kHz 500Hz to 20.0kHz, OFF
    REAR DLY OFFSET 15ms OFF, 1 to 30ms
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu option and parameter descriptions begin on page 5-28.
    L7 TV
    •A proprietary listening mode.
    •Based on the L7 FILM listening mode, but specifically
    tailored for broadcast sources.
    •Designed for playback of 2-channel stereo or matrix-encoded
    broadcast sources.
    •Recommended for 2-channel broadcast sources.
    Option/ Default Possible
    Parameter Setting Settings
    AUTO AZIMUTH ON ON, OFF
    VOCAL ENHANCE +0.0dB +6.0dB, +3.0dB, +0.0dB
    FRONT STEERING FILM OFF, MSURR, MUSIC, FILM
    RE-EQUALIZER OFF ON, OFF
    SOUND STAGE REAR FRONT, NEUTRAL, REAR
    5 SPKR ENHANCE OFF ON, OFF
    BASS ENHANCE OFF ON, OFF
    SURR ROLLOFF 15.3kHz 500Hz to 20.0kHz, OFF
    REAR DLY OFFSET 15ms OFF, 1 to 30ms
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu option and parameter descriptions begin on page 5-28.
    MODE ADJUSTL7FILMMODE ADJUSTL7TV 
    						
    							MODE ADJUSTSDP-5
    5-5
    L7 MUSIC
    •A proprietary listening mode.
    •Designed for playback of 2-channel stereo or matrix-encoded
    music sources.
    •Recommended for 2-channel music sources.
    Option/ Default Possible
    Parameter Setting Settings
    VOCAL ENHANCE +0.0dB +6.0dB, +3.0dB, +0.0dB
    FRONT STEERING MUSIC OFF, MSURR, MUSIC, FILM
    SOUND STAGE NEUTRAL FRONT, NEUTRAL, REAR
    5 SPKR ENHANCE OFF ON, OFF
    BASS ENHANCE OFF ON, OFF
    SURR ROLLOFF 15.3kHz 500Hz to 20.0kHz, OFF
    REAR DLY OFFSET 15ms OFF, 1 to 30ms
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu option and parameter descriptions begin on page 5-28.
    L7 MUSIC SURR
    •A proprietary listening mode.
    •Designed for playback of 2-channel stereo music sources
    recorded in real spaces and for playback of recordings that
    contain added reverb.
    •Extracts ambient sounds from the input source and sends these
    sounds to all speakers. Ambient sounds are heard from all
    directions, creating a realistic playback presentation that
    simulates what listeners experience in real spaces.
    •Recommended for classical music sources, which are often
    recorded in real spaces with added reverb to enhance the
    stereo mix.
    Option/ Default Possible
    Parameter Setting Settings
    VOCAL ENHANCE +0.0dB +6.0dB, +3.0dB, +0.0dB
    FRONT STEERING MSURR OFF, MSURR, MUSIC, FILM
    SOUND STAGE NEUTRAL FRONT, NEUTRAL, REAR
    5 SPKR ENHANCE OFF ON, OFF
    BASS ENHANCE OFF ON, OFF
    SURR ROLLOFF 15.3kHz 500Hz to 20.0kHz, OFF
    REAR DLY OFFSET 15ms OFF, 1 to 30ms
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu option and parameter descriptions begin on page 5-28.
    MODE ADJUSTL7MUSICMODE ADJUSTL7MUSIC SURR 
    						
    							MODE ADJUSTJBL Synthesis
    5-6
    DOLBY PLII MOVIE
    •Similar to the DOLBY PRO LOGIC listening mode, but uses
    full-frequency stereo surround channels to realistically increase
    the perceived width of the listening space.
    •Designed for playback of Dolby Surround-encoded sources.
    •Decodes five channels from Dolby Surround-encoded sources.
    •Provides impressive enhancement compared to Dolby
    Pro Logic decoding.
    •Appropriate for Dolby Surround-encoded film sources.
    Option/ Default Possible
    Parameter Setting Settings
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu option and parameter descriptions begin on page 5-28.
    DOLBY PLII + THX 
    •Designed for playback of Dolby Surround-encoded sources.
    •Uses Dolby Pro Logic II decoding to derive five channels from
    Dolby Surround-encoded sources.
    •Applies THX re-equalization to simulate high-frequency rolloffs
    that occur in movie theaters. Most films are mixed for movie
    theaters, and might sound too bright when played back in
    home theaters without re-equalization.
    •Applies THX timbre matching to minimize timbre differences
    between the front and surround channels, which results in
    smoother sound movements between them.
    •Recommended for home theaters with THX-certified
    loudspeakers.
    Option/ Default Possible
    Parameter Setting Settings
    RE-EQUALIZER ON ON, OFF
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu option and parameter descriptions begin on page 5-28.
    MODE ADJUST%!PLII + THXIMODE ADJUST%!PLII MOVIE 
    						
    							MODE ADJUSTSDP-5
    5-7
    DOLBY PLII MUSIC
    •Similar to the DOLBY PLII MOVIE listening mode.
    •Designed for playback of stereo music sources. 
    Option/ Default Possible
    Parameter Setting Settings
    PANORAMA OFF ON, OFF
    CTR WIDTH 3 MIN, 1 to 6, MAX
    DIMENSION NEUTRAL FRONT, NEUTRAL, REAR
    SURROUND DLY 10ms 0 to 15ms
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu parameter descriptions begin on page 5-28.
    DOLBY PRO LOGIC
    •Designed for playback of Dolby Surround-encoded sources.
    •Decodes four channels from Dolby Surround-encoded sources. 
    •Uses a mono surround channel with a high-frequency rolloff
    above 7kHz. 
    •Available for comparison purposes, particularly with the L7
    FILM, DOLBY PLII MOVIE, and dts NEO:6 FILM listening
    modes.
    Option/
    Parameter
    OUTPUT LEVELS
    CUSTOM
    Listening mode menu parameter descriptions begin on page 5-28.
    MODE ADJUST%!PLII MUSICMODE ADJUST%!PRO LOGIC 
    						
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