Yamaha Cl 5 User Guide

							Warning/Error Messages
 Reference Manual
251
Loading Aborted.Loading from USB flash drive was aborted.
Loading Finished.Finished loading from USB flash drive.
Low Battery!The backup battery voltage is low.
Maximum Number of Audio Files 
Exceeded!The number of songs that can be managed by the USB memory 
recorder has been exceeded.
Memory Error.The R series backup memory is corrupted.
MIDI:  Data Framing Error!
MIDI:  Data Overrun!An inappropriate signal is being input to the MIDI input port.
MIDI:  Rx Buffer Full!Too much data is being received at the MIDI input port.
MIDI:  Tx Buffer Full!Too much data is being transmitted from the MIDI output port.
Monitor Assignment is Restricted to 
Max. 8 Sources!The Monitor Define function allows a maximum of eight sources to be 
selected, but you attempted to assign more than eight.
No Access From Recorder!In the RECORDER screen, it is not possible to move to a level higher 
than \YPE\SONGS\.
No Channel Selected.A copy-source channel was not selected in the GLOBAL PASTE 
screen.
No Copy Item Selected.In the GLOBAL PASTE screen, you attempted to paste without having 
selected an item to paste.
No Corresponding Help Items.The corresponding section was not found in the Help file.
No ID3 Tag exists. You can not edit.The music file cannot be edited because it has no ID3 tag.
No Response from External HA.No response from an external AD8HR.
No Response from I/O DEVICE.The I/O devices not responding.
Operating as the word clock master.This console is the Clock Master.
Page Bookmarked.The current screen or popup has been bookmarked.
Parameter out of range!Some data could not be loaded because the parameters do not 
match.
Password Changed.The password has been changed.
PlayBack Failed:  Recorder is Busy!Audio file link playback is not possible because recording is in 
progress.
PLAYBACK OUT CUE:  Turned Off.CUE was canceled for PLAYBACK OUT because you switched from 
the RECORDER screen to another screen.
Please use Dante Controller.The Dante Patch settings from the console are not valid.
Please wait, Dante patch is proceeding 
now.You attempted to edit in the DANTE PATCH screen at a time when 
patching was not possible.
Power Supply Fan has Malfunctioned!The cooling fan of the internal power supply has stopped. Please 
contact your Yamaha service center listed at the end of the Owner's 
Manual (separate document).
PREVIEW Mode : Cannot Use This 
Function.The operation was ignored because this function cannot be used 
during Preview.
PREVIEW Mode : DisabledPreview was disabled.
PREVIEW Mode : EnabledPreview was enabled.
Message
Meaning
Processing Aborted.Processing was interrupted.
Recorder Busy:  Operation Aborted!The button operation was canceled because recorder processing 
required time.
RECORDER:  CODEC Error [0x%08X] !A codec error occurred in the RECORDER screen.
RECORDER IN CUE:  Turned Off.CUE was canceled for RECORDER IN because you switched from 
the RECORDER screen to another screen.
Re-Enter Password!When specifying the user password, the password was not entered a 
second time.
REMOTE:  Data Framing Error!
REMOTE:  Data Overrun!Invalid signals are being input to the Remote connector.
REMOTE:  Rx Buffer Full!Too much data is being received at the Remote connector.
REMOTE:  Tx Buffer Full!Too much data is being sent from the Remote connector.
Removed from the Channel Link group.The channel was removed from the link group.
Saving Aborted.Saving to the USB flash drive has been interrupted.
Saving Finished.Finished saving to USB flash drive.
SCENE #xxx is Empty!No data has been stored in the scene you attempted to recall, or the 
data has been damaged so that it cannot be recalled.
SCENE #xxx is Protected!You attempted to overwrite (store) a protected scene.
SCENE #xxx is Read Only!You attempted to overwrite (store) a read-only scene.
Scene Playback Link Canceled!The audio playback link for the scene was canceled.
SLOT x:  Data Framing Error!
SLOT x:  Data Overrun!Invalid signals are being input to the SLOT x input port.
SLOT x:  Rx Buffer Full!Too much data is being received at the SLOT x input port.
SLOT x:  Tx Buffer Full!Too much data is being transmitted from the SLOT x output port.
Some Song Files Are Unidentified.Some songs were not identified.  Songs that have not been specified 
might be used for DIRECT PLAY or SCENE PLAY BACK LINK.
Song File Not Found!The file specified for SCENE LINK or DIRECT PLAY assigned to a 
USER DEFINED key does not exist.
STAGEMIX:  Data Framing Error!
STAGEMIX:  Data Overrun!Invalid signals are being exchanged with StageMix.
STAGEMIX:  Rx Buffer Full!Too much data is being received at the StageMix input port.
STAGEMIX:  Tx Buffer Full!Too much data is being transmitted from the StageMix output port.
STEREO Mode : Cannot Use This 
Function.You cannot use this function in Stereo mode.
STEREO MODE ON.The console has switched to Stereo mode.
Storage Full!The file could not be saved because there is insufficient space on the 
USB flash drive.
Storage Not Found!The USB flash drive could not be recognized.
Storage Not Ready!Access is not possible because the USB flash drive is not ready.
SURROUND Mode : Cannot Use This 
Function.You cannot use this function in Surround mode.
Message
Meaning 
						

							Warning/Error Messages
 Reference Manual
252
SURROUND MODE ON.The console has switched to Surround mode.
Sync Error! [xxx]The CL series console is not synchronized to the [xxx] signal.
Tap Operation Ignored.Tap operation was ignored because the TAP TEMPO button is not 
displayed in the screen.
This Operation is Not Allowed.This operation has been ignored because the current user does not 
have permission.
This Operation is Not Allowed in This 
View.This function is not allowed in this screen.
Too Large Files! Loading Failed.Loading is not possible because the bitmap file is too large. The 
maximum supported file size is 307,256 Bytes.
Or loading is not possible because the bitmap file is too large. The 
maximum supported file size is 1024 kilobytes.
Too Many Bands Used! Cannot 
Compare.Copying 31BandGEQ and comparing it to Flex15GEQ has failed 
because more than 15 bands are included in the copy source.
Too Many Bands Used! Cannot Paste to 
Flex15GEQ.Copying and pasting 31BandGEQ to Flex15GEQ has failed because 
more than 15 bands are included in the copy source.
Total Slot Power Capability Exceeded!Power consumption of the I/O cards installed in the slots has 
exceeded the rated value.
Unassigned Encoder.Your operation has been ignored because there is no parameter that 
corresponds to the knob you operated.
Unit Fan has MalfunctionedThe fan in the R series console has malfunctioned.
Unit ID Duplicated!The UNIT ID is duplicated on the Dante audio network.
Unsupported File Format!The file you attempted to load from the USB flash drive is of an 
unsupported format.
USB Currently Active for Recorder 
function!Save or Load operations are unavailable because the USB memory 
recorder is recording or playing.
USB Currently Active for SAVE or LOAD!The recorder cannot operate, since mixer scene memory or library 
data is being saved to or loaded from the USB flash drive.
USB Memory Busy:  Recorder Stopped!Recording/playback stopped because time is required for USB flash 
drive processing.
USB Memory Full !Can't save the RECORDER playlist because there is insufficient free 
space on the USB flash drive.
USB Memory Full! Recorder Stopped.Recorder processing was halted because the USB flash drive 
capacity ran out while the USB memory recorder was operating.
USB Memory is Protected!The USB flash drive's Protect setting is turned on.
USB Memory Unmounted! Recorder 
Stopped.Recorder processing was halted because the USB flash drive was 
disconnected while the USB memory recorder was operating.
USB over current Error! Disconnect USB 
device.The USB device was disconnected because of excessive USB 
current.
USER DEFINED KEY BANK CHANGED [x].The bank for the USER DEFINED KEY has switched to [x]. (x is A, B, 
C, or D.)
Version Changed. All Memories were 
Initialized.The current memory was initialized when the version was updated.
Ve r si o n  m i s m a t ch .The versions of this console and the R series console do not match.
Message
Meaning
Word Clock Error! Recorder Stopped!Recorder was halted because synchronization to the word clock was 
lost.
Wrong Audio File Format!The format of the audio file is invalid.
Wrong Password!The password you input was incorrect.
Wrong Word Clock!The CL series console cannot synchronize because the source 
selected by MASTER CLOCK SELECT in the WORD CLOCK screen 
is not appropriate.
You Cannot Create User Key.The current user does not have permission to create a user 
authentication key.
Message
Meaning 
						

							Appendices
 Reference Manual
253
IndexNumerics8BandPEQ ..................................................  132AAssignable encoders ...................................  206
Audio file (links to a scene recall) ..................  99
AUTOMIXER ...............................................  135
Automixer ....................................................  135CCalibration ...................................  245, 246, 248
Cascade connections ..................................  220
Centralogic section ........................................  12
Channel color ........................................  28, 248
Channel colors ............................................  224
Channel Job ..................................................  65
Channel library ........................................  48, 57
Channel Link .................................................  76
Console Lock...............................................  210
Control change
control parameters...................................  170
Copying, moving, or initializing a channel .....  81
Cue ......................................................  102, 109
Operating .................................................  110
Custom fader bank ......................................  208DDante audio network ...................................  226
Dante audio network .....................................  16
DAW ............................................................  179
DCA group.....................................................  65
Directly outputting..........................................  23
Dynamics.................................................  58, 61
Libraries .....................................................  64EEffect ...........................................................  124
Libraries ...................................................  153
Effects and tempo synchronization .............  143
EQ .................................................................  58
Libraries .....................................................  64
External head amps ............................  154, 160
FFactory set ................................................... 245
Fade function ................................................. 96
Focus Recall function..................................... 94
Function Tree ................................................... 4
Functions that can be assigned to
the assignable encoders ............................. 207GGain ............................................................... 29
Analog gain ................................................ 29
Gain Compensation ....................................... 33
Global Paste function ..................................... 93
GPI ............................................................... 237
Graphic EQ .......................................... 124, 128
Libraries ................................................... 153HHA .................................................................. 29
Head Amp ...................................................... 29
Help function ................................................ 243II/O devices ................................................... 154
Initializing ..................................................... 245
INPUT channels
Sending to MIX/MATRIX bus ..................... 37
Sending to STEREO/MONO bus ............... 33
Input channels................................................ 26
Channel library ........................................... 48
Specifying channel name and icon ............ 27
Input Delay ..................................................... 40
Input patch ..................................................... 17
Inserting ......................................................... 20
Internal clock ................................................ 225
Internal effects ............................................. 137LLamp brightness .......................................... 224
LED .............................................................. 224
Libraries ................................................. 64, 153
Library .......................................................... 168
MMaster fader ................................................  209
MATRIX buses ......................................  53, 223
MBCL (option) .............................................  123
Meter bridge (option) ...................................  123
METER screen ............................................  119
Meters..........................................................  119
MIDI .............................................................  165
MIX buses....................................................  223
MIX channels
Sending to MATRIX buses ........................  53
Sending to STEREO/MONO bus ...............  51
MIX MINUS....................................................  84
MIX/MATRIX buses .......................................  37
Monitor.................................................  102, 103
Mute group ....................................................  70NName displays .............................................  224
Network address..........................................  225
Nuendo Live ................................................  182OOscillator..............................................  114, 116
Output channels ............................................  49
Channel library...........................................  57
Specifying channel name and icon ............  50
Output Delay..................................................  56
Output patch ..................................................  18
OVERVIEW Screen .......................................  13PPatching.........................................................  16
Pink frame (TOUCH AND TURN) ................  204
Preferences .................................................  195
PREMIUM RACK.........................................  144
Premium Rack
Libraries ...................................................  153
Using........................................................  144
PREVIEW mode ..........................................  100
Program change
recall operation ........................................  168RRecall Safe function.......................................  73
SScene
Editing .......................................................  90
SELECTED CHANNEL section .......................  6
SELECTED CHANNEL VIEW screen .............  7
Setup ...........................................................  186
SETUP screen.............................................  186
Slot ..............................................................  218
STEREO/MONO bus...............................  33, 51
STEREO/MONO channels
Sending to MATRIX buses ........................  53
Surround......................................................  107TTalkback ......................................................  114
Title list ........................................................  178
TOUCH AND TURN ....................................  204
Touch screen...............................................  224UUSB flash drive
Formatting ...............................................  217
Help/text file loading ................................  243
Loading a file ...........................................  214
Playing back audio files ...........................  177
Recording ................................................  175
Saving and loading setup data ................  211
USB memory recorder.................................  173
Assigning channels .................................  173
USER DEFINED keys .................................  197
Functions that can be assigned...............  199
Recalling Help .........................................  244
USER DEFINED knobs ...............................  203
Functions that can be assigned...............  204
User settings ...............................................  188VViewing Help ...............................................  243
Virtual rack ..................................................  124
operations................................................  125WWarning/Error Messages.............................  250
WIRELESS ..................................................  160
Word clock...................................................  218 
						

							EN
Table of ContentsEQ Library List ....................................................................   2
DYNAMICS Library List ......................................................   3
Dynamics Parameters.........................................................   5
Effect Type List....................................................................   7
Effects Parameters..............................................................   8
Premium Rack Processor Parameters ................................ 20
Parameters That Can Be Assigned to 
Control Changes ............................................................. 22
NRPN Parameter Assignments .......................................... 26
Mixing Parameter Operation Applicability ........................... 30
MIDI Data Format ............................................................... 36
Input/output characteristics ................................................. 43
Electrical Characteristics .................................................... 45
Mixer Basic Parameters ...................................................... 46
Pin Assignment Chart......................................................... 47
MIDI Implementation Chart................................................. 48
Data List 
						

							 Data List
2 EQ Library List
#
Title
Parameter
LOW
L-MID
H-MID
HIGH
01 Bass Drum 1PEAKING PEAKING PEAKING H.SHELF
G+3.5 dB -3.5 dB 0.0 dB +4.0 dB
F100 Hz 265 Hz 1.06 kHz 5.30 kHz
Q1.25 10.0 0.90 -
02 Bass Drum 2PEAKING PEAKING PEAKING LPF
G+8.0 dB -7.0 dB +6.0 dB ON
F80.0 Hz 400 Hz 2.50 kHz 12.5 kHz
Q1.4 4.5 2.2 -
03 Snare Drum 1PEAKING PEAKING PEAKING H.SHELF
G-0.5 dB 0.0 dB +3.0 dB +4.5 dB
F132 Hz 1.00 kHz 3.15 kHz 5.00 kHz
Q1.25 4.5 0.11 -
04 Snare Drum 2L.SHELF PEAKING PEAKING PEAKING
G+1.5 dB -8.5 dB +2.5 dB +4.0 dB
F180 Hz 335 Hz 2.36 kHz 4.00 kHz
Q- 10.0 0.70 0.10
05 Tom-tom 1PEAKING PEAKING PEAKING PEAKING
G+2.0 dB -7.5 dB +2.0 dB +1.0 dB
F212 Hz 670 Hz 4.50 kHz 6.30 kHz
Q1.4 10.0 1.25 0.28
06 CymbalL.SHELF PEAKING PEAKING H.SHELF
G-2.0 dB 0.0 dB 0.0 dB +3.0 dB
F106 Hz 425 Hz 1.06 kHz 13.2 kHz
Q- 8.0 0.90 -
07 High HatL.SHELF PEAKING PEAKING H.SHELF
G-4.0 dB -2.5 dB +1.0 dB +0.5 dB
F95.0 Hz 425 Hz 2.80 kHz 7.50 kHz
Q-0.501.0 -
08 PercussionL.SHELF PEAKING PEAKING H.SHELF
G-4.5 dB 0.0 dB +2.0 dB 0.0 dB
F100 Hz 400 Hz 2.80 kHz 17.0 kHz
Q- 4.5 0.56 -
09 E. Bass 1L.SHELF PEAKING PEAKING H.SHELF
G-7.5 dB +4.5 dB +2.5 dB 0.0 dB
F35.5 Hz 112 Hz 2.00 kHz 4.00 kHz
Q-5.04.5-
10 E. Bass 2PEAKING PEAKING PEAKING H.SHELF
G+3.0 dB 0.0 dB +2.5 dB +0.5 dB
F112 Hz 112 Hz 2.24 kHz 4.00 kHz
Q0.10 5.0 6.3 -
11 Syn. Bass 1PEAKING PEAKING PEAKING H.SHELF
G+3.5 dB +8.5 dB 0.0 dB 0.0 dB
F85.0 Hz 950 Hz 4.00 kHz 12.5 kHz
Q0.10 8.0 4.5 -
12 Syn. Bass 2PEAKING PEAKING PEAKING H.SHELF
G+2.5 dB 0.0 dB +1.5 dB 0.0 dB
F125 Hz 180 Hz 1.12 kHz 12.5 kHz
Q1.6 8.0 2.2 -
13 Piano 1L.SHELF PEAKING PEAKING H.SHELF
G-6.0 dB 0.0 dB +2.0 dB +4.0 dB
F95.0 Hz 950 Hz 3.15 kHz 7.50 kHz
Q-8.00.90-
14 Piano 2PEAKING PEAKING PEAKING H.SHELF
G+3.5 dB -8.5 dB +1.5 dB +3.0 dB
F224 Hz 600 Hz 3.15 kHz 5.30 kHz
Q5.6 10.0 0.70 -
15 E. G. CleanPEAKING PEAKING PEAKING H.SHELF
G+2.0 dB -5.5 dB +0.5 dB +2.5 dB
F265 Hz 400 Hz 1.32 kHz 4.50 kHz
Q0.18 10.0 6.3 -
16 E. G. Crunch 1PEAKING PEAKING PEAKING PEAKING
G+4.5 dB 0.0 dB +4.0 dB +2.0 dB
F140 Hz 1.00 kHz 1.90 kHz 5.60 kHz
Q8.0 4.5 0.63 9.0
17 E. G. Crunch 2PEAKING PEAKING PEAKING H.SHELF
G+2.5 dB +1.5 dB +2.5 dB 0.0 dB
F125 Hz 450 Hz 3.35 kHz 19.0 kHz
Q8.0 0.40 0.16 -
18 E. G. Dist. 1L.SHELF PEAKING PEAKING H.SHELF
G+5.0 dB 0.0 dB +3.5 dB 0.0 dB
F355 Hz 950 Hz 3.35 kHz 12.5 kHz
Q-9.010.0-
19 E. G. Dist. 2L.SHELF PEAKING PEAKING H.SHELF
G+6.0 dB -8.5 dB +4.5 dB +4.0 dB
F315 Hz 1.06 kHz 4.25 kHz 12.5 kHz
Q- 10.0 4.0 -
20 A. G. Stroke 1PEAKING PEAKING PEAKING H.SHELF
G-2.0 dB 0.0 dB +1.0 dB +4.0 dB
F106 Hz 1.00 kHz 1.90 kHz 5.30 kHz
Q0.90 4.5 3.5 -
21 A. G. Stroke 2L.SHELF PEAKING PEAKING H.SHELF
G-3.5 dB -2.0 dB 0.0 dB +2.0 dB
F300 Hz 750 Hz 2.00 kHz 3.55 kHz
Q-9.04.5-#
Title
Parameter
LOW
L-MID
H-MID
HIGH
22 A. G. Arpeg. 1L.SHELF PEAKING PEAKING PEAKING
G-0.5 dB 0.0 dB 0.0 dB +2.0 dB
F224 Hz 1.00 kHz 4.00 kHz 6.70 kHz
Q-4.54.50.125
23 A. G. Arpeg. 2L.SHELF PEAKING PEAKING H.SHELF
G0.0 dB -5.5 dB 0.0 dB +4.0 dB
F180 Hz 355 Hz 4.00 kHz 4.25 kHz
Q-7.04.5-
24 Brass Sec.PEAKINGPEAKINGPEAKINGPEAKING
G-2.0 dB -1.0 dB +1.5 dB +3.0 dB
F90.0 Hz 850 Hz 2.12 kHz 4.50 kHz
Q2.8 2.0 0.70 7.0
25 Male Vocal 1PEAKINGPEAKINGPEAKINGPEAKING
G-0.5 dB 0.0 dB +2.0 dB +3.5 dB
F190 Hz 1.00 kHz 2.00 kHz 6.70 kHz
Q0.11 4.5 0.56 0.11
26 Male Vocal 2PEAKING PEAKING PEAKING H.SHELF
G+2.0 dB -5.0 dB -2.5 dB +4.0 dB
F170 Hz 236 Hz 2.65 kHz 6.70 kHz
Q0.11 10.0 5.6 -
27 Female Vo. 1PEAKINGPEAKINGPEAKINGPEAKING
G-1.0 dB +1.0 dB +1.5 dB +2.0 dB
F118 Hz 400 Hz 2.65 kHz 6.00 kHz
Q0.18 0.45 0.56 0.14
28 Female Vo. 2L.SHELF PEAKING PEAKING H.SHELF
G-7.0 dB +1.5 dB +1.5 dB +2.5 dB
F112 Hz 335 Hz 2.00 kHz 6.70 kHz
Q-0.160.20-
29 Chorus & HarmoPEAKINGPEAKINGPEAKINGPEAKING
G-2.0 dB -1.0 dB +1.5 dB +3.0 dB
F90.0 Hz 850 Hz 2.12 kHz 4.50 kHz
Q2.8 2.0 0.70 7.0
30 Total EQ 1PEAKING PEAKING PEAKING H.SHELF
G-0.5 dB 0.0 dB +3.0 dB +6.5 dB
F95.0 Hz 950 Hz 2.12 kHz 16.0 kHz
Q7.0 2.2 5.6 -
31 Total EQ 2PEAKING PEAKING PEAKING H.SHELF
G+4.0 dB +1.5 dB +2.0 dB +6.0 dB
F95.0 Hz 750 Hz 1.80 kHz 18.0 kHz
Q7.0 2.8 5.6 -
32 Total EQ 3L.SHELF PEAKING PEAKING H.SHELF
G+1.5 dB +0.5 dB +2.0 dB +4.0 dB
F67.0 Hz 850 Hz 1.90 kHz 15.0 kHz
Q-0.280.70-#
Title
Parameter
LOW
L-MID
H-MID
HIGH 
						

							 Data List
3 DYNAMICS Library List
33 Bass Drum 3PEAKING PEAKING PEAKING PEAKING
G+3.5 dB -10.0 dB +3.5 dB 0.0 dB
F118 Hz 315 Hz 4.25 kHz 20.0 kHz
Q2.0 10.0 0.40 0.40
34 Snare Drum 3L.SHELF PEAKING PEAKING PEAKING
G0.0 dB +2.0 dB +3.5 dB 0.0 dB
F224 Hz 560 Hz 4.25 kHz 4.00 kHz
Q-4.52.80.10
35 Tom-tom 2L.SHELF PEAKING PEAKING H.SHELF
G-9.0 dB +1.5 dB +2.0 dB 0.0 dB
F90.0 Hz 212 Hz 5.30 kHz 17.0 kHz
Q- 4.5 1.25 -
36 Piano 3PEAKING PEAKING PEAKING H.SHELF
G+4.5 dB -13.0 dB +4.5 dB +2.5 dB
F100 Hz 475 Hz 2.36 kHz 10.0 kHz
Q8.0 10.0 9.0 -
37 Piano LowPEAKING PEAKING PEAKING H.SHELF
G-5.5 dB +1.5 dB +6.0 dB 0.0 dB
F190 Hz 400 Hz 6.70 kHz 12.5 kHz
Q10.0 6.3 2.2 -
38 Piano HighPEAKING PEAKING PEAKING PEAKING
G-5.5 dB +1.5 dB +5.0 dB +3.0 dB
F190 Hz 400 Hz 6.70 kHz 5.60 kHz
Q10.0 6.3 2.2 0.10
39 Fine-EQ CassL.SHELF PEAKING PEAKING H.SHELF
G-1.5 dB 0.0 dB +1.0 dB +3.0 dB
F75.0 Hz 1.00 kHz 4.00 kHz 12.5 kHz
Q-4.51.8-
40 NarratorPEAKING PEAKING PEAKING H.SHELF
G-4.0 dB -1.0 dB +2.0 dB 0.0 dB
F106 Hz 710 Hz 2.50 kHz 10.0 kHz
Q4.0 7.0 0.63 -#
Title
Parameter
LOW
L-MID
H-MID
HIGH
#
Title
Type
Parameter
Va l u e
1GateGATEThreshold (dB) -26
Range (dB) -56
Attack (ms) 0
Hold (ms) 2.56
Decay (ms) 331
2DuckingDUCKINGThreshold (dB) -19
Range (dB) -22
Attack (ms) 93
Hold (ms) 1.20 S
Decay (ms) 6.32 S
3A. Dr. BDGATEThreshold (dB) -11
Range (dB) -53
Attack (ms) 0
Hold (ms) 1.93
Decay (ms) 400
4A. Dr. SNGATEThreshold (dB) -8
Range (dB) -23
Attack (ms) 1
Hold (ms) 0.63
Decay (ms) 238
5De-EsserDE-ESSERThreshold (dB) -8
Frequency (kHz) 2.00
Type HPF
Q1.6
6CompCOMPRESSORThreshold (dB) -8
Ratio (   :1) 2.5
Attack (ms) 30
Out gain (dB) 0.0
Knee 2
Release (ms) 250
7ExpandEXPANDERThreshold (dB) -23
Ratio (   :1) 1.7
Attack (ms) 1
Out gain (dB) 3.5
Knee 2
Release (ms) 70
8Compander (H)COMPANDER-HThreshold (dB) -10
Ratio (   :1) 3.5
Attack (ms) 1
Out gain (dB) 0.0
Width (dB) 6
Release (ms) 250
9Compander (S)COMPANDER-SThreshold (dB) -8
Ratio (   :1) 4
Attack (ms) 25
Out gain (dB) 0.0
Width (dB) 24
Release (ms) 180
10 A. Dr. BDCOMPRESSORThreshold (dB) -24
Ratio (   :1) 3
Attack (ms) 9
Out gain (dB) 5.5
Knee 2
Release (ms) 58
11 A. Dr. BDCOMPANDER-HThreshold (dB) -11
Ratio (   :1) 3.5
Attack (ms) 1
Out gain (dB) -1.5
Width (dB) 7
Release (ms) 192
12 A. Dr. SNCOMPRESSORThreshold (dB) -17
Ratio (   :1) 2.5
Attack (ms) 8
Out gain (dB) 3.5
Knee 2
Release (ms) 12
13 A. Dr. SNEXPANDERThreshold (dB) -23
Ratio (   :1) 2
Attack (ms) 0
Out gain (dB) 0.5
Knee 2
Release (ms) 151
14 A. Dr. SNCOMPANDER-SThreshold (dB) -8
Ratio (   :1) 1.7
Attack (ms) 11
Out gain (dB) 0.0
Width (dB) 10
Release (ms) 128
15 A. Dr. TomEXPANDERThreshold (dB) -20
Ratio (   :1) 2
Attack (ms) 2
Out gain (dB) 5.0
Knee 2
Release (ms) 749
16 A. Dr. OverTopCOMPANDER-SThreshold (dB) -24
Ratio (   :1) 2
Attack (ms) 38
Out gain (dB) -3.5
Width (dB) 54
Release (ms) 842
17 E. B. FingerCOMPRESSORThreshold (dB) -12
Ratio (   :1) 2
Attack (ms) 15
Out gain (dB) 4.5
Knee 2
Release (ms) 470#
Title
Type
Parameter
Va l u e 
						

							 Data List
4
* At fs=44.1 kHz
18 E. B. SlapCOMPRESSORThreshold (dB) -12
Ratio (   :1) 1.7
Attack (ms) 6
Out gain (dB) 4.0
Knee hard
Release (ms) 133
19 Syn. BassCOMPRESSORThreshold (dB) -10
Ratio (   :1) 3.5
Attack (ms) 9
Out gain (dB) 3.0
Knee hard
Release (ms) 250
20 Piano1COMPRESSORThreshold (dB) -9
Ratio (   :1) 2.5
Attack (ms) 17
Out gain (dB) 1.0
Knee hard
Release (ms) 238
21 Piano2COMPRESSORThreshold (dB) -18
Ratio (   :1) 3.5
Attack (ms) 7
Out gain (dB) 6.0
Knee 2
Release (ms) 174
22 E. GuitarCOMPRESSORThreshold (dB) -8
Ratio (   :1) 3.5
Attack (ms) 7
Out gain (dB) 2.5
Knee 4
Release (ms) 261
23 A. GuitarCOMPRESSORThreshold (dB) -10
Ratio (   :1) 2.5
Attack (ms) 5
Out gain (dB) 1.5
Knee 2
Release (ms) 238
24 Strings1COMPRESSORThreshold (dB) -11
Ratio (   :1) 2
Attack (ms) 33
Out gain (dB) 1.5
Knee 2
Release (ms) 749
25 Strings2COMPRESSORThreshold (dB) -12
Ratio (   :1) 1.5
Attack (ms) 93
Out gain (dB) 1.5
Knee 4
Release (ms) 1.35 S#
Title
Type
Parameter
Va l ue
26 Strings3COMPRESSORThreshold (dB) -17
Ratio (   :1) 1.5
Attack (ms) 76
Out gain (dB) 2.5
Knee 2
Release (ms) 186
27 BrassSectionCOMPRESSORThreshold (dB) -18
Ratio (   :1) 1.7
Attack (ms) 18
Out gain (dB) 4.0
Knee 1
Release (ms) 226
28 Syn. PadCOMPRESSORThreshold (dB) -13
Ratio (   :1) 2
Attack (ms) 58
Out gain (dB) 2.0
Knee 1
Release (ms) 238
29 SamplingPercCOMPANDER-SThreshold (dB) -18
Ratio (   :1) 1.7
Attack (ms) 8
Out gain (dB) -2.5
Width (dB) 18
Release (ms) 238
30 Sampling BDCOMPRESSORThreshold (dB) -14
Ratio (   :1) 2
Attack (ms) 2
Out gain (dB) 3.5
Knee 4
Release (ms) 35
31 Sampling SNCOMPRESSORThreshold (dB) -18
Ratio (   :1) 4
Attack (ms) 8
Out gain (dB) 8.0
Knee hard
Release (ms) 354
32 Hip CompCOMPANDER-SThreshold (dB) -23
Ratio (   :1) 20
Attack (ms) 15
Out gain (dB) 0.0
Width (dB) 15
Release (ms) 163
33 Solo Vocal1COMPRESSORThreshold (dB) -20
Ratio (   :1) 2.5
Attack (ms) 31
Out gain (dB) 2.0
Knee 1
Release (ms) 342#
Title
Type
Parameter
Va l u e
34 Solo Vocal2COMPRESSORThreshold (dB) -8
Ratio (   :1) 2.5
Attack (ms) 26
Out gain (dB) 1.5
Knee 3
Release (ms) 331
35 ChorusCOMPRESSORThreshold (dB) -9
Ratio (   :1) 1.7
Attack (ms) 39
Out gain (dB) 2.5
Knee 2
Release (ms) 226
36 Click EraseEXPANDERThreshold (dB) -33
Ratio (   :1) 2
Attack (ms) 1
Out gain (dB) 2.0
Knee 2
Release (ms) 284
37 AnnouncerCOMPANDER-HThreshold (dB) -14
Ratio (   :1) 2.5
Attack (ms) 1
Out gain (dB) -2.5
Width (dB) 18
Release (ms) 180
38 Limiter1COMPANDER-SThreshold (dB) -9
Ratio (   :1) 3
Attack (ms) 20
Out gain (dB) -3.0
Width (dB) 90
Release (ms) 3.90 s
39 Limiter2COMPRESSORThreshold (dB) 0
Ratio (   :1) ∞
Attack (ms) 0
Out gain (dB) 0.0
Knee hard
Release (ms) 319
40 Total Comp1COMPRESSORThreshold (dB) -18
Ratio (   :1) 3.5
Attack (ms) 94
Out gain (dB) 2.5
Knee hard
Release (ms) 447
41 Total Comp2COMPRESSORThreshold (dB) -16
Ratio (   :1) 6
Attack (ms) 11
Out gain (dB) 6.0
Knee 1
Release (ms) 180#
Title
Type
Parameter
Va l u e 
						

							 Data List
5 Dynamics Parameters
Dynamics Parameters are the following types.GATEA gate attenuates signals below a set THRESHOLD level by a specified amount (RANGE).
DUCKINGDucking is commonly used for voice-over applications in which the background music level is 
reduced automatically when an announcer speaks.
When the KEY IN source signal level exceeds the specified THRESHOLD, the output level is 
attenuated by a specified amount (RANGE).
Input channels
Output channels
DYNAMIC section 1
DYNAMIC section 2
DYNAMIC section 1
TypeGATE COMPRESSOR COMPRESSOR
DUCKINGCOMPANDER-H 
(Compander Hard)EXPANDER
COMPRESSORCOMPANDER-S 
(Compander Soft)COMPANDER-H 
(Compander Hard)
EXPANDER DE-ESSERCOMPANDER-S 
(Compander Soft)
Parameter
Range
Description
THRESHOLD (dB)-72 to 0 (73 points)
This determines the level at which the gate 
effect is applied.
RANGE (dB)-∞, -69 to 0 (71 points)
This determines the amount of attenuation 
when the gate closes.
ATTA CK  ( ms )0-120 (121 points)
This determines how fast the gate opens when 
the signal exceeds the threshold level.
HOLD (ms)44.1kHz:  0.02 ms - 2.13 sec
48kHz:  0.02 ms - 1.96 sec (160 points)
This determines how long the gate stays open 
once the trigger signal has fallen below the 
threshold.
DECAY (ms)44.1kHz:  6 ms - 46.0 sec
48kHz:  5 ms - 42.3 sec (160 points)
This determines how fast the gate closes once 
the hold time has expired. The value is 
expressed as the duration required for the level 
to change by 6 dB.
Input Level
TimeTime
Output Level
Input Level
Output Level• I/O Characteristics •Time Series Analysis
RANGE THRESHOLD
THRESHOLD
RANGE
Input Signal Output Signal
ATTACK DECAYHOLD
Parameter
Range
Description
THRESHOLD (dB)-54 to 0 (55 points) 
This determines the level of trigger signal 
(KEY IN) required to activate ducking.
RANGE (dB)-70 to 0 (71 points)
This determines the amount of attenuation 
when ducking is activated.
AT TA C K  ( m s)0-120 (121 points)
This determines how soon the signal is ducked 
once the ducker has been triggered.
HOLD (ms)44.1kHz:  0.02 ms - 2.13 sec
48kHz:  0.02 ms - 1.96 sec (160 points)
This determines how long ducking remains 
active once the trigger signal has fallen below 
the THRESHOLD level.
DECAY (ms)44.1kHz:  6 ms - 46.0 sec
48kHz:  5 ms - 42.3 sec (160 points)
This determines how soon the ducker returns 
to its normal gain once the trigger signal level 
drops below the threshold. The value is 
expressed as the duration required for the level 
to change by 6 dB.
Input Level Time Time
Output Level
Input Level
Output Level• I/O Characteristics •Time Series Analysis
RANGE THRESHOLD
THRESHOLD
RANGE
Input Signal Output Signal
AT TA C K D E C AYHOLD 
						

							 Data List
6
COMPRESSORThe COMP processor attenuates signals above a specified THRESHOLD by a specified 
RATIO.
The COMP processor can also be used as a limiter, which, with a RATIO of ∞:1, reduces the 
level to the threshold. This means that the limiter's output level never actually exceeds the 
threshold.
EXPANDERAn expander attenuates signals below a specified THRESHOLD by a specified RATIO.
Parameter
Range
Description
THRESHOLD (dB)-54 to 0 (55 points)
This determines the level at which 
compression is applied.
RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 
2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 
8.0:1, 10:1, 20:1, ∞:1 (16 points)
This determines the amount of compression, 
that is, the change in output signal level 
relative to change in input signal level.
ATTA CK  ( ms )0-120 (121 points)
This determines how soon the signal will be 
compressed once the compressor has been 
triggered.
RELEASE (ms)44.1kHz:  6 ms - 46.0 sec
48kHz:  5 ms - 42.3 sec (160 points)
This determines how soon the compressor 
returns to its normal gain once the trigger 
signal level drops below the threshold. The 
value is expressed as the duration required for 
the level to change by 6 dB.
OUT GAIN (dB)0.0 to +18.0 (181 points)
This sets the compressor's output signal level.
KNEEHard, 1-5 (6 points)
This determines how compression is applied 
at the threshold. For higher knee settings, 
compression is applied gradually as the signal 
exceeds the specified threshold, creating a 
more natural sound.
Input Level Time Time
Output Level
Input Level
Output Level• I/O Characteristics
(KNEE= hard, 
OUT GAIN= 0.0dB)• Time Series Analysis
(RATIO= ∞:1)
RATIO THRESHOLD
THRESHOLD
Input Signal Output Signal
AT TA C K RE L E A S E
Parameter
Range
Description
THRESHOLD (dB)-54 to 0 (55 points) 
This determines the level of input signal 
required to trigger the expander.
RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 
2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 
8.0:1, 10:1, 20:1, ∞:1 (16 points)
This determines the amount of expansion.
AT TA C K  ( m s)0-120 (121 points)
This determines how soon the expander 
returns to its normal gain once the trigger 
signal level exceeds the threshold.
RELEASE (ms)44.1kHz:  6 ms - 46.0 sec
48kHz:  5 ms - 42.3 sec (160 points)
This determines how soon the signal is 
expanded once the signal level drops below 
the threshold. The value is expressed as the 
duration required for the level to change by 6 
dB.
OUT GAIN (dB)0.0 to +18.0 (181 points)
This sets the expander's output signal level.
KNEEHard, 1-5 (6 points)
This determines how expansion is applied at 
the threshold. For higher knee settings, 
expansion is applied gradually as the signal 
exceeds the specified threshold, creating a 
more natural sound.
Input Level Time Time
Output Level
Input Level
Output Level• I/O Characteristics
(KNEE= hard, 
OUT GAIN= 0.0dB)• Time Series Analysis
(RATIO= ∞:1)RATIOTHRESHOLD
THRESHOLD
Input Signal Output Signal
ATTAC K RE L E AS E 
						

							 Data List
7

COMPANDER HARD (COMPANDER-H), COMPANDER SOFT (COMPANDER-S)
The hard and soft companders combine the effects of the compressor, expander and limiter.
The companders function differently at the following levels:1
 0 dB and higher  ..................................Functions as a limiter.
2
 Exceeding the threshold  ....................Functions as a compressor.
3
 Below the threshold and width ..........Functions as an expander.
The hard compander has an expansion ratio of 5:1, while the soft compander has an 
expansion ratio of 1.5:1. The expander is essentially turned off when the width is set to 
maximum. The compressor has a fixed knee setting of 2.* The gain is automatically adjusted according to the ratio and threshold values, and can be increased by up to 18 dB.
* The OUT GAIN parameter enables you to compensate for the overall level change caused by the compression and 
expansion processes.DE-ESSERThis detects and compresses only the sibilants and other high-frequency consonants of the 
vocal.
Effect Type List
Parameter
Range
Description
THRESHOLD (dB)-54 to 0 (55 points) This determines the level at which compression is 
applied.
RATIO1.0:1, 1.1:1, 1.3:1, 1.5:1, 1.7:1, 2.0:1, 
2.5:1, 3.0:1, 3.5:1, 4.0:1, 5.0:1, 6.0:1, 
8.0:1, 10:1, 20:1 (15 points)This determines the amount of compression.
ATTA CK  ( ms )0-120 (121 points)
This determines how soon the signal is compressed or  
expanded once the compander has been triggered.
RELEASE (ms)44.1kHz:  6 ms - 46.0 sec
48kHz:  5 ms - 42.3 sec (160 points)This determines how soon the compressor or 
expander returns to the normal gain once the trigger 
signal level drops below or exceeds the threshold 
respectively. The value is expressed as the duration 
required for the level to change by 6 dB.
OUT GAIN (dB)-18.0 to 0.0 (181 points) This sets the compressor's output signal level.
WIDTH (dB)1-90 (90 points)This determines how far below the threshold 
expansion will be applied. The expander is activated 
when the level drops below the threshold and width.
Parameter
Range
Description
THRESHOLD-54 to 0 (55 points) Threshold level at which the de-esser effect is applied.
FREQUENCY1kHz-12.5kHz (45 points)Cutoff frequency of the filter used to detect the high 
frequencies.
TYPEHPF, BPF Type of filter used to detect the frequency band.
Q10.0-0.10 (41 points) Q (steepness) of the filter when TYPE is BPF.
0dB
Input Level
Output Level
WIDTH
THRESHOLD
Title
Ty pe
Description
REV-X HallREV-X HALL New reverb algorithm that delivers dense and rich reverberation, smooth decay, 
and provides a spaciousness and depth that enhances the original sound. 
Choose from three types depending on your location and needs: REV-X HALL, 
REV-X ROOM, and REV-X PLATE. REV-X RoomREV-X ROOM
REV-X PlateREV-X PLATE
Reverb HallREVERB HALL Concert hall reverberation simulation with gate
Reverb RoomREVERB ROOM  Room reverberation simulation with gate
Reverb StageREVERB STAGE Reverb designed for vocals, with gate
Reverb PlateREVERB PLATE Plate reverb simulation with gate
Stereo ReverbST REVERB  Stereo reverb
Early Ref.EARLY REF. Early reflections without the subsequent reverb
Gate ReverbGATE REVERB  Gated early reflections
Reverse GateREVERSE GATE Gated reverse early reflections
Mono DelayMONO DELAY Simple mono delay
Stereo DelaySTEREO DELAY  Simple stereo delay
Mod.DelayMOD.DELAY Simple repeat delay with modulation
Delay LCRDELAY LCR  3-tap (left, center, right) delay
EchoECHO Stereo delay with crossed left/right feedback
ChorusCHORUS Chorus
FlangeFLANGE Flanger
SymphonicSYMPHONICProprietary Yamaha effect that produces a richer and more complex modulation 
than normal chorus
PhaserPHASER  16-stage stereo phase shifter
Dyna.FlangeDYNA.FLANGE Dynamically controlled flanger
Dyna.PhaserDYNA.PHASER Dynamically controlled phase shifter
HQ. PitchHQ.PITCH  Mono pitch shifter, producing stable results
Dual PitchDUAL PITCH  Stereo pitch shifter
Tr e m o l oTREMOLO Tremolo
Auto PanAUTO PAN  Auto-panner
RotaryROTARY Rotary speaker simulation
Ring Mod.RING MOD.  Ring modulator
Mod.FilterMOD.FILTER Modulated filter
Dyna.FilterDYNA.FILTER Dynamically controlled filter
Rev+ChorusREV+CHORUS Reverb and chorus in parallel
RevChorusREVCHORUS Reverb and chorus in series
Rev+FlangeREV+FLANGE Reverb and flanger in parallel
RevFlangeREVFLANGE Reverb and flanger in series
Rev+Sympho.REV+SYMPHO. Reverb and symphonic in parallel
RevSympho.REVSYMPHO. Reverb and symphonic in series
RevPanREVPAN Reverb and auto-pan in series
Delay+Er.DELAY+ER. Delay and early reflections in parallelDelayEr.DELAYER. Delay and early reflections in series