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Yamaha Dtxpress 2 Instruction Manual

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    							11
    This mode contains various settings related to trigger
    input from the pads and trigger sensors that are con-
    nected to the DTXPRESS II.
    It allows you to adjust pad sensitivity and assign drum
    voices to each trigger input. Trigger Setup data consists
    of five preset types (No. 1-5) and four original setup types
    (No. 6-9) for storing user setup data.
    What you can do with the Trigger Setup Edit
    Mode
    The Trigger Setup Edit Mode lets you alter a variety of settings for
    each of the trigger inputs jacks (1-10) of the Trigger Setup.
    You can edit both preset (No. 1-5) and user Trigger Setups (No. 6-
    9).
    The edited Trigger Setup can be stored in a User Trigger Setup
    (No. 6-9) using the Store Operation.
    * Selecting another Trigger Setup before storing your changes
    will result in the data reverting to its default settings.
    * Data cannot be stored to preset Trigger Setup (No. 1- 5).
     Entering the Trigger Setup Edit Mode
    Hold the [SHIFT] button and press the [TRIG] button on the front
    panel.
    Once the Trigger Setup Edit Mode is entered, the INPUT
    parameter’s main page (pad type), shown below, will be displayed.
    5.Use the [VALUE–], [VALUE+] buttons to set the
    parameter’s value or ON/OFF setting.
    * Once a setting is changed, “*” will appear on the display next
    to “TRIG”. After data is saved, the mark will disappear.
    Trigger Setup Edit Mode
     What’s in the Trigger Setup Edit Mode
    The Trigger Setup Edit Mode is divided into two sub-groups.
    1. INPUT Parameters ...............................mP.  1 2
    Contains specific settings for each pad (1-10).
    2. COMMON Parameters .........................mP.  1 4
    Contains common settings for all pad inputs.
    Procedure
    1.Press the [TRIG] button to enter the Trigger Setup dis-
    play, then select the trigger setup you want to edit.
    2.Hold the [SHIFT] button and press the [TRIG] button to
    enter the Trigger Setup Edit mode.
    3.Use the [PAGE], [PAGE] buttons to display the list
    you want to edit.
    * If the Utility mode’s [2-4. Jump to Recent Page] parameter (P.
    29) is set to “on”, the DTXPRESS II will display the page last
    edited when entering the Trigger Setup Edit mode.
    4.Use the [SEL] buttons to move the cursor to
    the list you want to edit. The list will flash.
    * If there is only one list, it is not necessary to move the cursor.
    TRIG IN= 1
    Type=  KP
    6.To store changes in the User Trigger Setup, use the fol-
    lowing procedure.
    * The changes you made will be lost if another trigger setup is
    selected before your changes have been stored.
    6-1.Press the [SAVE/ENT] button. The following display will
    appear.
    6-2.Use the [VALUE–], [VALUE+] buttons to assign the User
    Trigger Setup number (6-9) (located next to “To=”) for
    storing your changes. The number and setup name will
    appear.
    6-3.Press the [SAVE/ENT] button, the following display will
    appear asking for confirmation before the store opera-
    tion is carried out.
    6-4.Press the [SAVE/ENT] or [VALUE+] button, the store
    operation will be carried out.
    * Press the [VALUE–] button to cancel the store opera-
    tion.
    The following display will appear after the store opera-
    tion is completed.
    Trigger Setup Edit Mode Function List
    Page
    1. INPUT Parameters .................................................. 12
    1-1. Pad Type .......................................................... 12
    1-2. Gain, Minimum Velocity ................................... 12
    1-3. Velocity Curve ................................................. 13
    1-4. Self Rejection, Rejection ................................. 13
    1-5. Specific Rejection ............................................ 13
    1-6. Copy Input ....................................................... 13
    2. COMMON Parameters ............................................ 14
    2-1. Increment/Decrement ...................................... 14
    2-2. Input Exchange ............................................... 14
    2-3. Trigger Setup Name ........................................ 14
    TRIG*IN= 1
    Type=  KP
    Store Trigger
    To= 6 InitTrig
    Store TRG to 6
     Are you sure ?
     Complete ! 
    						
    							12
    TRIG IN= 1
    Type=  KP
    w
    q
    TRIG IN= 1 ( 0%)
    Gain=64 MVel= 32 Level Display
    w
    e
    q
    Trigger Setup Edit Mode
    Rim 1 Rim 2
    1.  INPUT Parameters
    Contains specific settings for each of the pads (1-10).
    This function is divided into the following 6 pages.
    1-1. Pad Type .......................................................... 12
    1-2. Gain, Minimum Velocity ................................... 12
    1-3. Velocity Curve ................................................. 13
    1-4. Self Rejection, Rejection ................................. 13
    1-5. Specific Rejection ............................................ 13
    1-6. Trigger Setup Copy .......................................... 13
    1-1.  Pad Type
    Sets the type of pad or trigger sensor that is connected to the trig-
    ger input jack q. By selecting the appropriate pad type, pad func-
    tions can be used to their full potential.
    q TRIG IN (Trigger Input Number)
    [Range] 1-10
    Assigns the trigger input jack number for the pad you want to edit.
    * According to the setting in the utility mode’s [2-1. Learn Mode]
    (P. 29) trigger input jack numbers can be assigned by hitting the pad.
    w Type  (Pad Type)
    Sets the type of pad that is connected to the trigger input jack
    assigned in q TRIG IN.
    * Values set in [1-2. Gain, Minimum Velocity] (P. 12) and [1-4. Self
    Rejection] (P. 13) will automatically select the proper value for
    the pad type you set here.
    * The “HH contrler” can only be assigned to Input Jack 1. Con-
    nect the Hi-hat Controller HH60, HH80 or HH80A to Input Jack 1
    and set to “HH contrler” to use in place of a kick pedal.
    Use a cable with a stereo plug when connecting a Hi-hat controller.
    Pad types are defined as follows.
    KPKP80S/80/65/60, SKP120
    TP65-1TP65S/65 (mainly used as a snare pad) *1
    TP65-2TP65S/65 (mainly used as a tom pad) *1
    TP80-1TP80S/80 *2
    TP80-2TP80S/80 *2
    TP60TP60
    RHP padRHP series (pad side) *3
    RHP rimRHP series (rim side) *3
    SHP-1SHP series (mainly used as a snare pad) *1
    SHP-2SHP series (mainly used as a tom pad) *1
    PCY65PCY65S/65
    PCY80PCY80S/80
    PCY60PCY60
    PCY10PCY10
    PCY150PCY150 *4
    RHHRHH120
    BP80BP80 *5
    DT snareDT series drum trigger (for a snare drum)
    DT hi tomDT series drum trigger (for small toms)
    DT lo tomDT series drum trigger (for large toms)
    DT kick 1DT series drum trigger (for a bass drum)
    misc 1 - 6Another manufacturer’s pad 1 - 6.
    HH contrlerHH series controller connected to Input 1 and
    used as a kick pedal.
    *1 When the TP65S/SP is connected to Input
    2/6/7, its 3-zone function is available (pad
    x 1, rim sound x 2). If the pad is connected
    to any other input, the rim will produce only
    one sound.
    For closed rim shots, the sensitivity for rim
    1 on the TP65-1 and SHP-1 is set to high.
    Sensitivity settings for right and left rims
    are the same on the TP65-2 and SHP-2.
    *2 When the TP80S is connected to Input 2/6/7, the voice assigned
    to rim 1 will be produced by the TP80-1 (Input 2:snrR1, Input
    6:rideE, Input 7:crashE) while the voice assigned to rim 2 will
    be produced by the TP80-2 (Input 2:snrR2, Input 6:rideC, Input
    7:crashC). (Refer to page 16.)
    *3 To use an RHP series pad as a stereo pad, connect to Input 9/10
    and set the pad type on Input 9 to RHP pad and the pad type on
    Input 10 to RHP rim.
    *4 When the PCY150 is  connected to Input 2/6/7, 3-zone function is
    available.
    *5 To use the BP80 as a stereo pad, connect the pad to Input 9/10.
    1-2.  Gain, Minimum Velocity
    This function sets the input sensitivity (Gain) and velocity range
    (Minimum Velocity) for each input jack q.
    q TRIG IN (Trigger Input Number)
    Assigns the trigger input jack number. (The same procedure as in
    [1-1. Pad Type]).
    w GAIN (Input Gain)
    [Range] 0-99
    Adjusts the input gain level (minimum sensitivity) for the trigger
    input jack assigned in step q TRIG IN.
    Entering a larger value here allows smaller input levels to sound
    the voice.
    * This value will be automatically set after the appropriate pad
    type is set in [1-1. Pad Type]. Some fine-tuning of the value will
    be necessary.
    e MVel (Minimum Velocity)
    [Range] 1-127
    Sets the MIDI Velocity (volume) that is transmitted when the pad
    is hit the weakest. Large values will produce a high volume level
    even if the pad is hit softly. However, this will result in a narrow
    volume range making it difficult to adequately produce wider dy-
    namic levels.
    If “
    HH contrler” is set for the pad type, the value set here will
    be transmitted as the velocity.
    The trigger input level will be displayed as a % in the upper right 
    						
    							13
    hand corner of the display. The maximum velocity (input level
    99%) will be 127. The level is low when the pad is hit the weakest
    so a wider dynamic range will be possible.
    * This value will be automatically set after the appropriate pad
    type is set in [1-1. Pad Type]. Some fine-tuning of the value will
    be necessary.
    1-3.  Velocity Curve
    This function sets the MIDI Velocity Curve for the sensitivity for
    each input jack q.
    1-5.  Specific Rejection
    This function prevents cross talk from occurring between two speci-
    fied input jacks q and e.
    q TRIG IN (Trigger Input Number)
    Assigns the trigger input jack number (the same procedure as in
    [1-1. Pad Type]).
    w VelCurve (Velocity Curve)
    Sets the Input Velocity Curve for the trigger input jack assigned in
    TRIG IN q.
    1-4.  Self Rejection, Rejection
    This function is used to prevent double triggers* and cross talk
    (mixed input signals between the jacks) for each input jack q.
    * double trigger: When 2 sounds are played at the same time.
    q TRIG IN (Trigger Input Number)
    Assigns the trigger input jack number (the same procedure as in
    [1-1. Pad Type]).
    w SelfRej (Self Rejection)
    [Range] 0-9
    Prevents double triggers from occuring in the input jack assigned
    in TRIG IN q. After an event is detected, further events will be
    automatically muted for a certain length of time. Larger values set
    longer times.
    e Rej (Rejection)
    [Range] 0-9
    Prevents cross talk from occuring in the input jack assigned in
    TRIG IN q. Events triggered by other pads (input jacks) that are
    of a lower input value than what is set here will not be delivered
    for a set length of time.q TRIG IN (Trigger Input Number)
    Assigns the trigger input jack number (the same procedure as in
    [1-1. Pad Type]).
    w SPCRej (Specific Rejection)
    [Range] 0-9
    After an event occurs from the pad from the input jack assigned in
    e, the pad of the input jack assigned in TRIG IN q will not
    sound for a certain length of time unless the level is greater than
    the value assigned here.
    e frm (Assigned Destination Trigger Input Number)
    [Range] 1-10, 6&7
    Sets the destination trigger input jack number of the pad that will
    be rejected. When “6&7” is selected, both trigger inputs 6 and 7
    will be assigned.
    1-6.  Trigger Setup Copy
    This function copies all data settings in [1-1. Pad Type] to [1-5.
    Specific Rejection] from input jack q to another input jack w.
    When the Trigger Setup Copy operation is carried
    out, the trigger setup data will be replaced with the
    settings of the copy source.
    q TRIG IN (Trigger Input Number)
    Sets the trigger input jack number (1-10) of the pad copy source.
    wCopy to Input (
    Trigger Input Number Copy Destination)
    Sets the trigger input jack number (1-10) of the copy destination.
    Procedure
    1.In the display shown above, assign the copy source and
    copy destination, press the [SAVE/ENT] button. The fol-
    lowing display will appear asking for confirmation before
    the copy operation is carried out.
    TRIG IN= 1
    VelCurve= normal
    w
    q
    TRIG IN= 1
    SelfRej=2 Rej= 3
    we
    q
    TRIG IN= 1
    SPCRej=0 frm=  1q
    e
    TRIG IN= 1
    Copy to Input= 1
    w
    q
    Trigger Setup Edit Mode
    normalhard 2 hard 1
    loud1 loud 2
    Input Copy to 1
     Are you sure ?
    2.Press the [SAVE/ENT] or [VALUE+] button, the copy
    operation will be carried out.
    * Press the [VALUE-] button to cancel the copy operation.
    When the copy operation is complete, “Complete!” will appear.
    w
    Strength
    of hitm
    Velocitym 
    						
    							14
    2.  COMMON Parameters
    Contains common settings for all pad inputs (1-10).
    This group is divided into the following 3 pages.
    2-1. Increment/Decrement ...................................... 14
    2-2. Input Exchange ............................................... 14
    2-3. Trigger Setup Name ........................................ 14
    2-1.  Increment / Decrement
    This sets the pad function that allows the currently selected drum
    kit number to be increased or decreased by 1 by hitting the speci-
    fied pad.
    q Incin (Pad for Increment)
    [Range] —, 1-10
    Assigns the trigger input jack number that is set for the increment
    (+1) function. “--” will appear when this function is not assigned
    to the pad.
    w Decin (Pad for Decrement)
    [Range] —, 1-10
    Assigns the trigger input jack number that is set for the decrement
    (-1) function. “--” will appear when this function is not assigned
    to the pad.
    * Even when the drum kit is changed, the pads connected to the
    assigned trigger input jacks will retain their increment/decre-
    ment functions. To assign this function to each drum kit, refer to
    the Drum Kit Voice Edit mode’s [2-6. Function] (P. 20)
    2-2.  Input Exchange
    Switches the trigger signal from the pads between trigger input
    jacks 1 and 9/10.
    When the input jack 9 pad is hit.
    m This event will be recognized as a signal from the input jack
    1 pad (as if a trigger were received from input jack 1) and
    operate accordingly.
    When the input jack 10 pad is hit.
    m This event will be recognized as a signal from the input jack
    9 pad (as if a trigger were received from input jack 9) and
    operate accordingly.
    TRIG Common
    In Excg=  normal
    TRIG Common
    IncIn= 4DecIn= 5
    qw
    q
    TRIG Common
    TrgName=Medium
    q
    Trigger Setup Edit Mode
    2-3.  Trigger Setup Name
    Changes the name of the currently selected (currently being ed-
    ited) Trigger Setup.
    q TrgName (Trigger Setup Name)
    Procedure
    1.In the display shown above, use the [SEL] but-
    tons to move the cursor to the character you want to
    change.
    2.Use the [VALUE–]/[VALUE+] buttons to select the alpha-
    bet, number or symbol.
    3.Repeat steps 1 and 2 above to create the Trigger Setup
    name using a maximum of 8 characters.
     The available characters to choose from are (in order):
    space
    !"#$%&'()*+,-./0123456789:;?@
    ABCDEFGHIJKLMNOPQRSTUVWXYZ[\]^_`
    abcdefghijklmnopqrstuvwxyz{|}ßå
    q In Excg (Input Exchange)
    normal: Normal operation.
    In10,1/9: The signals from Input Jacks 1 and 9/10 are switched.
    When the input jack 1 pad is hit.
    m This event will be recognized as a signal from the input jack
    10 pad (as if a trigger were received from input jack 10) and
    operate accordingly.
    When the input jack 1 rim is hit.
    m Normal operation. This event will be recognized as a signal
    from the input jack 1 rim. 
    						
    							15
    Drum Kit Voice Edit Mode
    This mode lets you set which voice and how it will be
    triggered for each pad (trigger input source) in the cur-
    rently selected drum kit.
    What you can do with the Drum Kit Voice
    Edit Mode
    This mode contains various settings related to the currently se-
    lected drum kit (data in the edit buffer for the drum kit).
    You can edit both preset (No. 1-48) and user drum kits (No. 49-
    80).
    The edited drum kit can be stored in a User Drum Kit (No. 49-80)
    using the Store Operation.
    * Selecting another drum kit before storing your changes will re-
    sult in the data reverting to its default settings.
    * Data cannot be stored to preset drum kits (No. 1- 48).
      Entering the Drum Kit Voice Edit Mode
    Press the [VOICE] button on the front panel.
    Once the Drum Kit Voice Edit Mode is entered, the Voice Param-
    eter main page (Voice) shown below will be displayed.
    4.Use the [SEL] buttons to move the cursor to
    the parameter you want to edit. The parameter will flash.
    * If there is only one parameter, it is not necessary to move the
    cursor.
    5.Use the [VALUE–]/[VALUE+] buttons to set the
    parameter’s value or ON/OFF setting. Pressing the
    [VOICE] button lets you listen to the Drum Kit Voice while
    editing.
    * Once a setting is changed, “*” will appear on the display next
    to “KIT”. After data is stored, the mark will disappear.
      What’s in the Drum Kit Voice Edit Mode
    The Drum Kit Voice edit Mode is divided into the following five
    sub-groups.
    1.Voice Parameters .............................. (m P. 16)
    Sets the voice for each input source of the pad.
    2. Input Common Parameters ............. (m P. 19)
    Common settings related to the 2 layers for each
    pad input source’s voice parameter.
    3. Reverb Parameters .......................... (m P. 21)
    Sets the internal reverb effect.
    4. Setup ................................................. (m P. 22)
    When the drum kit is selected, this function cop-
    ies the drum kit voice settings and MIDI transmit
    settings.
    5. Drum Kit Common Parameters ...... (m P. 23)
    Common settings for the entire drum kit.
    Procedure
    1.Press the [DRUMKIT] button to enter the Drum Kit dis-
    play, then select the drum kit you want to edit.
    2.Press the [VOICE] button to enter the Drum Kit Voice
    Edit Mode.
    3.Use the [PAGEs], [PAGEt] buttons to display the page
    you want to edit.
    * If the Utility Mode’s [2- 4. Jump to Recent Page] (P. 29) pa-
    rameter is set to “on”, the DTXPRESS II will display the page
    last edited when entering the Drum Kit Voice Edit Mode.
    KIT IN=kick  V=1
    =K/017 BDaftty1
    6.To store your changes in a User Drum Kit, use the Store
    Operation described below.
    * The changes you made will be lost if another drum kit is se-
    lected before your changes have been stored.
    6-1.Press the [SAVE/ENT] button. The following display will
    appear.
    6-2.Use the [VALUE-]/[VALUE+] buttons to assign the Drum
    Kit number (49-80) (located next to “To=”). The num-
    ber and drum kit name will appear.
    6-3.Press the [SAVE/ENT] button, the following display will
    appear asking for confirmation before the store opera-
    tion is carried out.
    6-4.Press the [SAVE/ENT] or [VALUE+] button, the store
    operation will be carried out.
    * Press the [VALUE-] button to cancel the store opera-
    tion.
    The following display will appear after the store opera-
    tion is complete.
    KIT*IN=kick  V=1
    =K/019 MapleA20
    Store Drumkit
    =49   User Kit
    Store KIT to= 49
     Are you sure ?
    Complete ! 
    						
    							16
    Drum Kit Voice Edit Mode
    Drum Kit Voice Edit Mode Function List
    Page
    1. Voice Parameters .................................................... 16
    1-1. Voice ................................................................ 17
    1-2. Volume, Pan .................................................... 17
    1-3. Tuning .............................................................. 17
    1-4. Layer Balance .................................................. 18
    1-5. Decay, Cutoff Frequency ................................. 18
    1-6. Note Number ................................................... 18
    1-7. Channel, Gate Time ........................................ 18
    2. Input Common Parameters .................................... 19
    2-1. Cross Fade ...................................................... 19
    2-2. Reverb Send .................................................... 19
    2-3. Alternate Group, Key Assign Mode ................. 19
    2-4. Hold Mode ....................................................... 20
    2-5. Key Off Enable ................................................ 20
    2-6. Function ........................................................... 20
    2-7. Pad Song ......................................................... 20
    2-8. Rim to Pad ....................................................... 21
    3. Reverb Parameters ................................................. 21
    3-1. Reverb Type, Time ........................................... 21
    3-2. Reverb Master Return ..................................... 21
    4. Setup ....................................................................... 22
    4-1. Program Change, Bank Select ........................ 22
    4-2. Volume, Pan .................................................... 22
    4-3. Drum Kit Voice Copy ....................................... 22
    5. Drum Kit Common Parameters ............................. 23
    5-1. Volume ............................................................ 23
    5-2. Drum Reverb Send .......................................... 23
    5-3. Hi-Hat Sensitivity ............................................. 23
    5-4. Song Select ..................................................... 23
    5-5. Drum Kit Name ................................................ 23
    1.  Voice Parameters
    Sets the voice for each input source of the pad.
    The Input Source is trigger data that is transmitted by the pads or
    trigger sensors connected to input jacks 1-10 of the DTXPRESS II.
    When monaural pads TP60/65/80, KP60/80, PCY60/80, DT10/20,
    etc. are used, one Input Source will be assigned to one input jack.
    When stereo pads TP65S/80S, PCY65S/80S, etc. are used, two
    Input Sources (pad input and rim switch input or 2 kinds of pad
    input, etc.) will be assigned to one input jack.
    When a 3-zone pad such as the TP65S, etc., is used, three Input
    Sources (two pad inputs and a rim switch, etc.) will be assigned to
    one input jack.
    The Voice Parameter is divided into the following 7 pages.
    1-1. Voice ................................................................ 17
    1-2. Volume Pan ..................................................... 17
    1-3. Tuning .............................................................. 17
    1-4. Layer Balance .................................................. 18
    1-5. Decay, Cutoff Frequency ................................. 18
    1-6. Note Number ................................................... 18
    1-7. Channel, Gate Time ........................................ 18
    Select the Input Source for Editing
    In Voice Parameter edit display, first it is necessary to select the
    input source q for editing.
    Also, 2 voices/key on events/occurrences (2 voices delivered with
    one strike of the pad) can be assigned to one trigger input. This use
    is called “2 layer”. When a 2 layer is used, assign the layer number
    w that is used.
    q IN (Input Source)
    Each Input Source is defined as follows.
    kickPad input for Trigger Input Jack 1.
    kickRRim switch input for Trigger Input Jack 1.
    snarePad input for Trigger Input Jack 2.
    snrR1Rim switch 1 input for Trigger Input Jack 2.
    snrR2Rim switch 2 input for Trigger Input Jack 2.
    tom1Pad input for Trigger Input Jack 3.
    tom1RRim switch input for Trigger Input Jack 3.
    tom2Pad input for Trigger Input Jack 4.
    tom2RRim switch input for Trigger Input Jack 4.
    tom3Pad input for Trigger Input Jack 5.
    tom3RRim switch input for Trigger Input Jack 5.
    ridePad input for Trigger Input Jack 6.
    rideEEdge rim switch input for Trigger Input Jack 6.
    rideCCup switch input for Trigger Input Jack 6.
    crashPad input for Trigger Input Jack 7.
    crashEEdge rim switch input for Trigger Input Jack 7.
    crashCCup switch input for Trigger Input Jack 7.
    KIT IN=kick  V=1
    =K/019 MapleA20
    qw 
    						
    							17
    Drum Kit Voice Edit Mode
    openPad input (when the hi-hat controller is not fully closed)
    for Trigger Input Jack 8.
    openRRim switch input (when the hi-hat controller is not fully
    closed) for Trigger Input Jack 8.
    closePad input (when the hi-hat controller is fully closed)
    for Trigger Input Jack 8.
    closeRRim switch input (when the hi-hat controller is fully
    closed) for Trigger Input Jack 8.
    footClEvent when the hi-hat controller is depressed for Trig-
    ger Input Jack 8.
    splashSplash event for the hi-hat controller for Trigger Input
    Jack 8.
    pad 9Pad input for Trigger Input Jack 9.
    pad 10Pad input for Trigger Input Jack 10.
    * According to the setting in the Utility Mode’s [2-1. Learn Mode]
    (P. 29), the input source can be assigned by hitting the pad.
    * Monaural pads do not have a rim switch function.
    w Layer Number
    [Range] 1, 2, -
    When 2 layers are used, use this setting to select which layer (“1”
    or “2”) will be set.
    When only 1 voice is set, “--” will appear and you will not be
    able to switch.
    * Use the [1-1. Voice] display to set whether 2 layer or 1 voice will
    be used.
    If the same MIDI note number is set to more than one pad
    within the same drum kit, the lowest numbered Trigger
    Input Jack will take priority. Regardless of which pad is
    struck, the same voice (setting) will be delivered.
    1-1.  Voice
    This function assigns the voice (drum voice) e for each input
    source q. Two voices w can be assigned for simultaneous deliv-
    ery to 1 input source (when the pad is hit once).
    q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for the setting. (Refer to P. 16)
    Sets whether 2 layer or 1 voice will be used in this display. Only
    “1” or “2” can be selected in the Layer Number.
    e Voice  Category
    Selects the drum voice category that will be delivered by Layer 2
    of Input Source q.
    Each of the following characters indicates a drum voice category.K: Acoustic  Kick
    k: Electric Kick
    S: Acoustic  Snare
    s: Electric Snare
    T: Acoustic Tom
    t: Electric Tom
    C: Cymbal
    q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for setting. (Refer to P. 16)
    e Vol  (Volume)
    [Range] 0-127
    r Pan
    [Range] L64 to C to R64
    1-3.  Tuning
    This function sets the pitch for each drum voice that is delivered
    by each layer w of the input source q.
    q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for setting. (Refer to P. 16)KIT IN=kick  V=2
    =K/017 BDaftty1*
    er
    q
    KIT IN=kick  V=1
    Vol= 120 Pan= C
    er
    qw
    KIT IN=kick  V=1
    Tune C=  0 F=  0
    er
    qw
    w
    H: Hi-hat
    P: Percussion
    E: Effect 1
    e: Effect 2
    L: Drum Loop
    m: misc. voices
    r Voice Number Voice Name
    Selects the assigned voice. The Voice Number (1-127) and Voice
    Name will be displayed. When 2 Layer is selected, “*” will be
    displayed next to the Voice Name.
    When “0” is selected, “NoAssign” will be displayed in place of
    the Voice Name and no sound will be delivered.
    * Refer to the [Drum Voice List] (P. 38).
    1-2.  Volume, Pan
    This function sets the Volume e and Pan r (the position in the
    stereo field) for each drum voice that is delivered by each layer w
    of the input source q. 
    						
    							18
    1-4.  Layer Balance
    When a drum voice is made up of 2 layers (a single voice consist-
    ing of 2 voice waves), this function sets the volume balance be-
    tween the 2 layers that are delivered by each layer w of the input
    source q.
    * When only a 1 layer voice is set, this setting will be ignored.
    1-6.  Note Number
    This function sets the MIDI note number for each layer w that is
    transmitted when a signal is received from the input source q.
    Drum Kit Voice Edit Mode
    q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for the setting. (Refer to P. 16)
    e LayerBalance (Layer Balance)
    [Range] –64 to 0 to +63, ---
    Sets the volume balance between 2 layers.
    * When the drum voice has only 1 layer “---” will appear in the
    display and settings cannot be carried out.
    1-5.  Decay, Cutoff Frequency
    This function sets the drum voice decay, the filter’s cutoff frequency
    and adjusts the tone of each voice that is delivered by each layer
    w of the input source q.
    q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for the setting. (Refer to P. 16)
    e Decay
    [Range] –64 to 0 to +63
    Positive values will produce a clearer sound.
    r Fc (Cutoff Frequency)
    [Range]) –64 to 0 to +63
    A positive value will produce a brighter sound, negative values
    will produce a rounder sound.q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for the setting. (Refer to P. 16)
    e Note# (MIDI Note Number)
    [Range] 0-127 (C-2 to G8)
    Sets the MIDI note number. The note number and voice name will
    be displayed.
    * When the selected MIDI note number has already been assigned
    to another input source, “*” will be displayed next to “Note#=”.
    1-7.  Channel, Gate Time
    This function sets the MIDI transmit channel and gate time (the
    length of time from key on to key off) for the MIDI note on data of
    each layer w  that is transmitted when a signal is received from
    the input source q.
    KIT IN=kick  V=1
    LayerBalance=+10
    e
    qw
    KIT IN=kick  V=1
    Decay=  0 Fc=  0
    er
    qw
    KIT IN=kick  V=1
    Note#=  33(A 0)
    qw
    KIT IN=kick  V=1
    Ch=10 GateT=0.3s
    er
    qw
    e
    e Tune C (Tune Coarse)
    [Range] –24 to 0 to +24
    Tuning can be set increments of a half step.
    r Tune F (Tune Fine)
    [Range] –64 to 0 to +63
    Tuning can be set increments of approximately 1.17 cents.
    q IN (Input Source)
    w Layer Number
    Assigns the input source and layer for the setting. (Refer to P. 16)
    e Ch (MIDI Channel)
    [Range] 1-16
    r GateT (Gate Time)
    [Range] 0.0s – 9.9s 
    						
    							19
    2.  Input Common Parameters
    This sub-mode sets the common settings between 2 layers for voice
    parameters of each pad’s input source.
    The Input Common Parameters sub-group is divided into the fol-
    lowing 8 pages.
    2-1. Cross Fade ...................................................... 19
    2-2. Reverb Send .................................................... 19
    2-3. Alternate Group, Key Assign Mode ................. 19
    2-4. Hold Mode ....................................................... 20
    2-5. Key Off Enable ................................................ 20
    2-6. Function ........................................................... 20
    2-7. Pad Song ......................................................... 20
    2-8. Rim to Pad ....................................................... 21
    Select the Input Source for editing
    In the Input Common Parameters edit display, first it is necessary
    to select the input source q for editing. (Refer to page 16 on how
    to select the input source.)
    2-2.  Reverb Send
    This function sets the reverb send level w for the voice (layer 1, 2)
    delivered by the input source q.
    *The actual reverb send level will be determined by multiplying the
    level set here with the level set in [5-2. Drum Reverb Send] (P. 23).
    Drum Kit Voice Edit Mode
    However, the same as in Voice Parameters, “If the same MIDI
    note number is set to more than one pad within the same drum kit,
    the lowest numbered trigger input jack will take priority. Regard-
    less of which pad is struck, the same voice (setting) will be deliv-
    ered.” So, when the setting is invalid in edit displays [2-1. Cross
    Fade] – [2-5. Key Off Enable], the following display will appear
    and edits cannot be carried out.
    2-1.  Cross Fade
    This function sets the velocity (volume) cross fade between the 2
    layer voices delivered by the input source q.
    KIT IN=kick
    X Fade=0 ¥¥¥¥¥¥¥
    KIT IN=kick
    (Note# in use )
    q IN (Input Source)
    Assigns the Input Source for setting. (Refer to the display shown
    above.)
    w j (Cross Fade Type)
    [Range] 0-9
    Selects the cross fade type (“1” to “9”). The conversion graph will
    appear to the right of the type number.
    If this parameter is set to “0”, the cross fade function will not be
    valid.
    KIT IN=kick
    X Fade=1 ¥çœ¬æ…¥
    q IN (Input Source)
    Assigns the input source for the setting. (Refer to P. 16)
    w Reverb send (Reverb Send Level)
    [Range] 0-127
    2-3.  Alternate Group, Key Assign Mode
    This function sets the Alternate Group and Key Assign Mode for
    the voice (layer 1, 2) delivered by the input source q.
    Alternate Group: This is a group of voices assigned to the same
    group number that should not be delivered at the same time.
    For example, by assigning an open hi-hat with a closed hi-
    hat to the same group number, the open hi-hat sound will be
    canceled once the closed hi-hat sound is delivered.
    Key Assign  Mode: This defines the sound output rules when mul-
    tiple voices that are assigned to the same MIDI note number
    are simultaneously delivered.
    q IN (Input Source)
    Assigns the input source for the setting. (Refer to P. 16)
    w AltG (Alternate Group)
    Voices that are assigned to the same MIDI note number that you
    do not want to be delivered simultaneously. If this parameter is set
    to “0” there will be no truncation.
    * Some alternate group voices like Hi-Hat, etc., are preset in the
    voices.
    e Key (Key Assign Mode)
    This defines the sound output rules when multiple voices that are as-
    signed to the same MIDI note number are simultaneously delivered.
    poly:There are no limits to the number of voices delivered at once.
    semi: Up to 2 voices for this note number can be produced at
    one time. When a 3rd voice is triggered, one of the first 2
    voices will be truncated.
    mono: One voice can be delivered at one time, the previous voice
    will be truncated.
    high: One voice can be delivered at one time, the previous voice
    will be truncated. However, even if the maximum number
    of 32 notes is exceeded, the note number selected here
    will not be truncated.
    KIT IN=kick
    Reverb send=  15
    w
    KIT IN=kick
    AltG= 0 Key=semi
    we
    w
    q
    q
    q
    q 
    						
    							20
    Drum Kit Voice Edit Mode
    2-4.  Hold Mode
    Sets the Hold Mode for the voice (layer 1, 2) delivered by input
    source q.
    q IN (Input Source)
    Assigns the input source for the setting. (Refer to P. 16)
    w Hold Mode
    on: Each time the pad is hit either a MIDI key on or MIDI key
    off event will be transmitted in succession.
    off: Normal operation. When a pad is hit, only a MIDI key on
    event will be transmitted (after the decay time is up, key off
    will be transmitted automatically).
    * If this function is set to “on”, it is recommended that you use the
    “key=high” setting in [2-3. Alternate Group, Key Assign Mode].
    2-5.  Key Off Enable
    This function decides whether or not to recognize MIDI key off
    messages for the voice (layer1, 2) delivered by the input source
    q.
    q IN (Input Source)
    Assigns the input source for the setting. (Refer to P. 16)
    w Key Off
    enable: Recognizes key off.
    disable: Does not recognize key off.
    * When this function is set to “disable”, some voices may sound
    continuously. Press the [SHIFT] plus [VOICE] buttons to stop
    voices sounding.
    2-6.  Function
    Along with the voice, this function can be used to control other
    functions w according to the trigger from the input source q.
    q IN (Input Source)
    Assigns the input source for the setting. (Refer to P. 16)
    w Func (Function)
    Selects the function that is controlled by the trigger input.normal: Normal operation.
    pad song: Controls playback of the pad song*.
    click onoff: Switches the click sound on/off.
    inc drumkit: Increases the value of the drum kit number by 1
    (increment).
    dec drumkit: Decreases the value of the drum kit number by
    1 (decrement).
    trig bypass: Switches the trigger bypass function on/off
    (P. 28).
    start/stop: Controls playback of the main song*.
    main song: The main song is the selected in the Drum Kit Play
    mode, and is controlled from the panel (of MIDI/TO HOST jack).
    pad song: According to this setting, playback of the pad song will
    be controlled by the trigger input. The pad song can be played
    independently of the main song. Also, up to 3 pad songs can be
    played along with main song simultaneously.
    * Refer to the [2 -7. Pad Song] for more information on setting the
    Pad Song.
    * When 3 pad songs have already been selected in another input
    source, the “pad song” will not be displayed (“------” is dis-
    played).
    2-7.  Pad Song
    This function contains settings for the pad song.
    These settings are affective when a trigger from the input source
    q, which is set in [2-6. Function], controls playback of the pad
    song.
    q IN (Input Source)
    Assigns the input source for the settings (Refer to P. 16).
    w Song Number
    Assigns the song number (1-127) that is assigned to the pad song.
    e Repeat Playback
    rp: Repeats playback of the song (when the song reaches the end
    it will start again from the beginning, continuously).
    --: Normal playback.
    r Playback Mode
    play: When a pad is hit, playback of the assigned pad song will
    start/stop.
    chse: When the pad is hit, one measure of the assigned pad song
    will start playback then pause.
    ctof: When the pad is hit, playback of the assigned pad song will
    start/stop. However, if the pad song is set to “ctof” the
    pad song will stop when another pad song with the “ctof”
    setting is started. This function allows only one “ctof”
    pad song to be played at a time.
    KIT IN=kick
    Hold Mode=   off
    KIT IN=kick
    Key Off= disable
    w
    KIT IN=kick
    Func=     normal
    KIT IN=kick
    Song=  1=--=play
    wer
    w
    q
    q
    q
    w
    q 
    						
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