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    							EQ and Dynamics
     Reference Manual
    61
    Using dynamicsInput channels feature two dynamics processors; output channels feature one dynamics 
    processor.
    NOTE
    • The DYNAMICS 1/2 field on the OVERVIEW screen displays the dynamics on/off status and the 
    amount of gain reduction.
    • Dynamics settings can be saved and recalled at any time using the dedicated library. You can 
    also take advantage of a wide variety of presets suitable for various instruments or situations.
    • You can also access the SELECTED CHANNEL VIEW screen, and use the knobs in the 
    SELECTED CHANNEL section to edit the dynamics settings (page 10).
    • Even when the DYNAMICS 1/2 window is displayed, you can use the knobs in the SELECTED 
    CHANNEL section to control the dynamics.
    DYNAMICS 1/2 window (1ch)All dynamics parameters can be viewed and edited by channel. This is convenient when you 
    want to make detailed dynamics settings for a specific channel.1
    LIBRARY button
    Press this button to open the DYNAMICS Library window.
    2
    DEFAULT button
    Press this button to reset all dynamics parameters to the initial values.
    3
    COPY button
    All dynamics parameter settings will be copied in buffer memory.
    4
    PASTE button
    Press this button to apply the settings in buffer memory to the current dynamics. If no 
    valid data has been copied in the buffer memory, nothing will happen.
    5
    COMPARE button
    Press this button to swap between the current dynamics settings and the data stored in 
    buffer memory. If no valid data has been copied in the buffer memory, nothing will 
    happen.
    NOTEFor details on how to use buttons (1)-(5), refer to “Using the tool buttons” in the separate Owner's 
    Manual.
    6
    Channel icon/Channel number/Channel name
    This area indicates the icon, number, and name of the currently-selected channel. STEP
    1.Use the Bank Select keys to select the channel for which you want to control the 
    dynamics.
    2.Press the DYNAMICS 1/2 field in the OVERVIEW screen.
    3.Press the 1 ch tab in the DYNAMICS1/2 window.
    4.Press the DYNAMICS ON button, and adjust the dynamics parameters.
    OVERVIEW screen DYNAMICS 1/2 window
    Dynamics 1 
    field
    Dynamics 2 
    field
    1
    2
    3
    4
    5
    8
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    							EQ and Dynamics
     Reference Manual
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    7
    Dynamics type buttons
    Enables you to select the dynamics type. You can choose from the following dynamics 
    types.
    • Dynamics 1 for an input channel
    GATE, DUCKING, COMPRESSOR, EXPANDER
    • Dynamics 2 for an input channel
    COMPRESSOR, COMPANDER-H, COMPANDER-S, DE-ESSER
    • Dynamics 1 for an output channel
    COMPRESSOR, EXPANDER, COMPANDER-H, COMPANDER-S
    8
    Dynamics graph
    Displays the input/output response of the dynamics processors.
    9
    Dynamics parameter setting knobs
    Indicates the dynamics parameter values. You can adjust the values by using the 
    multifunction knobs. The type of parameters will vary depending on the currently-
    selected dynamics type.
    •GATE or DUCKING:
    • COMPRESSOR or EXPANDER:
    • COMPANDER-H or COMPANDER-S:
    • DE-ESSER:
    0
    Dynamics IN/OUT level meters, GR meter
    These meters indicate the peak level of the signals before and after the dynamics 
    processing, and the amount of gain reduction. For a stereo channel, these meters 
    indicate the level of both the L and R channels.
    A
    KEY IN SOURCE select button
    Press this button to display the KEY IN SOURCE window, in which you can select a key-
    in signal that will trigger the dynamics.
    •SELF PRE EQ......... The pre-EQ signal of the same channel
    •SELF POST EQ....... The post-EQ signal of the same channel
    •MIX OUT 21-24........ Output signals of MIX channels 21-24
    • CH 1-72 POST EQ, ST IN 1L-8R POST EQ, MIX 1-24 POST EQ,
    MTRX 1-8 POST EQ, ST L/R, MONO POST EQ
    ........ The post-EQ signal of the corresponding channel 
    *1
    *1 Choose from a group of eight channels.NOTEIn the case of the CL3/CL1, channels that do not exist on those models will not be shown.
    B
    KEY IN FILTER parameter area (Displayed only for Gate or Ducking)
    Enables you to make various settings for a filter that lets the key-in signal pass.
    •Filter select buttons............. Select the type of filter from HPF, BPF, or LPF. To 
    disable the filter, press the button that is turned on.
    •Q knob................................... Indicates the filter Q. You can adjust the value by using 
    the multifunction knob.
    •FREQUENCY knob............... Indicates the filter cutoff frequency. You can adjust the 
    value by using the multifunction knob.
    C
    KEY IN CUE button
    Enables you to cue-monitor the signal that has been selected as the KEY IN SOURCE 
    signal. Cue will be canceled if you have selected a dynamics type that does not feature 
    this button, or if you move to a different screen.
    D
    Ta b s
    Use these tabs to select a channel that you want to view on the screen. 
    						
    							EQ and Dynamics
     Reference Manual
    63
    DYNAMICS1/2 window (8ch)This window displays the input channel or output channel dynamics settings in groups of 8 
    channels simultaneously. This window is convenient if you want to adjust the threshold or 
    certain other parameters while watching the adjacent channels to the left and the right.1
    Channel select button
    Selects the channel that you want to control. The current channel icon and number 
    appear on the button, and the channel name appears immediately below the button.
    2
    DYNAMICS OUTPUT meters, GR meter
    Indicate the output levels of signals after dynamics processing, and the amount of gain 
    reduction. If GATE is selected as the dynamics type, a three-step indicator appears, 
    indicating the open/close status of the gate.
    If GATE is selected as the dynamics type, the indicator status means the following:
    3
    Dynamics graph
    Indicates the dynamics parameter values. The currently-selected dynamics type appears 
    below the graph. Press the graph to access the DYNAMICS 1ch window for that 
    channel.
    4
    THRESHOLD knob
    Indicates the threshold value for the dynamics. You can use the multifunction knobs to 
    operate this.
    5
    DYNAMICS ON/OFF button
    Switches dynamics on or off.
    Gate status
    Red Yellow Green Off (dark)
    On/Off statusOn On On Off
    Open/Close 
    statusClose Open Open -
    Amount of gain 
    reduction30 dB or more less than 30 dB 0 dB -
    12453
    Type = Any type other than GATE
    Ty p e  =  GAT E 
    						
    							EQ and Dynamics
     Reference Manual
    64
    DYNAMICS 1/2 window (CH 1-48, CH 49-72/ST IN (CL5), CH 49-
    64/ST IN (CL3), ST IN (CL1), OUTPUT)This window enables you to make settings of the global dynamics parameters for the 
    corresponding channel.1
    Channel select button
    Selects the channel that you want to control. The current channel icon, number, 
    threshold, and color appear on the button.
    2
    Dynamics parameter area
    This area displays the dynamics type and various meters. Press the area to access the 
    DYNAMICS 1ch window of that channel.
    If DUCKING, EXPANDER, COMPANDER (-H/-S), or DE-ESSER has been selected as the 
    dynamics type, the type appears near the top of this area.
    The lower part of this area displays meters that indicate the levels of signals after 
    dynamics processing, the GR meter, and the threshold (a numeric value). If the 
    dynamics processor is any type other than GATE, the threshold setting is indicated as a 
    vertical line.
    Using the EQ/Dynamics librariesYou can use dedicated libraries to store and recall EQ and dynamics settings. For details on 
    using the EQ and dynamics libraries, refer to the “Using the library” section in the separate 
    Owner's Manual.EQ libraryThere is an “INPUT EQ LIBRARY” that lets you store/recall EQ 
    settings for input channels, and an “OUTPUT EQ LIBRARY” that 
    lets you store and recall EQ settings for output channels.
    To recall settings from a library, press the LIBRARY tool button in 
    the /HPF/EQ window.
    NOTE
    You can recall 199 different settings from both the input EQ library and output EQ library. Forty 
    (40) of the input library items are read-only presets, and three (3) of the output library items are 
    read-only presets.
    Dynamics libraryUse the “Dynamics Library” to store and recall dynamics settings. All of the dynamics 
    processors on CL series units use this dynamics library. (However, the available types will 
    differ between an input channel's Dynamics 1 and Dynamics 2, and an output channel's 
    Dynamics 1. You can't recall a type that cannot be used.
    To recall an item from the dynamics library, press the LIBRARY tool button in the DYNAMICS 
    1/2 window.
    NOTE
    You can recall 199 different settings from the library. Forty-one (41) of these are read-only 
    presets.
    12
    LIBRARY button 
    						
    							Channel Job
     Reference Manual
    65
    Channel JobThis chapter explains the DCA Group and Mute Group functions that enable you to control the 
    level or muting of multiple channels together, the Channel Link function that links the 
    parameters of multiple channels, and the operations that enable you to copy or move 
    parameters between channels.DCA groupCL series consoles feature sixteen DCA groups that enable you to control the level of multiple 
    channels simultaneously.
    DCA groups enable you to assign input and output channels to sixteen groups, so that the 
    Centralogic section faders 1 - 8 can be used to control the level of all channels in each group. 
    A single DCA fader will control the level of all input channels belonging to the same DCA group 
    while maintaining the level difference between the channels. This provides a convenient way 
    in which drum mics, for example, can be grouped.Assigning channels to a DCA groupThere are two ways to assign a channel to a DCA group.
    • You can select a specific DCA group and then specify the channels to be assigned to the 
    group, or
    • You can select a specific channel and then specify the DCA group to which it should be 
    assigned.
    NOTE
    • DCA group settings are saved as part of the scene.
    • With CL V3.0 and later, you can now assign the Stereo/Mono bus master, Mix bus master, and 
    Matrix bus master channels to a DCA group on channels other than input channels. DCA groups 
    were formerly used exclusively for input channels. However, with this new feature, you can use 
    the DCA groups for output master channels, which enables for more flexible simultaneous 
    controls.
    Selecting the channels that will belong to a specific DCA group
    NOTE• You can also access the DCA/MUTE GROUP ASSIGN MODE window by pressing the DCA/
    MUTE GROUP field in the OVERVIEW screen.
    • You can assign a single channel to more than one DCA group. In this case, the value will be the 
    sum of the levels of all assigned DCA group faders.
    • The DCA/MUTE GROUP field of the OVERVIEW screen indicates the DCA group(s) to which 
    each channel is assigned. Numbers that are lit yellow in the upper and middle row of this field 
    indicate the DCA groups to which that channel belongs.
    STEP
    1.In the Function Access Area, press the CH JOB button.
    2.Press the DCA GROUP button.
    3.Use the DCA GROUP select button to select the DCA group to which you want to 
    assign channels.
    4.Use the [SEL] keys in the INPUT section or ST IN section to select the channels that 
    you want to assign to the group (multiple selections are allowed).
    Function 
    Access AreaCH JOB 
    menu 
    						
    							Channel Job
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    DCA/MUTE GROUP ASSIGN MODE windowHere you can specify the channels that will be assigned to each DCA group.1
    DCA GROUP ASSIGN/MUTE GROUP ASSIGN buttons
    Toggle between the DCA GROUP ASSIGN window and MUTE GROUP ASSIGN window.
    2
    DCA group assign field
    This area displays the channels assigned to the currently-selected DCA group.
    While this window is displayed, press the [SEL] key for the channel that you want to 
    assign to the DCA group. The channel will be assigned to the DCA group, and the on-
    screen fader for that channel will turn yellow. Press the same [SEL] key once again if you 
    want to remove the channel from the group.
    NOTEIn the case of the CL3/CL1, faders that do not exist on those models will not be shown.
    3
    NAME EDIT button
    Edits the group name of the currently-selected DCA group.
    When you press this button the keyboard window will appear, allowing you to enter or 
    edit the text.
    The DCA group name is displayed on the DCA group select button.
    The registered group name is displayed on the PATCH/NAME tab in the RECALL SAFE 
    MODE popup window.
    4
    DCA group select button
    Selects the DCA group that you want to assign.
    5
    CLEAR ALL button
    Clears all channels that are assigned to the currently-selected DCA group.
    6
    DCA ROLL-OUT button
    Enter the DCA ROLL OUT mode.
    This function enables flexible fader operations. For example, while controlling the DCA 
    fader in the Centralogic section, you can access (roll-out) and control the faders 
    (assigned to the corresponding DCA group) through the fader bank located to the left 
    of the Centralogic section. Alternatively, you can control the faders rolled out to the 
    Centralogic section via DCA Roll-out, while operating the DCA faders through the fader 
    bank on the left.
    7
    PRE&POST button
    Specifies the object of muting in the DCA group as PRE and POST.
    The PRE&POST indicator is shown below a DCA group that has this setting.
    8
    POST ONLY button
    Specifies the object of muting in the DCA group as POST only.
    NOTE• You can set the object of muting in the DCA group individually for each DCA group.
    • If you mute any of the DCA groups on a channel assigned to multiple DCA groups, the signal 
    route for that channel (including sends to the corresponding bus) will be muted.
    9
    CLOSE button
    Closes the window.
    234
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    							Channel Job
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    67
    Selecting the DCA groups to which a specific channel will belongControlling DCA groupsUse the faders of the Centralogic section to control DCA groups.
    NOTE
    • You can also press the [DCA], [DCA 1-8], or [DCA 9-16] key in the Channel Strip section to select 
    the DCA group that you want to control.
    • In the DCA member display on the OVERVIEW screen, you can use the multifunction knob in the 
    Centralogic section to scroll through channels when there are 15 or more channels assigned.
    Using DCA groupsUse the Centralogic section to operate the DCA group.
    •Level adjustment: Faders.... The level of the channels assigned to that DCA group 
    can be adjusted while preserving the level differences 
    of each channel. The input faders will not operate at 
    this time.
    • On/Mute switch: [ON] key.... When you press an [ON] key in the Centralogic section 
    to make the key indicator go dark, the channels 
    assigned to that DCA group will be muted (the same 
    state as when the faders are lowered to the -∞ dB 
    position).
    •Cue Monitor: [CUE] key....... When you press the Centralogic section [CUE] key to 
    make it light, the [CUE] keys of the channels assigned 
    to that DCA group will blink, and cue monitoring will be 
    enabled. For more information about cue, refer to 
    “Using the Cue function” (page 109). STEP
    1.Press the [SEL] key of the input channels and output channels that you want to 
    operate.
    2.Press one of the knobs in the SELECTED CHANNEL section.
    3.Use the DCA group select buttons in the SELECTED CHANNEL VIEW screen to select 
    the DCA group(s) to which the currently-selected channel will be assigned (multiple 
    selections are allowed).
    STEP
    1.Assign input and output channels to DCA groups.
    2.Using the faders in the Channel Strip section or Master section on the top panel, 
    adjust the relative balance between the input and output channels that belong to 
    the DCA group you want to use.
    3.
    Use the Bank Select keys in the Centralogic section to select the [DCA 1-8] key or the 
    [DCA 9-16] key.
    4.Use the Centralogic section to operate the DCA group.
    SELECTED CHANNEL 
    VIEW screenDCA/MUTE 
    field 
    						
    							Channel Job
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    68
    DCA Roll-out functionYou can now access all of the channels assigned to a DCA group simultaneously through the 
    fader banks.
    This function enables flexible fader operations. For example, while controlling the DCA fader 
    in the Centralogic section, you can use the Roll-out function to access (roll-out) and control 
    the faders (assigned to the corresponding DCA group) through the fader bank located to the 
    left of the Centralogic section. Alternatively, you can control the faders rolled out to the 
    Centralogic section via DCA Roll-out, while operating the DCA faders through the fader bank 
    on the left.DCA ROLL-OUT operation
    NOTE• You cannot turn Roll-out mode on while operating the DCA group (for example, while assigning 
    channels or editing the group name).
    • Even if Roll-out mode is turned on while you are controlling a GEQ via faders, you cannot edit 
    the DCA group using the faders.
    • If the number of channels assigned to a DCA group exceeds the number of faders in the block 
    (that is a roll-out target),you will be unable to control extra channels.
    • All bank select keys in the block (to which the displayed channels belong) will light up.
    • If the faders are rolled out to the Centralogic section (block B), the IN/OUT select keys in the 
    Centralogic section will be disabled.
    • Bank select keys in blocks in which no faders are rolled out will operate normally.
    Setting the DCA Roll-out function
    NOTEYou cannot turn DCA Roll-out mode on if one of the following popup windows is open. If DCA 
    Roll-out mode is already turned on, opening one of the windows will cause DCA Roll-out mode 
    to quit.
    - DCA/MUTE GROUP ASSIGN MODE popup window
    - RECALL SAFE MODE popup window
    STEP
    1.
    Use a bank select key to select the DCA group that you want to control, then press the 
    [SEL] key for that DCA group.DCA Roll-out mode is engaged, and the faders that have been assigned to the DCA group will be 
    rolled out.
    2.
    If you press the [SEL] key for another DCA group, faders that have been assigned to that 
    DCA group will be rolled out.
    3.
    Press the same [SEL] key again to exit DCA Roll-out mode.
    STEP
    1.
    In the Function Access Area, press the CH JOB button.
    2.
    Press the DCA GROUP button to access the DCA/MUTE GROUP ASSIGN MODE popup 
    window.
    3.
    Press the DCA ROLL-OUT button.
    4.
    Select a DCA group.If you press a [SEL] key for a DCA group other than the selected one, the group selection will change.
    5.
    Select a block (in which the DCA group is rolled out to the faders) and the alignment.
    6.
    Press the CLOSE button to close the popup window.Function 
    Access AreaASSIGN MODE popup window 
    						
    							Channel Job
     Reference Manual
    69
    DCA ROLL-OUT screen1
    ROLL-OUT BLOCK
    Enables you to select a block in which the DCA group is rolled out to the faders.
    CL5 : Blocks A, B, C
    CL3/CL1 : Blocks A, B
    2
    ALIGN button
    Enables you to choose whether the DCA group is rolled out to the faders from the left 
    or right.
    3
    DCA group select button
    Selects the DCA group that you want to control.
    Using the temporary unmute functionIf one of the DCA group buttons on a channel is OFF (muted), press the [ON] key for that 
    channel to temporarily unmute the channel. However, in Preview mode, any operation during 
    mute with pressing of the [ON] key is disabled.
    Example 1: CH 1 is OFF. Assigned to DCA GROUP 1.Example 2: CH 1 is ON. Assigned to MUTE GROUP 1 and DCA GROUP 1.
    213
    Operation Example 11.Press the ON key for DCA 1. The indicator lamp goes off.
    The indicator lamp for the ON key for CH 1 remains off. DCA 1 is muted.
    2.Press the ON key for CH 1.
    CH 1 is temporarily unmuted, and the indicator lamp for the ON key comes on.
    3.Press the ON key for DCA 1. The indicator lamp comes on.
    DCA 1 is unmuted, and the indicator lamp for the ON key for CH 1 comes on.Operation Example 21.Set MUTE MASTER 1 to ON (MUTE).
    CH 1 is muted, and the ON key flashes.
    2.Press the ON key for CH 1.
    CH 1 is temporarily unmuted, and the indicator lamp for the ON key comes on.
    3.Press the ON key for DCA 1. The indicator lamp goes off.
    CH 1 is muted, and the ON key flashes.
    4.Press the ON key for CH 1.
    CH 1 is temporarily unmuted, and the indicator lamp for the ON key comes on.
    5.Press the ON key for CH 1 again.
    CH 1 is muted again, and the ON key flashes.
    6.Set DCA1 to ON, and MUTE MASTER 1 to OFF.
    CH 1 is unmuted, and the indicator lamp for the ON key comes on. 
    						
    							Channel Job
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    Mute groupCL series consoles feature eight mute groups.
    Mute groups enable you to use USER DEFINED keys [1]-[16] to mute or unmute multiple 
    channels in a single operation. You can use this to cut out multiple channels simultaneously. 
    Mute groups 1 - 8 can be used with both input channels and output channels. Both types of 
    channels can exist in the same group.Assigning channels to mute groupsAs with the DCA group, there are the following two ways to assign channels to mute groups.
    • You can select a specific mute group first and then specify the channels to be assigned to 
    the group, or
    • You can select a specific channel and then specify the mute group to which it should be 
    assigned.Selecting the channels that will belong to a specific mute group
    NOTE• You may assign a single channel to more than one mute group.
    • The DCA/MUTE GROUP field of the OVERVIEW screen indicates the mute group(s) to which 
    each channel is assigned. Numbers that are lit red in the lower line of this field indicate the mute 
    groups to which that channel belongs.
    • If the dimmer level is set to any level other than -∞ dB, these numbers will light orange.
    For a channel for which the Mute Safe function (page 72) has been turned on, an “S” indicator 
    will light up green at the right end of the bottom row.
    DCA/MUTE GROUP ASSIGN MODE windowHere you can select the channels that will be assigned to each mute group.1
    DCA GROUP ASSIGN/MUTE GROUP ASSIGN buttons
    Toggle between the DCA GROUP ASSIGN window and MUTE GROUP ASSIGN window. STEP
    1.In the Function Access Area, press the CH JOB button.
    2.Press the MUTE GROUP button in the CH JOB menu.
    3.Use the mute group master buttons in the DCA/MUTE GROUP ASSIGN MODE 
    window to select the mute group to which you want to assign channels.
    4.Press the [SEL] key for the input channels/output channels that you want to operate 
    (multiple selections are allowed).
    Function 
    Access AreaCH JOB 
    menu
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